So much of my experience of visual art is rooted in interpersonal connection. It’s not that an artist needs to be standing directly in front of their work for me to appreciate it, I just always find myself latching onto their presence — whether it’s physical in the gallery or imbued within their creation. Future Fair, held this year at Chelsea Industrial from May 13 through 16, seems to capture this very spirit. The stereotypical press photograph of a major art fair usually shows an aerial perspective, revealing the cold, industrial bowels formed by gallery booths and their miniature-looking visitors. Unlike this image, which might make one feel like a prey animal observed from above, the six-year-old...

The fair's 20th edition was almost derailed by the US-Israel war in Iran—but organisers rallied the local community for a special show

At the Photographers’ Gallery in London on May 14, Rene Matić was announced as the winner of the £30,000 Deutsche Börse Photography Foundation prize. They were recognized for the exhibition “AS OPPOSED TO THE TRUTH,” the artist’s first solo show in Germany, held at CCA Berlin from November 8, 2024 – February 15, 2025. Matić is […]

KWK Promes embeds its Yaw House into a mountain slope
 
In southern Poland’s Beskid Mountains, KWK Promes completes Yaw House, a grass-roofed residence shaped directly by the incline of its site. Instead of leveling the terrain or placing a fixed object against the hillside, the architects embed the building within the land itself. The project takes its name from the aviation term ‘yaw,’ describing rotation around a vertical axis, and that single movement defines the home’s entire layout.
 
The house begins with a familiar gabled silhouette positioned parallel to neighboring structures, maintaining continuity with the local architectural language. From there, the volume rotates toward southern light...

Earlier this week, a 5.5-carat diamond ring sold for over $17 million dollars during Christie’s Magnificent Jewels auction in Zurich. The triangular-cut stone, known as Ocean Dream, thanks to its blue-green color, had an estimate of about $9-12 million. It is set into an 18-karat white gold band and surrounded by pink and white diamonds. Fortune magazine reported that the buyer was an unnamed private client and that the ring took 20 minute to sell. Max Fawcett, Global Head of Christie’s Jewellery, noted in a statement that this is the second time Ocean Dream has been offered at auction. (t sold for nearly $10 million in 2014, also at Christie’s Geneva.) According to the Smithsonian, it is “one of the...

The Catalan government in Spain sent a formal demand to the Aragonese government asking for €791,000 (around $920,000) to recoup costs related to the value and upkeep of artworks from the Royal Monastery of Santa María de Sigena it was ordered to return in 2017, according to a report in El País. Of the 56 works, 12 had been kept at the National Art Museum of Catalonia and 44 at the Diocesan Museum of Lleida. The works were removed from the monastery in 1936 to protect them from ruin during the Spanish Civil War. In a ruling in 2021, the Supreme Court in Spain stated that “the items formed part of the artistic treasure of the Monastery of Sijena at the time it was declared a National Monument [in 1923],...

More than 100 Seattle Art Museum employees announced plans this week to unionize, joining the nationwide labor movement that’s swept through art institutions in the last six years.  The union, called the Seattle Art Museum Workers United, will represent workers in over 20 front- and back-end departments. The union told SAM director and CEO Scott Stulen of its formation in a letter, writing: “Our solidarity is a movement to improve working conditions in alignment with SAM’s mission, vision, and core values.”  The letter continues, “The challenges we face as unsustainable wages, subpar health benefits, and siloed, top-down decision-making, are undeniable, systemic, and have persisted across...

Every art fair season the question arises: If you aren’t an arts journalist or a patron looking to augment your collection, why attend an art fair at all? With regard to the 1-54 Contemporary African Art Fair, which was founded in 2013 by Touria El Glaoui, the answer I find is that it keeps offering surprise and the genuine pleasure of discovery. Among the spring art fairs that take place in New York, 1-54, open at the Starrett-Lehigh Building in Manhattan through Sunday, still features work that’s unexpected.Take, for example, the presentation of the work of Rommulo Vieira Conceição by the Brazilian gallery Aura. His wall installation “the physical space requires that the other be ally or enemy,...

