The Artists Living With Cancer Grant, an unrestricted award of $25,000 that was co-developed by the Rema Hort Mann Fund (RHMF) and the Robert Rauschenberg Foundation, has just named its inaugural recipient. The awardee is Jacolby Satterwhite, a prolific conceptual and digital artist who has grappled with cancer since he was twelve years old.  Satterwhite, […]

The Preserve Act specifically sites Washington, DC’s Cohen Building—the “Sistine Chapel of the New Deal”

PASADENA, Calif. — When Marshall McLuhan remarked that “the medium is the message,” he was not referring to tapestries made from crushed velvet or sculptures crafted from wood and amethyst crystals — although Material Prophecies: Craft as Divination at Armory Art Center might suggest otherwise. First uttered in 1958 during a radio broadcast, the phrase addressed the rise of then-new technologies like television and video, which, according to McLuhan, shaped the reception, influence, and even character of their content. A similar idea infuses Material Prophecies, which features eight artists working with materials that have deep-seated connections to spiritual practices and religious rituals. To what...

The LEGO Group has announced a partnership with the Belvedere Museum in Vienna to release a 4,000-piece Lego set of Gustav Klimt’s The Kiss (1907–08). The set, the largest painting-inspired one that the company has ever produced, will be available for purchase beginning August 1. It has a retail price of $299.99. Unlike the original painting, the Lego version of The Kiss is technically three-dimensional, as building enthusiasts (ages 18+, per the box) are meant to stack various sections of the painting atop one another, giving the finished product more depth than Klimt’s original painting. While most LEGO sets traditionally feature paper instructions on how to build the final piece, this one will also...

The fascination with Michelangelo Merisi da Caravaggio continues unabated, and for good reason. Not only was Caravaggio the most impressive Italian painter since the death of his namesake, Michelangelo Buonarroti, less than a decade before his birth, but his reputation as the “damned artist” lends itself to questions about his character, sexuality, politics, and professional practice.Today, we have a tendency to see him as a solitary, bellicose figure, and Caravaggio (2025), a documentary drama directed by David Bickerstaff and Phil Grabsky, does nothing to dissuade us, even though the story it tells is one of constant collaboration. Among the experts telling Caravaggio’s story are the brilliant art...

The office of Manhattan District Attorney Alvin L. Bragg, Jr., announced the repatriation of three antiquities valued at $160,000 to Mexico, including one seized from the Metropolitan Museum of Art. The return of the objects is a result of multiple investigations into illegal trafficking networks, including one that led to the conviction of Eugene Alexander last summer. According to a press release announcing the news, “This marks this Office’s sixth repatriation to the People of Mexico totaling 52 antiquities valued at more than $13 million.” The object seized from the Met is a Standing Male Figure dating back to ca. 100-400 that had been sold by the New York-based Merrin Gallery and donated to the...

Set to break ground in January 2027, a new wing of the Clark Art Institute, based in Williamstown, Massachusetts, will house the Aso O. Tavitian collection, which includes over 300 works of art from the private collection of the late entrepreneur and philanthropist Aso O. Tavitian. The collection is among the most significant private holdings […]

Several political parties across the UK Parliament have called for an independent investigation into the British Museum’s removal of the terms “Palestine,” “Palestinian,” and “Israelite occupation” after a Middle East Eye report linked the museum’s decision to lobbying by pro-Israel activists. The British Museum defended its decision to alter some displays in February, saying that “audience testing” showed the term “Palestine” to be “no longer meaningful”—a claim challenged earlier this month by disclosures made to Middle East Eye (MEE), which found that no such audience testing or visitor research relating to the term “Palestine” had been conducted.  Rather, an analysis of...

