Longtime museum director and curator Philippe Vergne is assuming a newly created position at Miami’s Bass Museum of Art, joining the institution on October 1 as artistic director and chief curator. Since 2019 he has led Portugal’s Serralves Museum of Contemporary Art, in Porto. “Philippe Vergne brings a remarkable depth of curatorial experience and a global perspective to The Bass at a pivotal moment in Miami Beach’s growth as a dynamic and complex city,” said Silvia Karman Cubiñá, who has been executive director and chief curator since 2008, in press materials. She will transition to being solely executive director. “I am honored to join The Bass’ team,” said Vergne. “I am very impressed...

Bangkok-born architect and designer Kulapat Yantrasast has been appointed artistic director of the Second Bukhara Biennial, set to take place in the Uzbek city from September 3 to November 27, 2027. Yantrasast is the founder and creative director of the Los Angeles-based WHY Architecture, whose recent endeavors include the ILMI Science Discovery & Innovation Center […]

Softness and resilience. Presence and absence. Vitality and stillness. These are just a few of the dualities that permeate the atmospheric work of Jeanne Vicerial, whose textile-focused practice taps into history and femininity with precision and reverence. A city-wide exhibition of Vicerial’s pieces titled Incarnation: Carte blanche Jeanne Vicerial opens across several historic spaces in Aix-en-Provence this month: Musée du Pavillon de Vendôme, Musée des Tapisseries, Chapelle de la Visitation, and Musée Granet. Situated amid centuries-old architecture and existing museum collections, the artist’s works nod to time, tradition, and remembrance. The show surveys sculptures and installations created...

The Taipei Fine Arts Museum (TFAM) has appointed Cecilia Alemani curator of the Fifteenth Taipei Biennial, to take place in 2027. The Milan-born Alemani has gained a reputation for elevating the work of marginalized artists, particularly women. She is a veteran curator of biennials, having previously organized the Twelfth SITE Santa Fe International in 2025 […]

Constant expansion and rising prices in the primary market necessary for a mega gallery are "unfixable", says chief executive Marc Glimcher

Condé Nast kills another flock of print mags. The Venice Biennale is a bust. Jeff Bezos reigns over the Met Gala, smugly stuffed into a black tux. Given the state of the art and fashion world today, who could deny the allure of early aughts nostalgia? Therein lies the obvious appeal of Moss and Freud (2025), a new film about the unlikely friendship between supermodel Kate Moss and portraitist Lucian Freud. More a glitzy buddy film than traditional biopic, James Lucas’s debut directorial feature is as frivolous as Fendi fringe, as puffy as a Rodarte sleeve. And that is its only redeeming quality. At best, it is a toothsome, predictable film about intergenerational bonding. At worst, it is a film that openly...

amo, solidnature, paf atelier, and la marzocco converse in milan
 
Design can be both permanent and temporary, yet it is during the fleeting pulse of a design festival that we truly witness the long-term benefits of the ephemeral. The temporary can become blueprints for a more evocative, speculative future. At Milan Design Week 2026, this spirit was in effect as designboom hosted an expansive conversation on how temporary environments serve as rehearsals for alternative realities. Within the immersive ROOM FOR DREAMS activation, designers — Samir Bantal, architect and director of AMO/OMA; David Mahyari, founder of SolidNature; Christopher Dessus, founder of Paf atelier; and Paul Kelly, Global Marketing...

Pace Gallery has dropped fifty artists from its roster of 135 and eliminated fifty of its 250 staff, the New York Times reported late last night. Artnews reported that the Times story ran before Pace had notified staff of the layoffs and that management planned to address the issue at a town hall slated for […]

The Print Center in Philadelphia presents America Today: Voices in Contemporary Print, featuring artists who harness the power of printmaking to amplify their voices and engage directly with the issues that shape American society.On the occasion of the nation’s 250th anniversary, amid today’s tumultuous political environment, artists readily contend with the fundamental principles of the common good, civil rights, social justice, and political engagement. Individual prints reference a range of topics — community histories, political actions, systemic violence, and cultural heritage — in a wide variety of styles. They make a crucial contribution to conversations about our collective past, present, and...

