It’s divorce season. Princess Diana’s Christina Stambolian dress, otherwise dubbed “the revenge dress” is coming to auction at Sotheby’s London on December 9 for an estimate of $150,000 to $300,000; Sienna Miller and Dominic West’s divorce drama “War” premiered this week, and on Tuesday in Geneva, Sotheby’s is hosting a panel discussion titled “The Art of Divorce.” Julian Washington, head of tax, heritage and U.K. museums and fiduciary client groups at Sotheby’s will moderate the panel discussion between Judith Chatoo, head of private clients at Saffery Trust; Sirin Yüce, a partner at the law firm Charles Russell Speechlys and Johan Nauckhoff, head of fine art at Sotheby’s...
Independent, the New York-based organizer of the Independent Art Fair and Independent 20th Century, has been acquired by global conglomerate Informa, according to reporting by Artnews. The sale was finalized last year, and it marks Informa’s first acquisition of a New York-based art brand. Upon the announcement of the Informa sale, Independent’s co-founder and creative […]
My grandfather was born near Black River, the Jamaican port town where the infamous ship the Zong docked in 1781 after the massacre of 133 enslaved Africans who were thrown overboard and killed for an insurance claim. Blood in the river mouth, Black River’s waterway flows into the Atlantic Ocean, where I used to picture the scene of English Romantic artist J. M. W. Turner’s oft-cited painting “The Slave Ship” (1840). But according to Turner and the Slave Trade (2026), by University of Plymouth Emeritus art historian Sam Smiles, I was wrong to associate the two so strongly. The author, who co-curated the Tate’s 2014 traveling exhibition Late Turner: Painting Set Free, contends the tableau of “The...
In archaeology, discoveries typically prompt more questions than answers. For Max Lehman, who studies Pre-Columbian art history, what we don’t know—and may never—about ancient peoples and civilizations is what makes the discipline so compelling. The ancient Mayans, for example, bedecked their elaborate temples with images on carved rock slabs, and the Aztec sun stone, or calendar stone, is a remarkable example of Mexica sculpture. Lehman’s work has one foot in the advanced civilizations of the past and another in the distant future, a time long after today’s developments around robotic and machine learning technologies. His current show Ancestral Androids at Hecho a Mano delves into a kind of future...
The Museum of Contemporary Art Chicago has received a $5 million endowment from trustee and board vice chair Leslie Bluhm, on behalf of the Chicago philanthropic Bluhm family, that will benefit the institution’s Women Artists Initiative (WAI), which is geared toward ensuring gender equity in the museum’s exhibition programming and permanent collection. To mark the upcoming departure of longtime MCA Chicago director Madeleine Grynsztejn, who established the initiative, the WAI will be renamed the Madeleine Fund for Women Artists. “Madeleine, I think, has been all of our teacher and mentor, and the greatest leader. It makes perfect sense that it’s in her name, recognizing everything that she has done. We...
After 26 years at the helm of Yaddo, the storied artist retreat currently celebrating its 100th anniversary, Elaina Richardson is moving on. She will be succeeded by Cyra Levenson, deputy director of Learning and Engagement at the Guggenheim Museum, as announced last week.James Baldwin, Truman Capote, Sylvia Plath, Leonard Bernstein, Jacob Lawrence, and Philip Guston are just a few of the alumni of the prestigious art residency in Saratoga Springs, New York. Sprawling over the 400-acre estate purchased in 1881 by financier Spencer Trask and writer Katrina Trask, the coveted residency's artists, writers, and composers boast 90 Pulitzer Prizes, 36 MacArthur Fellowships, 73 National Book Awards, and a Nobel...
Philip Tinari was named director of Tai Kwun Arts, after less than one year since he began working there, according to a press release from the Hong Kong arts and heritage center. His appointment is among two others, with Chin Chin Teoh named managing director and Timothy Calnin as director of special projects. Tai Kwun is an integrated institution, comprised of The Jockey Club CPS Limited and Tai Kwun Culture & Arts Company Limited, in partnership with the Hong Kong SAR Government, located in the former Central Police Station of Hong Kong. The 1841 building consists of three Declared Monuments—the former Central Police Station, Central Magistracy, and Victoria Prison—which together received the Award of...
