An artist from Cleveland, Ohio is transforming a classic 1947 Greyhound bus, which he saved from a Pennsylvania junkyard, into a traveling museum.Robert Louis Brandon Edwards, who is also a historian and preservationist, is tearing out the bus’s interior (in a previous life in the 1970s it was a motorhome equipped with a kitchen, bathroom, and bedroom) so he can turn it into the Museum of the Great Migration.The Great Migration was a period between around 1910 and 1970, when millions of African Americans uprooted from the rural South to the North America’s Midwest, West, and Northeast. The museum will highlight the experiences and hardships they endured as they migrated north, including racism, Jim Crow...

More than $500,000 worth of art traded hands free of charge last week with a contract that makes collecting more accessible and helps ease artists’ burden of storing old work

A Sculptural Addition for the skyline of Bangkok
 
Heatherwick Studio reveals the design for Hatai, a mixed-use development in Bangkok, marking the firm’s first project in Thailand. Situated on the site of the original Narai Hotel in the city’s Silom neighborhood, the scheme integrates two new hotels with a public plaza, canal restoration, and open-air community programs.
 
The architecture draws from the material and symbolic qualities of traditional Thai lanterns. Vertical structures are conceived as stacked volumes, their surfaces textured and articulated to diffuse light and soften the development’s silhouette against the city’s sharp commercial skyline. The composition introduces a layered...

On July 14, former New York governor Andrew Cuomo announced the relaunch of his New York mayoral campaign, this time as a third-party candidate, following his defeat in the Democratic primary to Zohran Mamdani. Cuomo lost to Mamdani by 12 percentage points on June 24 despite a super political action committee (PAC) spending more than $22 million, the largest amount in the city’s history. Spending is sure to spike as the candidate’s respective campaigns advance towards November 4, and per a recent ARTnews data analysis, prominent art world figures have already gotten involved in the race. Those who made donations to Cuomo’s campaign include: Helena Grubesic, SVP at Christie’s, $2100 Erica Downs,...

In a lawsuit filed earlier this month, Phillips, one of the world’s top auction houses, claimed that a billionaire’s son failed to pay $14.5 million for a Jackson Pollock painting that sold in New York this past November. The lawsuit, filed in the Supreme Court of New York, alleges that David Mimran, a film producer and the son of French businessman Jean Claude Mimran, had agreed to pay that sum as a third-party guarantee. Third-party guarantees, which have become common in major sales, especially since the onset of the pandemic, help auction houses defray the risk of offering art by bringing in an outside backer who agrees to buy a work, even if bidding does not break a certain barrier. Documents...

Two Halves, One Complete Journey
 
The official medals for the upcoming 2026 Olympic Winter Games and Paralympic Winter Games were revealed in Venice at Palazzo Balbi. Designed by the Istituto Poligrafico e Zecca dello Stato (IPZS), the medals embody a metaphor that celebrates both the athletes’ journeys and the collective spirit that supports them. The unveiling was notably attended by two Italian sporting legends, Federica Pellegrini and Francesca Porcellato, who helped present the medals that embody the essence of Italy’s creativity and commitment to the values of sport.
 
The design concept of the medals reflects the unity of two cities, Milano and Cortina, fused through the Olympic and Paralympic...

“For me, costume has always been part of everything,” says photographer and multidisciplinary artist Victoria Ruiz. “Culturally, I grew up in Venezuela seeing costume not as something separate from daily life but as something deeply embedded in it, especially through the lens of carnival. Carnival is in our blood. It’s not just a festival; it’s a way of expressing history, resistance, joy, and grief. A costume, at the end of the day, is something you wear that tells a story.” In striking, saturated images, Ruiz channels a fascination with nature, dance, spirituality, and African diasporic religion. Citing belief systems of the Americas like Santería-Ifá, Candomblé, Umbanda, and Espiritismo, the...

The annual award, created under the patronage of Japan’s Imperial Family, covers five categories including painting, sculpture and architecture

tamada & wakimoto arranges residence around gardens
 
In the rural outskirts of Tochigi, Japan, on a former farmstead surrounded by rice fields and small factories, Tamada & Wakimoto completes Roof House, a gently scattered residence designed to stretch daily life into the garden. The project sits on a 2,000-square-meter plot once occupied by a large farmhouse and framed by hardwood trees. For a young client relocating from the city, the architects were asked to create a place to live, work, and connect with others while keeping the house adaptable for the future.
 