For an artist to return to painting after life‑altering injury is to witness the human spirit at its most unguarded. In such a moment, understanding the forces that carry you back to the page becomes all‑important, and in Joel Bradish Nichols’ case, the answers lie in the people and pursuits he had cherished. In a coma for months after a near‑fatal accident, his re‑emergence into artistic practice becomes inseparable from a narrative of devotion and determination — a surrounding spiritedness...

The artists claim the organisers did not respond to their request for removal from the Visitors' Lions prize vote, which the Biennale disputes

In Amy Casey’s meticulous acrylic paintings, houses and main street buildings whirl through the air amid debris, teeter in huge piles in the sea, or balance precariously on giant clusters of fungi. Our perception is tested: are the houses really tiny or are their surroundings exceedingly big? That slippage is at the heart of her practice, which confronts our current, often overwhelming information era and its politics, war, the climate crisis, population displacement, and more. “It is hard to process the world and the constant flow of information about it without feeling powerless and paralyzed,” the artist says. “Sometimes life just feels like a neverending shriek.” In her paintings, which are often...

THERE IS A PHENOMENON in the realm of industrial design known as alarm fatigue. The term describes a condition in which people in high-risk occupations (medical staff, airline pilots, industrial-machine operators) become desensitized to the visual or audio cues that indicate danger. Over time, the repeated lights, beeps, and buzzes become background noise, like the check-engine […]

Bjarke Ingels Group unveils EVE Music Hall in croatia
 
Bjarke Ingels Group (BIG) and developer Marko Pepunić reveal new images of EVE Music Hall as construction advances toward completion in Čepin, eastern Croatia. Conceived as a major cultural destination for the Slavonia region, the 10,000-square-meter venue combines a live music hall, congress facilities, exhibition spaces, a café, rooftop event areas, and outdoor gathering grounds. Scheduled to open in early 2027, the project marks BIG’s first building in Croatia and is expected to become the first completed music performance venue by the studio.
 
Set within the expansive agricultural landscape of eastern Croatia, EVE Music Hall appears as two...

Vergne, who is currently the director of the Serralves Museum of Contemporary Art, previously held leadership roles at the Dia Art Foundation and Moca Los Angeles

Good Morning! Pace Gallery is dropping some 50 artists from its roster and cutting about 50 staff. Marjane Satrapi, the Iranian-French artist and author of the graphic novel Persepolis, has died at 56. A new study says the Bayeux Tapestry can safely travel to London’s British Museum from Normandy. The Headlines SLOWING THE PACE. The mega Pace Gallery, with seven locations worldwide, is laying off some 50 staff and dropping about 50 artists, per last night’s New York Times. However, sources at Pace told ARTnews that the Times story ran before the gallery had conducted the layoffs, leading to confusion amongst gallery staff. A town hall is planned for 9 a.m. Thursday morning. “The whole art gallery...

Kisu reinterprets Kyoto’s architectural Aesthetics in Hangzhou
 
Designed by Uchida Shanghai / Mitsuhiro Shoji, Kisu is a tempura restaurant in Hangzhou that reinterprets the architectural vocabulary of traditional Kyoto architecture through a contemporary lens. The project integrates local materials and craftsmanship to form a restrained and atmospheric dining environment.
 
Rather than reproducing a stylistic version of ‘Japanese design,’ the project draws from the principles of Sukiya architecture, including restraint, asymmetry, material authenticity, and the calibrated use of light and shadow. These elements are reassembled within the context of Hangzhou, where tradition is expressed as a spatial...

Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.

New York City nonprofit Artists & Mothers has named the 2026 recipients of its eponymous $25,000 grant for artists who identify as mothers. The landmark program provides funding to cover nine months of childcare and is open to emerging and mid-career artists raising a child under the age of three. From photography and sculpture to collage and bookmaking, this year’s awardees—Sara Cwynar, Nickola Pottinger, Trisha Baga, and Mimi Ọnụọha—span a wide range of artistic practices, conceptual concerns, and styles. Mimi Ọnụọha centers human and machine relationships, sometimes combining family photographs with video and images sourced from the internet. The 2025 single-channel video Ground Truths,...