The Whitney Museum of American Art in New York has presented its $100,000 Bucksbaum Award to New York–based sculptor and performance artist Pat Oleszko. Oleszko was chosen for the honor from among the fifty-six artists and collectives included in the 2026 Whitney Biennial, on view through August 23. The Detroit-born Oleszko over a career spanning more than five […]

An iconic piece of Star Wars memorabilia smashed predictions and sold for a record-setting sum.  Heritage Auctions confirmed late Wednesday afternoon that Mark Hamill’s original screen-used Luke Skywalker lightsaber sold for $3.75 million. It’s the one he wielded during a climactic face-off with Darth Vader in 1980’s Star Wars: Episode V – The Empire Strikes Back until the Sith Lord cut off his hand and delivered the infamous “I am your father” line. Per multiple reports, it was originally offered for $1 million and expected to fetch in that range up to $2 million. The $3.75 million sum set a new world auction record for a screen-used Star Wars prop, per Dallas-based Heritage. The previous...

SANTA BARBARA, CALIFORNIA—The Santa Barbara Independent reports that ancestral remains and artifacts have been returned to the Santa Ynez Band of Chumash Mission Indians by the Yale Peabody Museum and Harvard University's Peabody Museum of Archaeology and Ethnology. The repatriation took four years to organize under the Native American Graves Protection and Repatriation Act (NAGPRA), which became law in 1990. “Our ancestors and their belongings were stolen from their resting place, a place where their families and communities prayed and grieved, leaving them to rest,” said Kathleen Marshall of the Santa Ynez Chumash Museum and Cultural Center. The earliest collection of these objects occurred in 1877,...

The German state of Bavaria has overhauled the way that claims for restitution of Nazi-looted artworks will be evaluated. The state will establish a Center for Provenance Research and Restitution Issues of Nazi-Looted Art at the Institute for Contemporary History (IfZ). This takes the provenance research outside of the museums that own the works and thus could be suspected of being less than objective in evaluating such claims. Andreas Wirsching, director of the IfZ, called the move a “quantum leap” in a press announcement. Wirsching headed up the Roundtable on Historical Responsibility that devised the new procedures.  The group will be chaired by Raphael Gross, director of the German Historical Museum...

The Zimmerli Art Museum, the fine arts museum of Rutgers University in New Jersey, has just received a gift of more than seventy noteworthy works of modern and contemporary art from Anne and Arthur Goldstein, longtime benefactors of the institution. The trove of artworks includes a mixed-media drawing by Nicole Eisenman, 1960s works by Lee […]

COUNTY WATERFORD, IRELAND—Traces of two dwellings dated to between 3600 and 3700 B.C. have been discovered in a quarry in southeastern Ireland by researchers from Rubicon Archaeology, according to a WLRFM.com report. A polished stone ax was found beneath the floor surface in one of the houses. It is thought to have been placed there as an offering to protect the household. A second ax recovered from the site is thought to have originated in northwestern England, suggesting that Neolithic people were transporting goods across the Irish Sea. The excavation also unearthed pottery, stone tools, and cremation burials dated to the Bronze Age. To read about a Neolithic tomb uncovered in Ireland's Boyne Valley, go...

“You’ll find there’s a lot of trickle-down in the art scene here,” he says, terminology inadvertently in keeping with the show.

As the outbreak of Legionnaire’s disease continues on Manhattan’s Upper East Side, a new city report shows more art institutions affected

In the mountains of northern Italy, far from his studio in Madrid, David Oliver was supposed to be resting. It was early 2025 and he had gone with friends to a house in the Dolomites on a retreat to disconnect. Instead, Oliver found himself staring at images on his phone of cities under bombardment in […]
The post Grip Face Mirrors Modern Digital Anxiety With Fresh & Furry Artworks first appeared on Hi-Fructose Magazine.

If you were to rip open a tattered matchbox, what might you find hidden in its confines? And what’s lurking behind biological renderings and advertisements? Jason Limon imagines a playful world in which vintage illustrations are the colorful veneer concealing a vast, three-dimensional universe populated by skeletons. The San Antonio-based artist has long painted otherworldly scenes dominated by life after death, when bony figures are stripped of their identities and instead function as anonymous entities. Tapping into emotion and personal experience, Limon continues to conjure the uncanny through a cheeky approach to one of the most universal symbols. “Matchbook Tiger,” 12 x 9 inches In his most recent...