The team breaks the house down into several compact buildings and arranges them around semi-outdoor courtyards. These in-between spaces, what...

Centre des Monuments Nationaux has also signed agreements with the National Trust, the National Trust for Scotland and English Heritage

desktop robot reachy mini by pollen robotics
 
Pollen Robotics introduces Reachy Mini, a programmable and animated desktop robot that can recognize faces, listen to voices, and talk to people. Designed to help users learn and explore robotics, coding, and AI, the device is compact enough to fit on a desk or small table, and it weighs 1.5 kilos, so users can also bring it anywhere, even in their travels. For programmers, the desktop robot Reachy Mini comes as a kit, meaning they can build the device themselves and install their own programs. It is also plug-and-play, so once it’s built, it’s ready to go and help.
 
In the open-source files, the robotics team gives the users around 15 behaviors so they can...

The exhibition is auction house’s third dedicated to Middle Eastern art, part of a strategy to support the region

karim+elias’ desert drop series evokes layers of the landscape
 
Continuing their tactile, layered exploration of rammed earth as both medium and message, Karim+Elias present two new works in their ongoing Desert Drop series. The set of wall-mounted lamps and sculptural stem vases were unveiled at the inaugural edition of Downtown Design Riyadh, extending the design duo’s pursuit of reviving and evolving the ancient construction techniques through contemporary design.
 
The lamps combine sedimentary earth with hand-blown glass, forming softly lit wall pieces that glow from within, while the vessels, grounded in form and tone, integrate a glass chamber for floral stems. Echoing the organic silhouettes and...

The Raphaelite figure's great-grandson has loaned over 150 works on paper

«Perché Vidìmu? Perché la visione di queste otto opere di videoarte alla fine ti conduce a un esito inaspettato». Con queste parole il curatore Claudio Libero Pisano introduce “Vidìmu”, la rassegna di videoarte che ha inaugurato al Complesso Monumentale del San Giovanni di Catanzaro, l’evento che timbrerà il luglio catanzarese sotto il segno dell’arte contemporanea declinata nella videoarte. «Non ho scelto otto artiste, ma ho scelto otto opere d’arte», risponde convincentemente Pisano nel momento in cui lo scrivente sottolinea l’evidenza di una rassegna interamente al femminile. Anche la sua introduzione, sia su catalogo sia dal vivo alla presentazione ufficiale di Catanzaro Contemporanea,...

Julia Margaret Cameron, “Call, I Follow, I Follow, Let Me Die!” (1867), carbon print (© The Royal Photographic Society Collection at the V&A) One word that kept coming to mind as I thought about the shows below is “visionary.” Whether it’s reimagining the ways that women are discussed in literature or centered in photography, or working toward HIV prevention and systemic oppression of LGBTQ+ people, the artists featured have all used their platforms in innovative ways. That most of these shows approach art from a feminist perspective is an added bonus. Chloe Dzubilo’s drawings are correctives to the ingrained homophobia and transphobia that have long hindered HIV care, while Julia Margaret Cameron...

Nearly 150 artists, curators, and other cultural figures signed an open letter denouncing the Centre Pompidou-Metz’s decision to abruptly call off an exhibition centering on contemporary Franco-Creole, Caribbean French, and Guyanese art. The cancellation, which was formalized in a June 10 notice, followed months of planning and a series of tense text message exchanges between the museum’s director Chiara Parisi and guest curator Claire Tancons, Le Monde reported. Slated to run from the end of October 2026 through the beginning of April 2027, the survey Van Lévé: Sovereign Visions from the Maroon and Creole Americas and Amazonia would have gathered the works of dozens of artists from across the French...

Some summer days while I was in high school, my dad would give me a $20 bill, and I would take the train into the city for a drop-in life drawing class at the Art Students League of New York in Midtown. I wasn’t a very good student. Half the time, I’d pocket the money instead, and wander around the park or meet my friends downtown. But on at least a few occasions, I did head into that French Renaissance-style building, up those marble steps, and into one of many classrooms, where for a few hours, the only sound would be the scritch scritch of many hands hatching into paper.  As such, I suppose you could count me among the hundreds of thousands of alumni of the Art Students League, which is celebrating its...