Austrian artist Valie Export, a powerfully provocative yet playful force in feminist art, died on May 14, three days before her 86th birthday. The news of her passing was confirmed by Thaddaeus Ropac Gallery.Export's performances and filmed media works subverted — nay, stomped on — notions of the male gaze and patriarchal society, reclaiming and reinterpreting the female body through guerrilla modes of delivery that bypassed the restrictions of institutional spaces. Her contributions greatly impacted a Viennese society that Export saw as tainted by the remnants of fascism and its regressive attitudes towards the role of women. Born Waltraud Lehner in 1940 in Linz, Austria, Export felt these attitudes...

Fusing elements of Persian architecture with Christian altarpieces, Arghavan Khosravi grapples with the structures and ideological strictures that shape our lives. The Iranian artist has long reckoned with women’s fight for equality, particularly amid censorship and religious dogma in her native country. Through vibrant gradients that radiate across her sculptural paintings, Khosravi entices the viewer into urgent, ongoing conversations about resistance and control. Opening today at Uffner & Liu, What Remains presents a dynamic new body of work that captures moments of tension and strife. Figures, in Khosravi’s works, are often restricted and tethered to domestic objects and space, and critically,...

Aerial view of enclosure burials, Atbai Desert, Sudan ATBAI DESERT, SUDAN—A new survey of Eastern Sudan’s Atbai Desert mapped hundreds of previously unidentified archaeological features that are providing new clues about what life was like in the region prior to the rise of pharaonic Egypt, Europe Says reports. Researchers used satellite aerial imagery to record at least 260 monumental enclosure burials between the Nile River and the Red Sea. These enigmatic tombs, which can reach 260 feet in diameter, were built by local nomadic herding communities during the fourth and third millennium b.c., making the funerary tradition older than the pyramids of Egypt. Previously excavated examples of these structures,...

Wax tablet notebook PADERBORN, GERMANY—La Brújula Verde reports that a German archaeological team under the supervision of the Landschaftsverband Westfalen-Lippe (LWL) recovered an exceptionally well-preserved notebook from a medieval toilet in the federal state of North Rhine-Westphalia. The discovery was made during construction of a new administrative headquarters in the city of Paderborn. The four- by three-inch book contains 10 wooden tablet pages coated in wax, onto which the object’s owner etched writing using a metal or bone stylus. The volume was also carefully protected by a leather cover that was stamped with motifs of lilies. Although experts have not yet translated any of the passages, the...

Lucien Zayan came to Frieze New York on a mission. “I am looking for something very specific,” Zayan, the founder of the Invisible Dog Art Center in Brooklyn, told me. I had spotted him standing near a large abstract painting saying something about lettuce to a booth attendant. Zayan was searching for food. Art and food, to be precise — works that examine their relationship, shared humanity, social tensions — as he curates the second edition of the NAFAS Festival in Tokyo this September. In Arabic, nafas means breath or a sustaining force, and captures the nurturing energy that goes into cooking.Zayan developed a more intimate relationship with food in recent years, when he became more interested not...

Radical performance artist, filmmaker, and sculptor VALIE EXPORT, arguably the most significant feminist artist of the postwar era, died in Vienna on May 14, just three days shy of her birthday. She was eighty-five. Her death was confirmed by the gallery Thaddaeus Ropac, which represents her. Deploying the body in novel and provocative ways, EXPORT […]

Tunnel, Jerusalem, Israel JERUSALEM, ISRAEL—According to a statement released by the Israel Antiquities Authority (IAA), archaeologists unearthed a mysterious tunnel beneath the streets of Jerusalem. During construction work near Kibbutz Ramat Rachel, workers unexpectedly discovered the entrance to an ancient cavity, measuring 16 feet high and 10 feet wide, that was once accessed via a rock-cut staircase. At first researchers believed the passageway may have been part of an ancient water installation built to access underground springs, but this was subsequently ruled out, since the walls of the tunnel were not covered in plaster as they typically would have been. Geologists also found no evidence of any...

The Wellcome Collection in London announced Friday its plans to return 2,000 manuscripts to the Jain community. In an unusual move, however, they will not be returned to Pakistan, where many of the manuscripts were purchased a century ago, or to India, where the majority of Jains live today. Instead, they will head to the University of Birmingham’s Dharmanath Network in Jain Studies, which was established in 2023 and is wholly financed by Jain communities living in the UK, the US, and India. In a release, the collection said it “believes this to be the most appropriate place to maximise community access, deepen research opportunities and safeguard the future of this significant collection.” The transfer...