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With over 120 galleries across the UK capital participating in this year's London Gallery Weekend, our critics have chosen their top 20 shows to guide you through the weekend

The hub, housed in complex of industrial buildings in north London, will showcase illustration and graphics by the celebrated British artist and many others

Kulapat Yantrasast, the architect behind major museum projects for institutions including the Metropolitan Museum of Art and the Louvre, has been named artistic director of the 2027 Bukhara Biennial in Uzbekistan. The appointment comes less than a year after the debut edition of the biennial, which drew an estimated 1.8 million visitors and quickly became one of the most talked-about events on the international art calendar. Conceived and commissioned by Gayane Umerova and the Uzbekistan Art and Culture Development Foundation (ACDF), the next edition will run from September 3 through November 21, 2027. For much of last fall, it was difficult to walk through Chelsea or Tribeca without running into someone...

softness as a method of interdependence and reciprocity
 
Over the past months, designboom’s editorial chapter Radical Softness has explored architecture, art, design, and technology through the lens of care, attention, vulnerability, repair, and ecological sensitivity. Rather than framing softness as weakness, the chapter presented it as a cultural and political force. Across interviews, essays, and projects, a common question emerged: what kinds of futures become possible when we prioritize listening, reciprocity, and interdependence over speed and control?
 
Throughout this chapter, we returned repeatedly to the idea that softness begins with attention. Not passive observation, but a deliberate practice...

ocean space turns return into a living landscape
 
Inside Ocean Space in Venice, the former Church of San Lorenzo holds Tide of Returns with a sense of weight already built into its walls. The long nave, the worn stone, and the lagoon just beyond the city’s edges give the exhibition a charged setting for thinking about return across water, memory, and displaced cultural objects.
 
Presented by TBA21–Academy, the exhibition opens the 2026 season at Ocean Space and runs from March 28th to October 11th, 2026, alongside the 61st Venice Art Biennale. Based on the artistic research of the Repatriates Collective and curated by Khadija von Zinnenburg Carroll, the project brings together artists, filmmakers, and...

Saif Azzuz, the Bay Area-based Yurok artist of Libyan descent whose genre-defying works distill ancestral wisdom and local traditions, seems to be everywhere. The resonance of his assemblages, sculpture, paintings, and installations might have something to do with their ability to reflect on contemporary urgencies — climate, capitalism — with a rare thoughtfulness. On the heels of Azzuz’s new outdoor commission at Storm King Art Center, reporter Max Blue profiles the artist who wants to point us to “the interconnectedness of all things.” In the news, the tumult continues at the Venice Biennale, where artists now say leadership failed to honor their request to withdraw from this year’s awards....

The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.

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There are exhibitions that revisit history, and there are exhibitions that reactivate it. Ten.8 afterimage belongs firmly to the latter category. More than a survey of photographs or an exercise in nostalgia, the exhibition excavates the spirit of Ten.8, the groundbreaking photography journal published between 1979 and 1992, and asks what it means to look again at a publication that fundamentally changed the way photography was discussed in the UK. In returning to the pages, politics and personalities that shaped Ten.8, the exhibition reveals how urgently relevant its questions remain today: who gets represented, who controls the image, and what responsibilities does photography carry in times of social...

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There Is A Truth: questo il titolo dell’ottava esposizione di Tracey Emin presso la Galleria Lorcan O’Neill di Roma (30 aprile -18 luglio 2026). Entrare nel piccolo spazio espositivo di Vicolo dei Catinari dà effettivamente l’impressione di essere accolti a contemplare una verità nascosta, il cui significato aleggia tra le tredici opere presenti, per la precisione dodici dipinti e opere su carta e una scultura monumentale in bronzo, realizzati dall’artista britannica durante gli ultimi due anni negli studi di Londra e Margate. La verità rivelata da Emin ha a che fare con il potere curativo dell’arte nelle nostre vite. Come lei stessa ha affermato, There Is A Truth è «una metafora perfetta della...

Approximately 44% of fine and studio arts Master’s degree programs in the United States could lose the ability to matriculate students who rely on federal loans to pay for their tuition, according to new guidelines proposed by the Trump administration. The Department of Education’s (ED) proposal, first published in April, would prohibit Master’s programs in the arts from enrolling students who use federal loans if the program’s recent alumni earned less than the median salary of a Bachelor’s degree holder between the ages of 25 and 34. Currently, the Department evaluates Master’s program eligibility based on the earnings of its alumni compared with those of high school diploma holders aged...