Just as a major exhibition of Jackson Pollock and his wife and fellow painter Lee Krasner opens at the Metropolitan Museum of Art in New York, Pollock’s former Lower Manhattan loft has hit the market for $1.99 million. The one-bedroom 1827 West Village apartment, listed with Shane Boyle of Compass, boasts nearly two centuries of New York history. Constructed on land once owned by the third US vice president Aaron Burr, the building was also home to a milliner who sold hats and bonnets in the building’s downstairs in the 1850s, before Pollock, his brother Charles, and sister-in-law Elizabeth moved into the 46 Carmine Street in 1932. Together, the Pollock brothers studied under American Regionalist Thomas...
The Puffin Foundation Center for Social Activism’s inaugural exhibitions focus on activism in the Big Apple and the living cultures of the Lenape
Unionized staffers at the Whitney Museum of American Art in New York ratified their second contract over the weekend, just hours before they were to have staged a strike. The action had been planned for October 5, three days before the museum’s blockbuster Roy Lichtenstein survey opens for previews. “We have won a fair contract,” […]
Jeff Koons is set to sell eight paintings and a sculpture from his personal collection worth a collective $100 million at auction, the New York Times reports. The sale is being handled by Christie’s and will take place in New York on November 17 at the house’s evening twentieth-century sale. Titled “Heroes and Lovers,” the […]
Welcome to the 357th installment of A View From the Easel, a series in which artists reflect on their workspace. This week, Chanika Svetvilas constructs a rainbow of plexiglas on chicken wire and plans community events for Disability Awareness Month in the United States.Want to take part? Check out our submission guidelines and share a bit about your studio with us through this form! All mediums and workspaces are welcome, including your home studio.Chanika Svetvilas, New Brunswick, New JerseyHow long have you been working in this space?Six months.Describe an average day in your studio.In the morning, I take the Northeast Corridor line into New Brunswick from Princeton Junction and then it’s a...
The London-based artist Rana Begum’s show at Lehmann Maupin — her first solo show in New York — is a perceptual mindfuck, in the best possible way. Across 18 works drawn from different series that thread through the artist’s career, we see her using simple, industrial materials — glass, automotive parts, chain link, metal — to create complex, phenomenological, and even paradoxical experiences of color and light. “There are three core elements in my work: light, form, and color,” Begum told me during a walk-through of her show a few days before it opened. “Those three things coexist in each work. There’s a different kind of balance for each series. One will be more about light and the next...
As a child in Dashishan Village in southern China, Tang Shuo was afraid of snakes. He and several generations of the Tang family lived together in a small community and farmed the land, tending to crops and sheep and encountering the occasional reptile. In a vivid new painting on linen, the artist confronts this adolescent fear as he envisions himself grasping a sleek, black serpent, its recently shed skin lying beneath them. Long interested in his ancestry and familial connection to the land, Tang once again journeys to his home territory for Borrowed History, his first solo exhibition in New York. This body of work extends the artist’s approach to questioning how our heritage informs our understanding of...
Unionized staff at the Whitney Museum in New York ratified its second contract Sunday night, hours ahead a strike deadline, narrowly heading off a disruption to the opening of a forthcoming Roy Lichtenstein retrospective. Under the new contract, every Whitney employee will receive a wage increase of at least 14.75 percent over four years. Workers with the lowest salaries will receive larger raises, ranging from 5 to 23 percent in the first year. The agreement also introduces longevity bonuses for staff with at least 10 years of service, up to 12 weeks of paid parental leave, stronger health and safety protections, and more bereavement leave. Minimum pay rates for new hires will also increase. “This contract...
Strike? More like sike ... Unionized staff at the Whitney Museum of American Art have narrowly averted full-blown strike action this week as news of an 11th-hour contract ratification came in on Sunday night, October 4. The Whitney's union was set to picket outside the museum from today, October 5, and throughout this week's press, VIP, and member previews for Like New, the Roy Lichtenstein retrospective, which opens to the public on October 11. The Whitney union was among four New York City museum labor units under UAW Local 2110 that voted to strike amid prolonged contract negotiations this year. Unionized staff at the Brooklyn Museum, the American Folk Art Museum, and the Solomon R. Guggenheim...