An Egyptian archeological mission has made several new discoveries this season while excavating at the Abu El-Naga necropolis near Luxor. The announcement was made by Egypt’s Supreme Council of Antiquities. Among the most important finds of the season was a cache of ten well preserved, painted wooden coffins that had been hidden in the shaft of the courtyard of the tomb of Baki. The coffins, featuring brightly painted scenes and hieroglyphic inscriptions, were likely moved from their original burial sites during a period of instability, leading to some damage to the mummies inside..   Four of these coffins date to Egypt’s 18th Dynasty (c. 1550–1292 BC), including one coffin bearing the name of Merit,...

Although uneven at times, ‘Forge’ questions whether collectors really have more appreciation for art than artists who create forgeries

“It beats working” 

In Everything Now All At Once at the Nasher Museum of Art at Duke University, the title says it all. Dozens of works from the likes of Nick Cave, Ai Weiwei, Nina Chanel Abney, Wangechi Mutu, and many more represent a slice of the contemporary art world in which globalism and diversity are at the fore, and the lessons of the past inform how artists imagine the future. Interestingly, the pieces are also decidedly analog, especially noteworthy as these works—alongside a few other multimedia and photographic additions—have been made throughout the era of light-speed technological advances. Painting and sculpture, in particular, have long been treated as the nexus of “high art” in the Western canon. The...

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Divertissements and demonstrations at the art world’s theme park

Angular forms outline Florida Southern College’s masterplan
 
Located in Lakeland, Florida, Frank Lloyd Wright’s campus plan for Florida Southern College remains the largest single-site collection of the architect’s work in the world. Developed between 1938 and 1958, the project brought together academic buildings, chapels, seminar spaces, esplanades, and water features into a unified architectural vision described by Wright as a ‘truly American campus.’
 
The 80-acre masterplan organizes the campus through a network of covered walkways radiating outward from a central core. Wright envisioned a total of eighteen structures for the institution, twelve of which were ultimately realized over two...

Typically gravitating toward dreamy palettes of soft blues, grays, and oranges, Scottish artist Andrew McIntosh opts for a sanguine red in a new body of work. The crimson paintings continue McIntosh’s otherworldly landscapes that cast familiar forms like mountains and valleys in a strange, uncanny light. Glowing orbs float among the craggy terrain and veil the scenes in mystery. “These works sit somewhere between memory and invention—familiar landscapes interrupted by something I don’t fully understand,” the artist says. “Whitney” (2026), oil on linen, 170 x 130 centimeters On view at School Gallery, these bold pieces comprise the artist’s solo exhibition, I Hope This Transmission Finds You...

exploring how art’s real work happens in the encounter
 
Galerie de Nuage, a cultural platform operating between New York and Hong Kong, positions contemporary art as a framework for encounter rather than spectacle. Through exhibitions, curatorial programming, and interdisciplinary collaborations, the gallery explores how artworks shape experiences of attention, memory, and belonging across different cultural contexts. The practices of artists Rita Bernstein and Amber Stokie exemplify this curatorial direction. Although formally distinct, both artists investigate how intimacy, repetition, and perception can be communicated through material and process.
 
Based between Philadelphia and New York, Rita...

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In this week's episode, Ben Sutton and Kabir Jhala discuss this year's Frieze New York, other fairs across the city this week and the upcoming New York auctions. Ben Luke speaks to Martin Bailey about a Cranach painting discovered to have once hung in Hitler's home, and hears from Charlotte Keenan of the Walker Art Gallery in Liverpool on a photography series by Ajamu X.

delcy morelos brings living body of earth into london’s barbican
 
For ‘origo’, Colombian artist Delcy Morelos fills the Sculpture Court of the Barbican Centre with soil, scent, darkness, and touch. Opening on May 15th, 2026, the monumental installation invites visitors to walk through tunnels made from clay, hay, seeds, and spices, creating an experience that feels like stepping inside a living body. Presented under the Barbican’s public commissioning program, the project marks Morelos’ first major public work in the UK and the first activation of the Sculpture Court in nearly a decade.
 
Against the Barbican’s vast concrete architecture, Morelos introduces a porous, fragile, and deeply tactile...