Along a wall of framed pen and marker drawings in Chloe Dzubilo, The Prince George Drawings at Participant Inc. is a text work that simply reads: “Stronger than life itself @ this point.” Invoking strength in the face of adversity can read as an empty cliché, but Dzubilo’s work from 2008, with its “@ this point,” posits strength as necessity more than inspiration.  There’s no question of the artist’s strength here, or her need for it. The exhibition is named for the Prince George, a subsidized housing complex for people with HIV/AIDS where Dzubilo lived from 2000 until her death in 2011. Born in Connecticut in 1960, the artist became a fixture in New York’s East Village art scene after moving...

Julia Margaret Cameron and Jane Austen are both luminaries of the 19th century who explored the inner lives of women in their respective fields, photography and fiction. The legacies of these two trailblazing British women converge with the Morgan Library & Museum’s concurrent exhibitions A Lively Mind: Jane Austen at 250 and Arresting Beauty: Julia Margaret Cameron. Both draw on the women’s visual and literary archives to illustrate the complexities and historic significance of their lives.  Writing in the late 18th and early 19th century, amid the rise of the British middle class and the constraints of rigid gender roles, Austen captured the desires and anxieties of women with needle-sharp precision. In...

The towering behemoths that saunter and wage war through Mu Pan’s paintings are rooted in several aspects of the Brooklyn artist’s psyche. Read the full article by Andy Smith on the artist, his controversial work and perspective by clicking above.
The post Climactic! Mu Pan’s Massive Battle Scenes Are Teeming With Humor and An Introspective Bleakness first appeared on Hi-Fructose Magazine.

Calling all artists and illustrators! The time has come. We are publishing a new art book and this is your chance to submit images to it! This will be the fourth instalment of our acclaimed Tomorrow’s Talent series, and we’re excited to take this one to another level. Below are a few spreads from Vol. III which clocked in at 200+ pages and featured more than 70 artists! Check out the full list of artists featured in Vol. I (sold out), Vol. II (some available), and Vol. III (soldout).

UNESCO has granted World Heritage status to Murujuga rock art in Western Australia that many have said is vulnerable as a result of a nearby gas project. “This is a momentous day for our old people and our future generations to have Murujuga’s outstanding universal heritage values recognized by the world,” Raelene Cooper, a Pilbara traditional owner and Mardudhunera woman who is a former chair of MAC and founder of the Save Our Songlines group, told ABC News. “Our rock art tells the stories of our people, and maintains our songlines and bloodline connection to our ngurra.” The Murujuga site, located in the Pilbara region in Western Australia, is comprised of ancient Aboriginal rock art that predates...

In late 2021, we shared a series of images taken by NASA’s Parker Solar Probe as it flew through—and touched—the sun’s upper atmosphere, or corona. These stunning captures provided an unprecedented glimpse of the massive star from inside its magnetic field. Last week, NASA released a new batch of images from the probe as it traveled even closer to the sun. On December 24, 2024, the spacecraft reached 3.8 million miles from the surface, a distance that allowed its Wide-Field Imager for Solar Probe (WISPR) to document the steady stream of electrically charged particles known as solar winds. Roaring throughout the solar system, these winds are responsible for many of the weather-related phenomena we...

Bill Dilworth, the beloved caretaker of Walter De Maria’s New York Earth Room, has died at 70. The New York Times reported on Saturday that he died on December 10, 2024, of a stroke, though his passing was not a matter of public knowledge until the Times obituary was published. For 35 years, Dilworth tended to the 1977 De Maria piece, an installation composed of 280,000 pounds of dirt piled two feet high. (Visitors stand behind glass and are not allowed to walk on the dirt.) Managed by the Dia Art Foundation, the piece has been open to the general public since 1980 and has since become a point of pilgrimage and a cult favorite. The pop star Lorde even featured an Earth Room lookalike in a recent music video....