The Institute for Contemporary Art (ICA) at Virginia Commonwealth University (VCU) presents the Southeastern debut of Abigail DeVille’s Deo Vindice (Orion’s Cabinet) (2025), an immersive, gallery-sized installation that recalls the burning of Richmond in 1865.On view through August 18, Deo Vindice is a  sweeping assemblage of charred Colonial-style cabinets inspired by photographs of Richmond set ablaze in the last days of the Civil War. The installation was commissioned for the critically acclaimed MONUMENTS exhibition at the Museum of Contemporary Art, Los Angeles, in collaboration with The Brick. “In the MONUMENTS exhibition, Deo Vindice was situated among decommissioned Confederate statuary and...

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Salvador Salort-Pons, a noted Velázquez scholar, says he made the discovery by chance while preparing a related exhibition at the museum

MICHELE DE LUCCHI TAKES THE CREATIVE LEAD
 
At Milan’s Palazzo dell’Arte, Michele De Lucchi has been appointed the first creative director of Triennale Milano, taking on a newly created role that will shape the institution’s cultural direction through 2030. The architect and designer will also lead the Museo del Design Italiano, overseeing its permanent collection and future acquisitions.
 
His appointment was announced on July 14th, 2026, as President Vincenzo Trione and General Director Carla Morogallo presented Triennale’s strategy for the next four years.
 
The appointment closes a curious circle for De Lucchi, who recalled protesting against the 1973 Triennale while he was still a student. More...

Grizzo Studio organizes a house around Cariló’s existing forest
 
Treinta y Nueve Árboles House, designed by Grizzo Studio, is located within the forest landscape of Cariló, Argentina, where the architecture is organized around the existing vegetation. Rather than reshaping the site, the project preserves the mature trees and adapts the house to its surroundings, establishing a close relationship between the built structure and the forest. Filtered sunlight, dense tree canopies, and ground vegetation inform both the placement of the building and its spatial organization, allowing the architecture to function as a framework for observing and experiencing the landscape.
 
The design is structured around...

“It’s not that we have a short time to live, but that we waste much of it,” wrote stoic philosopher Lucius Seneca. The phrase appeared in his essay “De Brevitate Vitae,” or, “On the Shortness of Life,” which he scratched into papyrus around 49 A.D. Nearly 2,000 years on, his words reflect what is still a fundamental concern of life—how to spend it wisely? For artist Marc Padeu, the notion of humans’ futile control of time forms the basis of a new suite of works in Memento Vivere, on view starting tomorrow at Larkin Durey. Padeu is known for merging scenes of daily life with references to Renaissance religious paintings. Among his newest works, “La promesse et l’agneau” (“The promise...

Zany gags keep Zar und Zimmermann zipping along at the Deutsche Oper Berlin.

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A new Archive Study Centre will open as part of a multi-year programme by Historic Royal Palaces

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carsten höller asks what happens when play stops being fun
 
For more than three decades, Carsten Höller has borrowed the language of amusement parks, playgrounds, games, and scientific experiments to test that play is not an escape from reality but a way of questioning it. His latest exhibition, Two, now open at Beijing’s UCCA Center for Contemporary Art until January 31st, 2027, extends that investigation by turning the museum into a pair of parallel worlds where visitors navigate the same exhibition differently, depending entirely on chance. Marking Höller’s first institutional solo exhibition in China, the project continues his exploration of uncertainty as experience.
 
Upon entering Two,...

URBAN SOUL PROJECT SHAPES QUIET CHOREOGRAPHED ATMOSPHERES
 
Approaching hospitality as a dynamic sequence of experiences, Urban Soul Project’s design practice moves past the standard formulas of hotel and resort layouts. Instead, the studio crafts non-linear, choreographed atmospheres that unfold gradually through an interplay of material sensitivity and contextual references. Their portfolio spans from architectural landmarks to the tactile integration of local food culture into social hubs, stretching all the way to the landscape-driven design of destination resorts. This diverse body of work is united by the studio’s aim to always engage guests from their first step inside, answering a fundamental...