‘still joy’ highlights ukraInian art in venice
 
To enter the PinchukArtCentre exhibition, a collateral event of the 61st Venice Biennial of Art in Venice, one must cross over the Ponte dell’Accademia bridge and look over a scenic Venetian canal with its water taxis and vaparettos zipping by. With this view, on what is likely to be a sunny day for most visitors, there is a certain magic that this city exudes. Around the corner, there is the entrance to ‘Still Joy — From Ukraine Into the World,’ presented by the Victor Pinchuk Foundation and the PinchukArtCentre. 
 
Inside the exhibition, the first installation is Dedicated to the Youth of the World II (2019) and Dedicated to the Youth of the...

James McNeill Whistler’s celebrated maternal portrait reminded Vincent of his own mother

Last night's season opening sale of post-war and contemporary art, which started with 11 lots from the late art dealer, set new records for young artists Ding Shilun and Yu Nishimura

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The Deutsche Börse Photography Foundation Prize, established in 1996, celebrates exhibitions and publications that have made “a significant contribution to photography in the past 12 months.” It’s a major moment in the cultural calendar, and, over the years, has spotlighted seminal names such as Arthur Jafa, Deana Lawson, Lorna Simpson, Richard Mosse and Susan Meiselas. This year’s winning artist is Rene Matić, for the exhibition AS OPPOSED TO THE TRUTH, at CCA Berlin, Germany, which ran from November 2024 to February 2025. The show, as Shoair Mavlian, Director of The Photographers’ Gallery and Chair of the Jury, describes, comprised “raw and honest photographs” that “bring a story of...

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Presso Fondazione Sabe per l’arte a Ravenna, la mostra Molteplice senza disordine curata Enrico Camprini espone tre artisti di generazioni diverse che si confrontano e si pongono in relazione con lo spazio espositivo creando una sintesi che ragiona sul dialogo tra il luogo espositivo e l’atmosfera creata dalle opere.
AA.VV., “Molteplice senza disordine”, veduta della mostra, Fondazione Sabe, Ravenna, 2026. Foto di Daniele Casadio, courtesy Fondazione Sabe per l’arte
Le opere degli artisti coinvolti si confrontano in sguardi che si ibridano e si influenzano a vicenda. Alice Cattaneo invade lo spazio espositivo con l’opera site specific Se questo margine è di tempo, che si allarga sulla...

Milan-based Filipina designer Mirei Monticelli creates biomorphic lighting fixtures that toe the line between sculpture and utility. Undulating outward and glowing from within, the artist’s works feel as if they are alive, quietly dancing wherever they stand or hang. These gestural, biodegradable structures are crafted with hand-woven Banaca fabric made from Abacá, a fiber that grows abundantly in Monticelli’s native Philippines. The artist’s studio works directly with a community of weavers in the Bicol province at the southeastern end of Luzon, sharing with Colossal, “We’ve developed the material together over time, so it’s not just sourcing, but a relationship.” The laborious act of...

London-based artist Anouska Samms has publicly accused the Metropolitan Museum of Art’s Costume Institute for exhibiting a dress that is “something like a counterfeit” of her work in the ongoing “Costume Art” exhibition. In an Instagram post, Samms alleged that the dress, titled Corpus Nervina 0.0, bears resemblance to an earlier Nervina hair dress she […]

KUJAWY, POLAND—Science in Poland reports that high nitrogen levels detected in the isotopic analysis of human and animal bone collagen recovered from more than 30 archaeological sites in northern Poland indicate that Neolithic farmers fertilized their fields. The study also showed that these early farmers ate little fish and other freshwater foods. Then, between around 2800 and 2200 B.C., populations such as the people of the Corded Ware culture from an area near the Danube River arrived in what is now northern Poland, said Łukasz Pospieszny of the University of Gdańsk. The newcomers adapted to local conditions, he explained, but they maintained their own dietary patterns based on meat and dairy...

Pottery and possible piece of an altar in a Scythian tomb, Gura Bacului, Moldova DNIESTER, MOLDOVA—According to a Moldpres report, a Scythian tomb dated to the third century B.C. has been discovered by archaeologists from Moldova’s National Archaeological Agency. The tomb, made up of an access shaft, a corridor, and a burial chamber, was found during rescue excavations in the necropolis at Gura Bacului in east Moldova. The burial contained ceramic vessels, arrowheads, beads, a sheathed knife, a censer, and worked stone that may have been used as an altar. Vlad Vornic of the National Archaeological Agency said that the ceramic censer is of a rare type and helped the researchers to date the tomb. For more,...