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Between 450 B.C.E. and 950 C.E., a particularly fertile soil known by researchers as terra preta, literally “black earth” in Portuguese, was cultivated by Indigenous farmers in the Amazon Basin. The soil was made with broken pottery, compost, bones, manure, and charcoal—which lends its characteristic dark shade—making it rich in nutrients and minerals. The historic, fecund material becomes a symbolic nexus for the exhibition Black Earth Rising, now on view at Baltimore Museum of Art. Curated by journalist and writer Ekow Eshun, the show illuminates several links between the climate crisis, land, presence, colonization, diasporas, and social and environmental justice. Raphaël Barontini, “Au Bal des...

On the Mediterranean island of Menorca, Cindy Sherman’s figures appear once again to perform: posing, collapsing, confronting and transforming.The Women, presented by Hauser & Wirth, is her first solo exhibition in Spain in over two decades. It draws from the artist’s vast archive of staged female identities, spanning from the 1970s to the 2010s. The title, drawn from Clare Boothe Luce’s 1936 all-female stage play The Women, signals a deliberate connection to generations of women performing femininity for one another and for the world around them. Sherman’s practice does not simply reflect on womanhood; it probes and dissembles it, laying bare the social, psychological and cinematic roles women are...

La tela non è solamente un supporto pittorico dove potersi esprimere, ma può essere uno strumento con il quale sperimentare e generare una moltitudine di giochi percettivi, anche con la luce. Available Light / Luce Disponibile è la mostra personale di Peter Schuyff, in corso fino al 28 settembre 2025, a Polignano a Mare presso la Fondazione Pino Pascali. Il titolo della mostra già preannuncia il processo creativo dell’artista: rendere la luce la vera materia pittorica. Un significato che, pur sempre rimanendo sotteso al rapporto, quasi simbiotico, tra colore e geometria, ne evidenzia la trascendenza, la fluidità nel guardare oltre, nel superare la staticità della tela. Come se la luce riuscisse a farci...

Negli ultimi anni molti musei si stanno ponendo sempre più come luogo attivo, di restituzione e scambio. Non si focalizzano soltanto sul loro ruolo tradizionale di acquisire, conservare e valorizzare il patrimonio, quanto sull’essere in grado di comunicare le collezioni con visite guidate, esperienze interattive e mostre temporanee, in dialogo con il posseduto. Il Museo Archeologico di Bologna ha deciso di investire anch’esso su una proposta temporanea, accogliendo la mostra fotografica Ritratto di donna. Fotografie di Maria Paola Landini, inaugurata lo scorso mese e ideata da Serendippo APS. L’associazione, laboratorio di sperimentazione artistica e culturale con sede presso 5C Lab in Vicolo de’...

There are more than 68,000 plant specimens currently held at the Royal Botanical Gardens, Kew. Some of these are extinct, whilst others represent threatened species from around the globe. It is also home to the largest wild seed bank in the world, kept secure as a safeguard against the disastrous effects of climate change and biodiversity loss. The 2.5 million visitors welcomed to the gardens each year step into an Eden of flora. Given the scale of the operation, it is even more impressive that their new exhibition takes its inspiration from one, solitary plant. Nestled within the garden’s abundant foliage is an oak tree. It is one of the oldest at Kew, grown from a cutting of the very first Lucombe oak,...

Nel suo ritorno alla storica sede di Lucio Amelio in Piazza dei Martiri a Napoli, Alfonso Artiaco ospita una doppia personale in cui il gesto pittorico diventa strumento per misurare il tempo, abitarlo, restituirgli corpo. Selene Cardia e Paolo Bini condividono uno stesso campo di indagine – la pittura come dispositivo esperienziale – ma lo percorrono con sguardi radicalmente diversi. Entrambi credono nel potere resistente del quadro, ma mentre Cardia ne fa soglia intima, Bini lo apre a un paesaggio mentale in continua vibrazione. Due strade divergenti, che si sfiorano nel silenzio condiviso con cui pensano il visibile. In entrambi, la pittura non è mai oggetto, ma campo di forze: non descrive il mondo,...

By Kristine Schomaker I spent this afternoon at Nomad and Tryst at Del Amo Crossing and honestly? I needed that more than I knew. Walking...

Nearly a century before the invention of the microscope and even longer before entomology became a field of research, Joris Hoefnagel (1542-1600) devoted himself to studying the natural world. The 16th-century polymath created an enormous multi-volume collection called The Four Elements, which contained more than 300 watercolor renderings, each depicted with exceptional detail. As Evan Puschak of the YouTube channel Nerdwriter1 (previously) explains, Hoefnagel showed unparalleled talent in his field. Compared to one of his predecessors, Albrecht Dürer, Hoefnagel draws with a painstaking commitment to precision and accuracy, even depicting specimens’ shadows with impeccable fidelity. As Kottke writes, “his...