The Lucas Museum of Narrative Art (LMNA), which opened to the public last weekend, has added temporary fencing around its public plaza, a green space that the museum’s architect, Ma Yansong, has called the “Gateway” between Los Angeles and the museum. The Los Angeles Times reports that the plaza will be permanently fenced off, with […]
The local philanthropist Sukumar Nagendran hopes his gift will deepen cultural understanding of the region and elevate its art
New York City Mayor Zohran Mamdani and the New York City Department of Cultural Affairs (DCLA) have announced an increase in city-funded grants for individual artists and small nonprofits, from five thousand dollars to ten thousand. This is the first increase in grant awards in nearly twenty years. Grant money will be disbursed annually through […]
From nail-cloaked ceramic vessels to larger-than-life busts influenced by African and Oceanic visual culture, Sharif Bey’s bold works summon the complexities of heritage, identity, and society. In his ceramic and mixed-media Guardian Series and Crown Series, calm yet imposing figures evoke the Benin Bronzes, ceremonial masking traditions, the giant Moai stone heads of Easter Island, and more. Bey has long been interested in the commanding nature of objects, especially the ways in which colonialist forces have mined cultural heritage. The Benin Bronzes, which artisans created during the 14th century in what is now Nigeria, are a prime example: British troops looted thousands of plaques in 1897, and The...
red incision marks physical scars of land intervention in Erimitis
In Erimitis, one of the last major undeveloped coastal ecosystems in northeastern Corfu, Greece, artist The Krank has created Wound, a temporary 50-meter-long land art installation. Presented fourteen years after the movement to protect the area began, the work uses the image of a bodily injury to address the marks left by human intervention on the landscape.
An oversized red incision appears to split the land open, while black stitches connect its two sides. The gesture translates bodily trauma to the scale of the landscape, making the vulnerability of the site visible through a familiar physical image. Members of the local community...
In Erimitis, one of the last major undeveloped coastal ecosystems in northeastern Corfu, Greece, artist The Krank has created Wound, a temporary 50-meter-long land art installation. Presented fourteen years after the movement to protect the area began, the work uses the image of a bodily injury to address the marks left by human intervention on the landscape.
An oversized red incision appears to split the land open, while black stitches connect its two sides. The gesture translates bodily trauma to the scale of the landscape, making the vulnerability of the site visible through a familiar physical image. Members of the local community...
STUDIO KO REIMAGINES BUS PALLADIUM IN PIGALLE
On rue Pierre Fontaine in Paris’ Pigalle district, Studio KO has brought Bus Palladium club back into the night — this time as a five-star hotel. Opened on April 10, 2026, the project brings together 35 rooms and suites, a restaurant and bar, a rooftop and an underground club within a building that rises six floors above the street and extends deep below it. Led by architects Karl Fournier and Olivier Marty, the intervention does not attempt to recreate the former venue room by room. Instead, it translates its history through materials, atmosphere and a few carefully preserved signals. The red neon is back; the program simply got taller.
The original Bus...
On rue Pierre Fontaine in Paris’ Pigalle district, Studio KO has brought Bus Palladium club back into the night — this time as a five-star hotel. Opened on April 10, 2026, the project brings together 35 rooms and suites, a restaurant and bar, a rooftop and an underground club within a building that rises six floors above the street and extends deep below it. Led by architects Karl Fournier and Olivier Marty, the intervention does not attempt to recreate the former venue room by room. Instead, it translates its history through materials, atmosphere and a few carefully preserved signals. The red neon is back; the program simply got taller.
The original Bus...
Jason Travis
Jason Travis’s Website
Jason Travis on Instagram
Jason Travis’s Website
Jason Travis on Instagram
Mitridate, re di Ponto at the Teatro di San Carlo showcases some energetic performances — and some unfortunate stage busyness.
Beatrice Venezi may have been exiled to Siberia, but Stacy Jarvis argues that opera's combination of global economics and local judgments mean that no artist is truly cancelable.
GoGreen has brought together experts from 13 institutions to explore sustainable methods—testing some out on a 1906 Tiffany dish
Some ticket holders have reportedly queued for up to two hours to enter the blockbuster exhibition, while others have been turned away
A recently launched project called Deep Heritage aims to slow the disintegration of dozens of warships sunk off Turkey's coast during the devastating First World War campaign
Freddie Yauner on turning the mirror away from the self
‘The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world,’ Agnes Varda once said. Freddie Yauner takes that gesture literally, and through his Mirror Mask he replaces the reflection of the wearer with whatever is in front of them. In an exclusive interview with designboom, the London-based artist looks back at how his project has evolved from an experiment at the Royal College of Art to an object that unexpectedly found a life within the very image culture it was questioning.