From the nearly abstracted patterns featuring dozens of Black faces in the meticulous work of Sharon Kerry-Harlan to portraits inspired by real events like Donna Chambers’ celebration of President Barack Obama’s inauguration, Masters of the Stitch: Threaded Stories at Claire Oliver Gallery spotlights remarkable narratives in fabric. The exhibition draws from the collection of Carolyn Mazloomi, founder of the Women of Color Quilters Network, whose strategy over the better part of the last four decades has been to highlight the craft as an artistic expression beyond what the gallery describes as “folk curiosity.” Works simultaneously function “as fine art, historical archive, and cultural testimony,...

As President Trump threatens to turn the 250th anniversary of the United States’s founding into a MAGA rally, a brand-new arts festival in Philadelphia offers alternative plans. What Now: 2026, the inaugural edition of ArtPhilly’s planned biennial, features more than 30 original artistic commissions taking place across the city where the Declaration of Independence was signed. Hyperallergic joined the artists and organizers for the festival’s opening week, finding little nationalism and a lot of radical reclamation. Read on for three highlights of the program, which kicked off on May 27 and runs through July 2. A Procession to the River That RemembersArtist indira allegra and poet Evangeline Getty...

Sculptor Alan Saret, whose nebulous, three-dimensional wire works seemed to pulse with life, died on May 26 in Brooklyn. He was eighty-one. His death was announced by the gallery Karma, which represented him. Using brass, copper, and steel wire, Saret created so-called anti-forms, whose cloudlike organic shapes responded to Minimalism with a nature-attuned spirit that […]

On June 2, Colorado governor Jared Polis signed Senate Bill 133, a bill that creates a new type of limited liability company (LLC) called an Artist Company, or A-Corp, report the Art Newspaper and the Colorado Sun. The new business structure is designed to help artists in the state—defined in the bill as “individuals that create works of authorship or artistic expression comprising written, oral, visual, graphic, literary, musical, audiovisual, digital, or performing art in any medium”—set up their own business while ensuring they retain creative control of their work. The idea for an A-Corp was first proposed by Yancey Strickler, the co-founder of Kickstarter, at a TED talk last year. According to...

Brass jaw harp MACKINAW CITY, MICHIGAN—USA Today reports that a brass jaw harp has been found in the central cellar at Colonial Michilimackinac, the site of an eighteenth-century fort and fur trading village in Mackinac State Historic Park. The instrument is the thirteenth to be found in the fort’s central cellar and the adjacent area. Jaw harps were brought to North America by European colonists as a common trade good. The central cellar is thought to have been used to store such items for trade. For more on the archaeology of colonial America, go to "Letter from Lake George: Exploring the Great Warpath."
The post Brass Instrument Unearthed at Michigan’s Colonial Michilimackinac appeared first on...

In Slow Burn, Shawn Huckins puts the cognitive dissonance that defines our current era in stark relief. The New Hampshire-based painter has long challenged American mythology and collective aggrandizing by reinterpreting canonical artworks and visual languages. His series have commented on the U.S.’s proclivity for erasing history and the ways our garments convey social status and class. In this new body of work, he directs us to the contradictory experience of witnessing destruction as both a spectacle and a distant occurrence. Slow Burn presents a suite of landscapes, each veiled by curtains. Floral drapery flanks a catastrophic explosion, a sliver of sunlight peeks through a decorative toile de jouy...

Excavated portion of street, Side, Turkey ANTALYA, TURKEY—Excavations on the southern coast of Anatolia have uncovered a street leading to the eastern gate of the ancient port city of Side, according to a Türkiye Today report. A theater, temples dedicated to Athena and Apollo, baths, a monumental fountain, and a colonnaded street have been unearthed since archaeological investigations began at the site in 1947. “Side is an important maritime city, but at the same time it is an agricultural city because of the alluvial soils brought by the Melas River,” said Feristah Alanyali of Anadolu University. The newly discovered street leads to one of the city’s two main gates. Nearby streets were also revealed,...

BARCELONA, SPAIN—Live Science reports that scientists from the Institute of Culture of Barcelona have examined 25 skeletons discovered in eight graves at Barcelona’s Royal Monastery of Santa Maria Pedralbes, which was founded in the fourteenth century by Queen Elisenda of Montcada. She moved into a small palace next to the monastery after the death of her husband, James II. When Elisenda died in 1364, her remains were dressed in a monastic habit and placed in a narrow wooden coffin with a gold-embroidered silk textile and aromatic herbs. Analysis of the bones suggests she was about 70 years old at the time of death. The study also investigated the tombs said to have belonged to the monastery’s first two...