Tucked into mountainsides and among bustling streets, small corner stores are often a central point in a community. For Lee Me Kyeoung (previously), these local shops provide endless inspiration for an ongoing series of drawings. The Korean artist documents the tiny markets she encounters around the world, utilizing pen and acrylic to create exquisite visual odes from Australia to Turkey. Me Kyeoung’s drawings were recently collected into a book, and you can follow her work on Instagram. Göreme Cappadocia, Türkiye Husei, Japan Dhampus, Nepal Chefchaouen, Morocco Hoian, Vietnam Arhangai, Mongolia Ubud Bali, Indonesia Ross on Wye, U.K. Sydney, Australia
Do stories and artists like this matter to you? Become...

By Kristine Schomaker Alicia Serling treats her energy like a palette. After months of burnout, she's learned to mix equal parts...

Nina Molloy  
   
   
   
   
   
   
   
   
   
   
   
   
   
   
 
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Santarcangelo Festival, diretto per il quarto anno dal curatore, drammaturgo e critico polacco Tomasz Kirenczuk, ha inaugurato lo scorso fine settimana la sua 55sima edizione, che ancora per tre giorni si diffonderà in vari luoghi del borgo medievale di Santarcangelo di Romagna, con epicentro in piazza Ganganelli. Una novità è la riapertura degli spazi delle ex-corderie, suggestivo complesso industriale per la produzione di corde e reti ora abbandonato, inutilizzato dal 2013. L’entusiasmo è alto, in questa grande e longeva festa del teatro che si propone come comunità allargata, per le trentotto compagnie italiane e internazionali attese, venti delle quali in prima nazionale, per oltre 140 proposte,...

Modern Art Oxford’s summer 2025 exhibition, Movements for Staying Alive, invites visitors to explore the power of movement as a way of connecting, learning and living. Far from the traditional museum experience, where artworks are untouchable and viewers remain at a distance, this show reimagines the gallery as a space for physical interaction. It is alive with touch. Sculptures can be held, worn and rearranged. Light and sound move across the walls, creating an environment that responds to the presence of bodies. Here, you aren’t just an observer, but part of the artwork itself – an active participant. Rather than framing movement solely as dance or gesture, the show opens a broader dialogue: motion as...

The Bronx Museum of the Arts has announced Shamim M. Momin as its next director and chief curator. Momin, who was most recently director of curatorial affairs at the Henry Art Gallery in Seattle, will take up her new post in early September amid a planned $42.9 million transformation of the museum’s South Wing slated […]

Venus Over Manhattan, the New York gallery founded by collector Adam Lindemann in 2012, will shut its doors later in July. Lindemann announced the closure in an opinion piece for Artnet News, writing that he planned to focus exclusively on collecting, exiting the sell side altogether. Among the factors driving his decision, he said, were […]

The Bayeux Tapestry, a 230-foot embroidered cloth chronicling the 1066 Norman Conquest of England, is set to return to England next year, some nine centuries after it was made there. Believed to have been created in the eleventh century, the Romanesque-style masterpiece was likely commissioned by Bishop Odo of Bayeux, the half-brother of William the […]

On Małgorzata Mirga-Tas

Sarah Elawad’s When the War is Over creates a space for reflection on Sudan’s conflict through textiles and cultural resilience Installation view of Sarah Elawad’s When the War is Over on the windows of The […]

Alisa LaGamma on architecture, digital innovation, and new narratives in The Met’s renovated Michael C. Rockefeller Wing Installation View of the Arts of Africa Galleries in the Michael C. Rockefeller Wing at The Metropolitan Museum […]

Join us for a very special private visit of Leighton House and Sambourne House in London on 02 September, 11.30am – 4pm.
This is an opportunity for photographers to have private access to these magnificent museum homes, take photographs, contribute to an online feature (which will promote your work to over 500,000/pa) and spend the day with like-minded people, making connections in inspiring locations.
 