Between April 29 and May 23, 1859, long before terms like “exclusive pop-up” or “immersive exhibition” had entered our lexicon, over 12,000 people lined up outside New York City’s Tenth Street Studio Building to see a single painting: Frederic Edwin Church’s “Heart of the Andes.” What made Church’s pictures, and the Hudson River painter himself, so enthralling to 19th-century viewers? Benjamin Moser reviews a new biography of the artist that situates his legacy in the story of a country desperately trying to cement an identity.In a perfect segue, Poppy DeltaDawn delves into another bastion of our national narrative: the Longaberger Company, whose baskets were once ubiquitous across US...

JIA CURATED OPENS BALI BEACHFRONT FOR ‘nature weave’
 
Uniting international brands and creators, Jia CURATED materializes its 2026 edition from August 13 to 17 at a beachfront destination on Bali’s Pengembak beach, Sanur. Framed by dense pine trees and coastal mangroves on Bali’s eastern shoreline, the raw landscape serves as an active collaborator that directly drives the event’s overarching theme, ‘Nature Weave’. The concept stems from a belief that the future of design lies in coexistence with the living world. Subverting conventional exhibition layouts, the event invites participants to respond organically to the site, allowing materials, textures, and architectural interventions to remain...

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Show at the Jewish Museum looks at the movement founded by members of the Vienna Secession, who rejected Bauhaus's mass-production ethos

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Diciassette opere, divise fra dipinti su mappa e plate paintings ed esposte alla Pace Gallery, mettono in scena lo stesso soggetto ripetuto fino all’ipnosi: il pino domestico italiano, Pinus pinea, osservato da Julian Schnabel ogni giorno durante le riprese di In the Hand of Dante nei pressi di Villa Borghese. Finite le riprese, l’artista si è rifugiato ad Ansedonia, dove una pineta simile circondava la casa. Lì, en plein air, ha cominciato a dipingere.
Julian Schnabel, “Italy Through Its Trees“, installation view, May 15 – August 14, 2026, ph. courtesy Pace Gallery, New York
Schnabel dichiara, nel comunicato della mostra, che questi lavori non sono immagini di alberi. La materia dei quadri...

Kate Gottgens, “Audible Doom” (2021) (photo courtesy the artist)A prominent international gallery in Cape Town is facing allegations of withholding artworks from and delaying payments to artists. The claims stem from a now-deleted Instagram post by South African artist Kate Gottgens. Earlier this month, Gottgens alleged in the post that her former gallery, SMAC, failed to return her painting “Audible Doom” (2021) for four years after the work did not sell at the Miart fair in Milan in 2022. After nearly 13 years of working with the gallery, the artist left SMAC late last year and took to social media less than eight months after her departure to inquire about the whereabouts of her work, which she...

Stone relief depicting a protective deity, Vindolanda, England HEXHAM, ENGLAND—La Brújula Verde reports that a sculpture was excavated at Vindolanda, a Roman fort near Hadrian’s Wall in northern England, by archaeologist Andrew Birley, Vindolanda’s excavation director. The carving represents a Roman genius, or protective deity, that had been buried beneath the floor of a barracks when it was built in the fourth century A.D. to ensure the safety, prosperity, and good fortune of the occupants. This genius is shown holding a cornucopia, a symbol of abundance and fertility, in one hand. The other hand holds a patera, or shallow plate used in ritual ceremonies to hold libations and offerings. Birley and his...

Acclaimed British photographer Peter Marlow (1952-2016) was known for his journalistic attention to people and happenings in conflict zones and political interactions. Throughout his career, though, he also embarked on numerous personal documentary projects like Liverpool: Looking Out to Sea, which he completed in the late 1980s and early 1990s as the city experienced sharp economic decline—its historic docks were no longer viable for global industry. He was also president of Magnum Photos twice. One of Marlow’s more meditative projects revolved around 42 Anglican cathedrals across England. The Anglican Christian tradition stems from the establishment of the Church of England following the English...