Yauner describes Mirror Mask as an ‘anti-selfie’, but the term only begins to explain what has happened...
‘The tool of every self-portrait is the mirror. You see yourself in it. Turn it the other way, and you see the world,’ Agnes Varda once said. Freddie Yauner takes that gesture literally, and through his Mirror Mask he replaces the reflection of the wearer with whatever is in front of them. In an exclusive interview with designboom, the London-based artist looks back at how his project has evolved from an experiment at the Royal College of Art to an object that unexpectedly found a life within the very image culture it was questioning.
Yauner describes Mirror Mask as an ‘anti-selfie’, but the term only begins to explain what has happened...
Seeing and hearing Lorraine Hunt Lieberson sing Didon at the Met was one of the greatest performances in my many years of opera going.
VALENTINO TURNS THE RUNWAY INTO A LIBRARY OF POSSIBILITIES
Alessandro Michele stages Valentino’s Spring/Summer 2027 collection at Paris’s Bibliothèque Sainte-Geneviève as an encounter between clothing and everything that remains unknown. Titled Antibiblioteca, the show takes its starting point from the idea of the antilibrary, a collection of unread books whose value lies precisely in what they might still contain. In Michele’s formulation, fashion can operate in much the same way. Garments do not need to be worn, owned or consumed to have meaning. They can exist as possibilities.
Guests were asked to bring a book from their own shelves, chosen with the thought that someone else might want to...
Alessandro Michele stages Valentino’s Spring/Summer 2027 collection at Paris’s Bibliothèque Sainte-Geneviève as an encounter between clothing and everything that remains unknown. Titled Antibiblioteca, the show takes its starting point from the idea of the antilibrary, a collection of unread books whose value lies precisely in what they might still contain. In Michele’s formulation, fashion can operate in much the same way. Garments do not need to be worn, owned or consumed to have meaning. They can exist as possibilities.
Guests were asked to bring a book from their own shelves, chosen with the thought that someone else might want to...
Two-volume minimalist house opens a continuous Lake view
Minimalist House by FORM / Kouichi Kimura Architects is a residence for a single owner on a hill above a lakeside town in Shiga, Japan. Instead of treating single-person living as a reason to reduce the house to a compact footprint, the design uses the individual as its base unit, reducing the composition to essential spaces while allowing views, light, wind, and sound to shape the interior.
Measuring roughly 70 sqm, the house is composed of a two-story main building and a single-story annex connected by a glazed passageway. The gap between the two volumes creates a continuous sightline from the road through the house toward the lake, while also...
Minimalist House by FORM / Kouichi Kimura Architects is a residence for a single owner on a hill above a lakeside town in Shiga, Japan. Instead of treating single-person living as a reason to reduce the house to a compact footprint, the design uses the individual as its base unit, reducing the composition to essential spaces while allowing views, light, wind, and sound to shape the interior.
Measuring roughly 70 sqm, the house is composed of a two-story main building and a single-story annex connected by a glazed passageway. The gap between the two volumes creates a continuous sightline from the road through the house toward the lake, while also...
Guangyi Luo ha ricevuto una formazione specifica per controllare i pattern. La sua esperienza nel design della moda e nella stampa le ha insegnato come gestire la ripetizione, l’equilibrio e l’organizzazione delle immagini su una superficie. In Interwoven Shadows, l’artista rovescia questa padronanza tecnica contro l’uniformità. L’opera ripete le sue forme floreali senza permettere che la ripetizione produca monotonia; l’ordine si stabilisce, ma poi viene di continuo destabilizzato.
Guangyi Luo, “Interwoven Shadows”, 2025, digital print, courtesy of the artist
Presentata a Between Worlds presso il Museo MIIT di Torino (3–7 settembre 2026), l’opera tessile di Luo è tornata in Italia per la...
Guangyi Luo, “Interwoven Shadows”, 2025, digital print, courtesy of the artist
Presentata a Between Worlds presso il Museo MIIT di Torino (3–7 settembre 2026), l’opera tessile di Luo è tornata in Italia per la...
By Kristine Schomaker Friday night I stood at the AIDS Monument in West Hollywood and watched artists perform five-minute pieces in the open air as the sun went down. ACTION = LIFE, presented by LACE and the Performance Art Museum as part of Circa: Queer Histories Festival. A marathon of performances. So many friends. So much history in one place. I drove home still feeling it. Thinking about the first performance I ever saw that made me understand what my own work was actually about....