When New Jersey-based artist and educator Ruth Borgenicht attended university, she studied mathematics. But as she shares in a statement: “Love of math was not enough to invent new ideas in this field—unfortunately for me, that also required genius.” As the saying goes, when a door closes, a window opens, and for Borgenicht, that opportunity came in the form of ceramics. Through precise forms and meticulous stoneware arrangements, the artist creates wall-hung and tabletop sculptures that are in some cases even kinetic, alternating between basket-like vessels and sturdy, elegantly nestled abstract forms. They often hang tapestry-like from a series of nails or unfurl into three-dimensional biomorphic...

Parterre Box previews Kathryn Lewek's upcoming Salome with clips of her as another unhinged lady of antiquity.

Cindy Bernhard
PLATO is honored to present Broken Vessels, a solo exhibition by Chicago-based artist Cindy Bernhard, featuring a new body of paintings that explores spiritual rupture, transcendence and the relationship between the human body and the divine. The public opening is scheduled for Thursday, June 4, from 6 to 8 PM in the gallery’s ground floor space. The show will be on view through July 11. At the center of the exhibition is the metaphor of the vessel: the body as a container for spirit and belief. Drawing from archetypal associations between gold and divinity, Christian mysticism and contemporary existential anxiety, Bernhard’s monumental six-foot paintings depict fractured golden forms that...

Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.

In 2022, Michelle Sank encountered a stranger on a Cape Town Promenade and spontaneously asked to take their photograph. It became the first in a powerful body of work, capturing the city’s drag queens. Drag Daughters follows six young men who grew up in townships, often facing rejection or having to hide their identities, who now strive to make a difference in their communities. Now on display at Het Zuid-Afrikahuis in Amsterdam, the series includes empowering portraits that move beyond the conventional depictions of drag in pageants or nightclubs, instead placing them in unassuming or domestic settings. In a country still navigating the legacies of Apartheid, alongside ongoing social challenges, the...

From one Mister Snow to another, I salute him.

Photography, at the threshold of its bicentenary, becomes here less a medium than a condition of perception itself. Remember Me at the Bourse de Commerce gathers image, archive, and gesture into a single unfolding field where memory is not stored but constantly reassembled. The exhibition operates through proximity rather than sequence, allowing works to collide, echo and refract one another in shifting constellations. Across centuries of practice, photography is treated not as a linear history but as a series of recurring questions about presence and disappearance. The result is an environment where looking becomes an act of reconstruction, and where the photograph is never fully settled into its own time....

American artist Trevor Paglen (b. 1974) has investigated the politics of images for years – examining the machinations of AI, data sets and surveillance through series like Bloom, which appears on the cover of his new book, How to See Like a Machine: Images After AI, published by Verso Books. Bloom (2020) is a series of large-scale images of flowers that have been reinterpreted by computer vision algorithms from original photographs taken during the spring lockdown. He’s also been doing a similar thing with landscapes of the American West, as well in Clouds, where skyscapes are overlaid with lines indicating what algorithms – such as those in guided missiles, drones and self-driving cars – “see”...

Il manifesto programmatico della 61esima Biennale d’Arte di Venezia, stilato dalla curatrice svizzero camerunense Koyo Kouoh, scomparsa lo scorso maggio, è una vera e propria dichiarazione poetica che emoziona, incuriosisce, riempie di speranze e aspettative. Parla di pratiche artistiche che aprono portali, rinnovano e nutrono in un “invito all’incanto”, a dare importanza al riposo fisico ma soprattutto spirituale; il presupposto è che “la poetica libera” e che gli artisti, individuati come “interpreti essenziali della condizione sociale e psichica, catalizzatori di nuove relazioni e possibilità” possano insieme generare bellezza.
Otobong Nkanga, “And Still, Here We Are”, 2026,...