Iron wrist restraint and ankle restraint ALLONNES, FRANCE—Five pairs of iron shackles were unearthed at a 2,300-year-old Celtic site in central France by researchers from the French National Institute for Preventive Archaeological Research (INRAP), according to a Live Science report. The settlement was situated at the intersection of several ancient roads. Metallurgic finds indicate that blacksmiths, coppersmiths, bronze workers, and sheet metal workers had small workshops at the site, which also featured a religious complex. The presence of the shackles suggests that the settlement may have also been a hub for slave trading. The enslaved may have been prisoners of war, convicts, or debtors. Archaeologists...

CAMBRIDGE, MASSACHUSETTS—According to a Science Magazine report, the signature of a Maya mathematician and astronomer who lived in the eighth century A.D. has been identified at the San Bartolo-Xultun archaeological site, which is located in Guatemala near its border with Mexico. The name, Sak Tahn Waax, is translated as "White-chested Fox." The signature was found in inscriptions including more than 50 mathematical calculations and astronomical texts on the wall of a room. Artifacts uncovered in the room suggest that it had been used as a math classroom and a codex workshop, where books were made of folded bark paper. Researchers found the astronomer’s name while examining drawings, photographs, and...

Rarely do artists conceive of work that is prescient and, decades on, more urgent than when it was created. One who has accomplished this is certainly Ana Mendieta (1948-1985), whose interdisciplinary practice merged photography, land art, sculpture, film, and more. And in a large-scale, immersive survey of her work that opens today at Tate Modern, more than 120 pieces revisit the groundbreaking artist’s key series and empathetic exchange with land and nature. Mendieta is best known for her Silueta Series, in which she impressed the shape of the human body in water, mud, rock, and forests. These sometimes consisted of outlines “drawn” onto surfaces, such as a gunpowder tribute on a fallen tree, which...

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Erika Nina Suárez’s Website
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One Italian soprano continues to save the day in bel canto roles at La Scala; this week Parterre Box features Marta Torbidoni.

Many years ago, when the Met was deciding who the next principal conductor/music director was going to be, it seemed to be a tie between YN-S and Fabio Luisi.

Una donna con un fazzoletto, una gonna, un grembiule e una camicetta – un semplice abito tipico dei piccoli villaggi balcanici – corre intorno a un albero. Ancora e ancora. E ancora. Si ferma. Sette anni dopo, una donna che le somiglia corre intorno a un albero diverso. E ancora. In Round Around, questa donna è e non è solo Sandra Sterle, l’artista croata di performance multimediali, ma è anche un archetipo di altre donne impegnate in lavori ripetitivi in ​​piccoli luoghi decentrati. Ogni video è stato girato a distanza di sette anni (1996/2003/2010/2017/2024), ognuno in un luogo diverso (a Mljet, vicino a Zara, vicino a Spalato, sull’Isola Nuda/Omiš), ognuno con una telecamera diversa....

In Yorùbá culture, it’s said that more than 600 years ago, a hunter discovered a lush grove in southwestern Nigeria carved by a rushing river. His community had experienced drought and eagerly moved to the region, which they quickly learned was under the rule of the goddess of rivers and fertility, Ọ̀ṣun. In exchange for protection and prosperity, the people promised to celebrate the deity, and this pact grounds what’s now known as the Ọṣun-Òṣogbo Sacred Grove. A UNESCO World Heritage site spanning 190 acres, the spiritual sanctuary has long been revered by the Yorùbá people, and in the mid-20th century, a group of artists revitalized the landscape by erecting large-scale sculptures in...

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Earlier this month, Karen Harvey announced that Shutter Hub would begin a new chapter under the stewardship of its community, marking the organisation’s most significant evolution to date. It was also one of its most radical acts, placing the future of Shutter Hub into the hands of the people who have helped shape it over the past decade.
Since its beginnings, Shutter Hub has championed a democratic approach to photography, creating opportunities that are open, accessible, and driven by community rather than hierarchy. The creation of a Community Team is a natural continuation of those values, ensuring that the organisation’s future is informed by a diverse network of practitioners, educators, curators,...