One mezzo I have always enjoyed was Elena Obraztsova.
Al giorno d’oggi la fotografia di dating app ha accumulato praticanti sufficienti da assomigliare quasi a un genere a sé: una confederazione eterogenea di artisti che usano la telecamera per documentare la specifica, nuova texture epocale del romanticismo condotto alla velocità di uno swipe. Per la maggior parte, si accontenta dell’ironia: screenshot di match, rievocazioni in scena di una “situationship”, un saggio visivo ironico sul ghosting. What if we were lovers? di Tia Liu, un progetto in corso iniziato nel 2023 e il corpus principale del suo portfolio online, è meno protetto dall’ironia, più vulnerabile, più paziente. Piuttosto che esasperare in accezione caricaturale l’app di dating, la...
Nel panorama delle grandi manifestazioni culturali dedicate all’architettura e al progetto, la Biennale dello Stretto 2026 si conferma uno degli osservatori più acuti e fertili sulle dinamiche territoriali contemporanee, trovando nella Sezione Design curata da Francesco Alati un momento di altissima riflessione critica e di confronto visivo. Ospitato fino al 13 dicembre 2026 negli spazi suggestivi e carichi di storia del Forte Batteria Siacci di Campo Calabro, il progetto “NON IN SENSO STRETTO – Per una topologia del design tra Calabria e Sicilia” – promosso congiuntamente da ADI Calabria e ADI Sicilia con il coordinamento generale di Giusi Buono – si propone di restituire una lettura profonda e...
Gaia Alari’s works are defined by a distinct, effervescent visual language. Made from thousands of handmade drawings on paper, the artist’s elaborate animations put on strikingly tactile performances as fleeting marks of oil pastel and charcoal dance across the screen. Meandering botanical forms, gestural bodies, and sweeping birds converge into fluid loops that create a rhythm reminiscent of a stream of consciousness. Whether Alari is collaborating with a brand, exploring personal interests, or creating static illustrations, it’s clear that each piece tells a distinct story. Watch more from the artist on Vimeo and keep up with her explorations on Instagram. Do stories and artists like this matter to...
How might we visualize the inextricable web of space, time, and matter, enormous concepts that are so systemic they can almost become abstract? Rendering these connections in a tangible, accessible, and even participatory manner continues to ground Tomás Saraceno’s multidisciplinary practice. Born in Argentina and based in Berlin, the artist plays with scale and spectacle to draw our attention to the life-giving ecosystems in which we’re all bound, merging art, architecture, and science into alluring works. At Haus der Kunst, Saraceno’s ecological and collaborative projects take center stage for a sweeping presentation titled Ancestral Futures. Spanning more than two decades, the solo exhibition emerges...
Christian Badach
Christian Badach’s Website
Christian Badach on Instagram
Christian Badach’s Website
Christian Badach on Instagram
Esiste un modo di intendere l’ospitalità artistica che si esaurisce nella logistica: uno studio, un letto, qualche settimana di tempo sottratto alla routine quotidiana. Ed esiste un altro modo, meno frequente e più impegnativo, in cui l’accoglienza diventa essa stessa un dispositivo critico, capace di orientare non soltanto le condizioni materiali del lavoro artistico, ma il senso stesso di ciò che una residenza può produrre. È a questo secondo modello che sembra guardare “Ripensare l’Aia”, il programma pubblico che accompagna il primo ciclo di Residenze LIEVITO, promosso da La CAP Re|Hub in collaborazione con la galleria IPERCUBO negli spazi del Podere La Capacciola, in Valdichiana Senese.
La...
La...
By Kristine Schomaker I learned yesterday that my friend Scott Froschauer died suddenly. I've known him for almost ten years, and I'm still trying to find a place to put this. Scott was a Shoebox artist, one of the early ones. We worked together on several projects, but the one I keep coming back to is an art salon we put together on consent, negotiation, and the male gaze, how the male posture of viewing women frames any sign of femininity as an invitation, and what it would mean to actually...
Big prizes! Guest judges! FREE to submit an image! Show us what you've got!