Faience amulets, Heliopolis, Egypt CAIRO, EGYPT—According to an Ahram Online report, an excavation of the mudbrick tomb of “Panehsy” in the necropolis of Heliopolis has uncovered human skeletal remains. Underneath the grave, Hisham El-Leithy of Egypt’s Supreme Council of Antiquities said that the researchers found a collection of cosmetic tools, a copper mirror, and two alabaster kohl containers holding traces of cosmetics. A third kohl container in the cache had been made of obsidian. Two light-blue faience vessels were also recovered. One of them held six inscribed scarabs, two of which appear to have been encased in gold. A duck-shaped amulet, and an amulet shaped like an Atef crown were found among...

Bacon Hole rock art photographed in 1913 (left) and 2024 (right) MUMBLES, WALES—According to a report in The Guardian, red horizontal bands on the walls of a cave in south Wales have now been identified as rock art dated to more than 17,000 years ago. The bands, which are equidistant from each other, were discovered near the Bristol Channel in Bacon Hole in 1912, and were considered to be examples of Paleolithic rock art, but a review in 1928 deemed the markings to be a natural phenomenon caused by a red oxide mineral seeping through the rock. George Nash of Coimbra University and the University of Liverpool and his colleagues used uranium-thorium dating to date the pigment. They also analyzed the chemical...

By Tm Gratkowski With intent and the will to do it her own way, there is a gallery in the most unlikely of places, off the 210 freeway on Lincoln Avenue in Pasadena. Imagine walking into the parking lot of an old lumber yard, stumbling down a paved area past old materials, equipment, and a small cluster of shed-like buildings. Nothing new, no signs, just your average ubiquitous Southern California lot. As you wander in you notice a little welcoming front porch and tucked away in the corner is...

Sculpture in the UK finds one of its most concentrated and historically continuous centres in Leeds and the wider Yorkshire region, where institutional frameworks, collections and landscapes collectively sustain the medium as both practice and discourse. Rather than functioning as isolated venues, spaces such as Leeds Art Gallery, the Henry Moore Institute and Yorkshire Sculpture Park form an interconnected ecology in which sculpture is studied, exhibited and rethought across generations. This is not simply a matter of heritage, but of ongoing curatorial and artistic experimentation that positions material form as a living question rather than a fixed category. The Summer of Sculpture programme at Leeds Art...

È da un semplice processo di recupero, archiviazione e metamorfosi che nasce “Come una diga”, ultima personale di Giovanni Longo, inaugurata presso l’Accademia d’Ungheria e aperta al pubblico fino 4 giugno 2026. Nel centro storico della Capitale, le strutture scheletriche di Longo, provenienti da cicli scultorei differenti ma strettamente interconnessi, sono le protagoniste di un’esposizione ragionata, che racconta l’andamento di una ricerca decennale, paradigmatico del percorso dell’artista calabrese. Un viaggio che pone al centro delle opere accolte negli spazi di Palazzo Falconieri il recupero di materiali lignei e la loro riformulazione.
Giovanni Longo, “Come una diga”, installation view...

L’intreccio non si lascia ridurre a tecnica nella ricerca di Yuhe Luo, ma si rivela come struttura del pensiero che precede il gesto e ne orienta la costruzione. Formata al Royal College of Art in Textile Design (Londra), l’artista sviluppa una pratica in cui il gesto del tessere supera la dimensione materiale per trasformarsi in una logica più profonda, capace di mettere in relazione ritmo, tempo e percezione. La tessitura, in questo senso, non appartiene a un singolo materiale ma è una modalità di organizzazione del tempo, una forma di articolazione del reale che si manifesta attraverso ripetizioni, variazioni minime, accumuli e discontinuità.
Yuhe Luo, “The Fluid City”, 2025, 3D printing, yarn,...

Grace Dodds
 
 
Grace Dodds’s Website
Grace Dodds on Instagram

Ci sono artisti che producono immagini e poi ci sono artisti che producono sintomi. TuRist appartiene chiaramente alla seconda categoria. Guardando En Marche to the Future – quel Lenin avvolto nella bandiera arcobaleno che marcia mano nella mano con una figura simile a Greta Thunberg trasformata in influencer post-apocalittica del lusso globale – la prima reazione è ridere. La seconda è il disagio. La terza, se si rimane abbastanza a lungo davanti all’opera, è la consapevolezza che quella risata nasconde qualcosa di molto più instabile: il sospetto che il mondo rappresentato dalla scultura non sia una fantasia satirica, ma un ritratto anticipato del presente stesso. Ed è qui che il lavoro smette di...

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