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Sara Suppan’s Website
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Pierre Monteux's career defies time.

La scelta di mettere in dialogo Arthur Jafa e Richard Prince potrebbe apparire, a prima vista, come l’ennesima operazione curatoriale costruita attorno al paradigma dell’appropriazione. Helter Skelter, la mostra curata da Nancy Spector per Fondazione Prada a Ca’ Corner della Regina, dimostra invece come questo dispositivo critico possa ancora produrre nuovi significati quando viene sottratto alla semplice genealogia postmoderna per confrontarsi con la crisi contemporanea dell’immagine.
Arthur Jafa, “Viriconium”, 2026. Veduta della mostra “Helter Skelter: Arthur Jafa and Richard Prince”. Foto di Andrea Rossetti, per gentile concessione della Fondazione Prada
Entrambi gli artisti costruiscono...

A grandly sung revival of The Ballad of Baby Doe at Central City Opera mines poignance from America's past and present.

Lino Fiorito non ha mai separato davvero la pittura dallo spazio. Anche quando lavora sulla superficie della tela, le sue immagini sembrano già pensate come corpi; quando invece la forma occupa fisicamente un ambiente, continua a comportarsi come un dipinto. È a partire da questa continuità che le due mostre presentate tra 480 Site Specific ed EDICOLA480 possono essere lette come un unico progetto articolato in due tempi, in cui la seconda non rappresenta una conclusione, ma una naturale condensazione della prima.
Lino Fiorito solo show, installation view, 2026, 480 Site Specific, Napoli, courtesy dell’artista e 480 Site Specific, Photo: Danilo Donzelli
La mostra ospitata da 480 Site Specific, a cura di...

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Ho parlato con lo scultore di Zagabria, Vladimir Novak, per diverse settimane questa primavera, culminando in una conversazione, “Tra scultura e città”, organizzata da Residency Unlimited a New York. Il lavoro recente di Novak si concentra su questioni scultoree relative alle risposte fisiche degli oggetti nello spazio in modi sorprendenti. Ciò include meccanismi accuratamente calibrati, come l’uso di piccole macchine leggermente decentrate e posizionate dietro le quinte che animano l’opera e le interazioni con il pubblico che le attivano.
Vladimir Novak, “≈ 30 Steps In Balance”, 2018. © Vladimir Novak, foto di Zvonimir Ferina, per gentile concessione dell’Artista
Qual è il ruolo della...

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By Betty Ann Brown Crocker Art Museum, Sacramento, February 22–June 28, 2026 Every moment is an organizing opportunity, every person a potential activist, every minute a chance to change the world.—Dolores Huerta The Royal Chicano Air Force (RCAF, originally the Rebel Chicano Art Front) was an art collective founded in Sacramento in the early 1970s. The visual art members, who focused on printmaking and murals, collaborated with writers, musicians, performers, and teachers. Together, they...

Memory may not be a tape-recorder, but in Sasha Gordon’s work, it serves as a device for the initial transportation. Characters wander this fluxing landscape—be it a drive-through window, a master bedroom, or white suburbia—shifting through the dynamic background of her dream-like haze. As a viewer of Gordon’s narrative paintings, you are intruding on intimate […]
The post Shadow Work: How Sasha Gordon Processes Trauma With Colorful, Yet Intimate Art Works first appeared on Hi-Fructose Magazine.

Will Sweeney is a commercial artist based in the UK. With a big reach and an enormous imagination, his illustrations adorn album sleeves, shirts for big fashion brands, toys in Japan, and almost any other sort of wearable or product one could imagine. Recently, we asked Sweeney to describe a bit of the machinations that […]
The post Welcome to the Will Sweeney-verse first appeared on Hi-Fructose Magazine.