L’immagine, per secoli esito di una pennellata e poi di uno scatto o di un montaggio, è diventata in pochi anni il prodotto di modelli generativi che materializzano volti, paesaggi e catastrofi plausibili in vertiginosa proliferazione a partire da asettiche indicazioni testuali. Nel frattempo, le piattaforme social hanno trasformato ogni schermo in un’arena in cui la velocità di circolazione pesa più di qualsiasi verifica.
Davide Mastrangelo e Francesca Leoni, direzione artistica Ibrida Festival, ph George Matei, courtesy Ibrida Festival
In questo scenario la nozione di iperrealtà, che Jean Baudrillard aveva elaborato per descrivere un simulacro più reale del reale (quando il digitale era ancora...
Davide Mastrangelo e Francesca Leoni, direzione artistica Ibrida Festival, ph George Matei, courtesy Ibrida Festival
In questo scenario la nozione di iperrealtà, che Jean Baudrillard aveva elaborato per descrivere un simulacro più reale del reale (quando il digitale era ancora...
By Betty Ann Brown "In the end, photography for me is just an excuse to get to know the world."—Graciela Iturbide Mexican photographer Graciela Iturbide creates haunting images that portray the people, places, and events of the extraordinary cultures and geographies of her home country. Iturbide has a unique artistic practice that involves living and working with the people she chooses to photograph. Her process has made possible the strange and wonderful depictions for which she is known. In...
By Victoria Thomas Lauren Cross, PhD is the Gail-Oxford Associate Curator of American Decorative Arts for The Huntington. The gifted artist, author, and scholar moves through the world of material objects with a detective's nose for sleuthing out lost context and hidden figures, and a Griot's gift for connecting narrative dots to unearth treasure. She is the unstoppable force behind the first major museum retrospective to explore the untold history of ceramic innovator Doyle Lane, with more...
With a creative lexicon featuring yarn, pixels, beeswax, and spray paint, Mexican artist Laura Ortiz Vega has created a new language for herself, one that speaks to the present and the past by using traditional and contemporary techniques, as well as rural and urban sensibilities, to create a body of work that synthesizes all her […]
The post Capturing Cultural memory with the Urban Embroidery of LAURA ORTIZ VEGA first appeared on Hi-Fructose Magazine.
The post Capturing Cultural memory with the Urban Embroidery of LAURA ORTIZ VEGA first appeared on Hi-Fructose Magazine.
Paris Design Week and Maison & Objet are two parts of the same September design ecosystem in the French capital.
The 80th Issue of Hi-Fructose is coming soon! It includes a cover a feature on the paper collages of Lola Dupre, the Fluffy Vases of Shishi San, the installation paintings of Evgenia Voinar, Debbie Lawson’s textile sculptures, painter Rob Browning’s stark surrealism. Plus a Special Insert Section focused on the art of Jeff Sheridan, Andrea […]
The post Hi-Fructose Issue 80 Is Coming first appeared on Hi-Fructose Magazine.
The post Hi-Fructose Issue 80 Is Coming first appeared on Hi-Fructose Magazine.
By Lacey Argus Sovern, a nonprofit art gallery and healing justice center in Los Angeles, sticks out like a vibrant castle in the midst of the harsh greys of urban Los Angeles. The bright shades of pink and elaborate designs that adorn its concrete walls draw you in, as if calling you to explore the treasures within. The gallery's current showing is Into the Pluriverse, running from June 25 through October 8, 2026. Into the Pluriverse is a group exhibition inspired by the Zapatista term...
For three decades, Harriet Mena Hill has been a resident of South East London. This area is known in the art world for its schools, such as the esteemed Camberwell College of Arts. But Hill and others who lived there for some time remember it as a historically working-class and, at times, impoverished area of […]
The post Harriet Mena Hill Brings Crumbling Concrete Back To Life first appeared on Hi-Fructose Magazine.
The post Harriet Mena Hill Brings Crumbling Concrete Back To Life first appeared on Hi-Fructose Magazine.
Marigold Santos’s spectral forms are as layered with detail as they are with metaphor. Swirling amid marbled backgrounds in a feverish dance, they serve as critical examinations of cultural injustice. Their textures materialize their celestial properties as they become fierce teachers of colonial violence, problematic histories, and forgotten ancestry. Covertly, her haunting figural silhouettes aim […]
The post Celestial Stance: The Art of Marigold Santos first appeared on Hi-Fructose Magazine.
The post Celestial Stance: The Art of Marigold Santos first appeared on Hi-Fructose Magazine.