Joy Machine is pleased to present Feel Free, a group exhibition featuring new works by Rachel Hayden, Paulina Ho, Hanna Lee Joshi, and Jeremy Miranda. The opening reception will be held from 6 to 8 p.m. on May 15, 2026. Attempting to create order and find clarity amid chaos is human instinct. Since time immemorial, we’ve endeavored to make sense of a world in which reason and certainty are never assured. Change, as the saying goes, is the only constant, which means notions of autonomy or control are a subjective fantasy rather than a concrete reality. In Feel Free, we witness four artists grappling with this enduring paradox. Each surrenders to the inevitability of change and focuses on the small instances...

By Lacey Argus It's easy to miss the bite-sized rainbows orbiting around the travertine surfaces of The Getty Center's Main Entrance. Some people breeze by them, eager to visit the various galleries that lie just beyond them. Others dash through them as they rush into a crowded bathroom line. Some briefly glance upward at the towering glass light prisms suspended from the atrium enclosing the space. But not children. If you spend an afternoon amongst these rainbows, you're sure to notice...

La Hyde Gallery presenta Sensual Abstract, una mostra collettiva che esplora il linguaggio dell’astrazione attraverso la percezione, la materialità e l’esperienza interiore, a cura di Lyudmila Hyde. La mostra è stata inaugurata di recente e sarà visitabile fino al 26 maggio 2026. La mostra propone un nuovo modo di vedere il mondo in una città frenetica come Londra, un modo di osservare più attento, dove forma, texture e movimento si dispiegano attraverso le sensazioni. Infatti, la galleria supporta artisti che espandono i confini della percezione e si confrontano con la pittura come medium vivente ed evolutivo. Inoltre, Sensual Abstract continua questa visione con una riflessione sulla...

Sarà anche in declino, per cause ambientali, per troppo turismo, per spopolamento dei residenti, per un sindaco inadeguato e così via, ma non certo per la cronaca in genere e tanto meno per quella artistica, dove invece si impone specie in questi mesi come capitale del mondo.  Sì, la Venezia della 61esima Biennale si può ben dire trionfi a pieno titolo come sede di meraviglie artistiche in questo lugubre pianeta ancora una volta preda dell’orrore di genocidi, pulizie etniche e di un tanto poco spiegabile quanto più irrefrenabile desiderio di guerra proliferante a ogni latitudine. Persino nella già oramai da quasi ottant’anni pacificata Europa, memore – invano pare – del duplice cataclisma a suo...

W hen we connect over Zoom, Hrafnhildur Arnardóttir, aka Shoplifter, is in Bentonville, Arkansas preparing to unveil Xanadu, a large-scale, outdoor installation at Format Festival. “It’s going to be like an alien forest that people at the festival roam around in and space out,” says Arnardóttir of the installation, consisting of ten poles ranging in […]
The post The Immersive Hairy Worlds of Shoplifter first appeared on Hi-Fructose Magazine.

What do you get when you combine an obsessive urge to create, sleep deprivation, climate change anxiety, and penchant for enchanted nature realms? Amy Casey shows us firsthand, through her infinitely detailed paintings of manmade structures, either clashing or peacefully coexisting with natural environments. In these pieces we might find repetitions of fungi, leaves, and […]
The post Amy Casey: All The World Is Green first appeared on Hi-Fructose Magazine.

Aunia Kahn  
   
   
   
   
   
   
   
 
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Dal 12 al 14 maggio 2026, l’Ipogeo Necci di Roma ospita il terzo appuntamento di Sottoforma, progetto a cura di Donatella Giordano e Agathe Jaubourg, che mette in dialogo le ricerche di José Angelino ed Elena Bellantoni. La rassegna si è aperta con gli interventi di Eva Marisaldi, Enrico Serotti e Luca Vitone, mentre il secondo atto ha visto protagonisti Iginio De Luca e Liliana Moro.
José Angelino, Elena Bellantoni, “Sottoforma”, 2026, installation view, ph. Valentina Bellomo, courtesy Donatella Giordano
Sottoforma lavora sulla naturale tendenza dell’uomo a inabissarsi, a discendere verso il nucleo, ed è questo forse il luogo dove si depositano le memorie. Il progetto, suddiviso in tre atti,...