Tucked away in Holland Park, Leighton House and Sambourne House stand as the extraordinary legacies left by Victorian artists Frederic Lord Leighton (1830-1896) and Edward Linley Sambourne (1844 -1910).
Leighton and Sambourne lived as neighbours for over 20 years, with the former the most prominent artist...

Egyptian artist Wael Shawky has been named artistic director of Art Basel Qatar, which is set to launch in Doha this coming February. Taking place across multiple venues—among them M7, the Doha Design District, and select public sites in Msheireb—the fair will platform galleries and artists from the Middle East, North Africa, and South Asia. […]

Presented at EMST in Athens, this exhibition essay by Nektarianna K. Saliverou explores Baloji’s robust engagement with memory, colonial legacy, and cultural resilience through photography, sculpture, film, and installation. The crucial individuality of contemporary artistic […]

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this is syndicated content originally published by Andrew Fairclough / True Grit Texture Supply

Whether portraying people of the past or present, of great fame or total anonymity, Bisa Butler brings the viewer face to face with images of dignity and grace. Read Clayton Schuster's article on the artist by clicking above.
The post It’s About Time: Bisa Butler Reconstructs The Historical Narrative first appeared on Hi-Fructose Magazine.

By Kristine Schomaker James A. Faulkner works with fragments—pieces of old photographs, vintage ephemera, and found materials that he...

El Anatsui, Lubaina Himid, Frank Bowling, and Yinka Shonibare are among the major artists in this expansive showcase of contemporary dialogue and cross-cultural creativity. Gallery view of the Summer Exhibition 2025, at the Royal Academy […]

This 20th Anniversary issue features a plethora of issue exclusive articles, printed on fine art papers, HF 75 features a cover feature on Martha Rich, the paintings on unusual media of Helena Minginowicz, the colorful portraiture of Shaun Downey, the plastiscine murals of Timur Fork, installation artist Do Ho Suh, the painting of Amy Casey, […]
The post Hi-Fructose 75, The 20th Anniversary Issue is Coming: See Sneak Peeks. first appeared on Hi-Fructose Magazine.

Based in Japan’s western countryside, Ozabu merges reality and fantasy with impeccably precise and highly detailed narrative drawings. Read Liz Ohanesian's full article on the artist by clicking above.
The post Subtle: The Graphite Drawings of Ozabu first appeared on Hi-Fructose Magazine.

“Art is not what you see, but what you make others see.” These are the words of renowned artist Edgar Degas. A century later, the sentiment continues to ring true. In a contemporary moment plagued with political polarisiation, and where those with power often wield it to the detriment of the most vulnerable, it is more important than ever to “make others see.” Art invites us to step into another’s shoes and see the world anew. Exhibitions can spotlight stories history has overlooked, striving to ensure all voices are heard. These five exhibitions are powerful examples of this effort, from deconstructing the legacy of colonialism in Ghana, to envisioning a future that values the lives of all creatures...

Yin Yunya (b. 1990) has long investigated paths of change. Bodies of water, tidal rhythms and shells appear throughout her practice, establishing a visual language rooted in flux. As such, we can say her work exists in a littoral, or intertidal, zone – an ecological concept that describes a fertile area where land and water overlap, inhabited by a rich diversity of animal and plant growth. In much the same way, Yin’s documentary and fine art photography collide with rich results – expressing complex ideas concerning existence. Yin earned a BA in Photography from the Beijing Film Academy (2009-2013), and an MA in Photojournalism and Documentary Photography from the London College of Communication,...

Bundanon’s Season 2 program pairs Pumani’s intergenerational reflections on Antara with Sequeira’s meditative explorations of colour, geometry and sound. Betty Kuntiwa Pumani with her major work Antara commissioned for malatja-malatja at Bundanon, 2025. Courtesy the […]

By Kristine schomaker Gal Mariya Rivers prepares to reveal her face after a decade of anonymous body liberation I'm looking at a photo of...

In the fanciful depictions of Magda Kirk, massive deity-like characters reign over an inter-dimensional world comprised of emotion, self-awareness, and unlimited possibility. Read Zara Kand's full article on the artist by clicking above.
The post In The Fanciful Depictions of Magda Kirk Massive Deity-Like Characters Reign Over An Inter-dimensional World first appeared on Hi-Fructose Magazine.