Ci sono aspetti silenziosi e radicali che permettono di creare con la carta velina qualcosa che appare solida come un’architettura. Il contributo di Xin Zhang a Duality: Nothing Is As It Appears?, mostra collettiva internazionale curata da Elisabetta Roncati e co-curata da Yishun Gao, presentata nella sede della MA-EC Gallery a Palazzo Durini di Milano, incarna quella contraddizione con eccezionale economia. Growing Pain (2025) consiste di dodici stampe UV su carta velina disposte come una costellazione su un pannello di supporto sospeso al muro e suggerisce un’allusione antropomorfa che riflette su come l’identità individuale si forma, si frattura e si riorganizza sotto la pressione della...

As we enter the summer months, there’s a universal desire to get outside. The trees are green, flowers are in full bloom and the sun is shining well into the evening. These five exhibitions are bringing contemporary art into nature, placing sculptures in dialogue with the environment. Each one offers visitors the opportunity to witness art outside of the confined of white walls and gallery spaces, getting up close to creativity on a monumental scale. Major names like Yayoi Kusama, Lynn Chadwick and Henry Moore take up new space, whilst Nic Nicosia and Nicola Turner transform familiar museums into new experiences. Lynn Chadwick Houghton Hall, Norfolk | Until 4 October Houghton Hall presents a new exhibition...

The history of photography has long been shaped by what is seen and, crucially, by what is omitted. New Woman, New Vision. Women Photographers of the Bauhaus enters this contested terrain with force, assembling an expansive body of work that feels at once familiar and newly charged. Bringing together approximately 300 photographs, the exhibition reframes the Bauhaus not as a closed chapter of modernism, but as an evolving site of authorship, experimentation and erasure. It is less a recovery project than a recalibration, asking viewers to look again at images they may think they know. In doing so, it exposes the fragility of the canon itself. What emerges is a complex picture of photographic modernity. From...

The 61st edition of the Venice Biennale, In Minor Keys, curated by the late Koyo Kouoh (1967-2025), is now open. It will run until 22 November at the Giardini, the Arsenale and in various locations around the city. Here is Aesthetica‘s run-down of 10 standout national pavilions to discover this year – paying attention to timely themes such as communication, connection, ecology, identity and legacy. Swiss Pavilion | The Unfinished Business of Living Together In April 1978, an episode of the Swiss public programme Telearena aired. The live broadcast debated the “problem of homosexuality”, and, whilst controversial, marked one of the first occasions when individuals from the LGBTQ+ community gained a...

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By Melanie Chapman Let the Art (and the Artist) Speak for Itself Outside of the art world, painter Celeste Dupuy-Spencer may not yet be as familiar a name as Jean-Michel Basquiat or Vincent Van Gogh, but to those who followed her artistic growth over the past ten years, she was on her way. Perhaps therein lay the problem. For those who knew Celeste personally and/or had the opportunity to work with her professionally, there is still a profound sense of loss permeating most conversations...

Contemporary art from the Asia Pacific arrives in London with the force of something already long in motion. Rising Voices: Contemporary Art from Asia, Australia and the Pacific brings together more than 40 artists from 25 countries, assembling over 70 works that span sculpture, photography, painting, ceramics, weaving and body adornment. Many of these works have never been shown outside the region, and their presence at the V&A immediately shifts the terms through which visibility is negotiated. What unfolds is a profound encounter with interconnected and evolving cultural systems across one of the most diverse regions in the world. Australia, Asia and the Pacific together account for roughly 60 percent of...

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Derek Beck’s Website
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By Coral Pereda Serras Among established and other art spaces in Melrose Hill, sits 1028 N. Western Ave., home to Western Avenue Collective artists studios. This 1922 building hosts 22 artist spaces among which is El Nido, an artist-run curatorial and research space by VC Projects. El Nido, borrowing from its Spanish name, is nested in this distinctly LA courtyard and through "Photography Into Sculpture: An Homage and An Update," emerges as a portal into the imagined memories of a Victorian...

ABOVE: Installation view, Jeffrey Gibson, boshullichi / inlvchi – we will continue to change, Kunsthaus Zürich, 2025, photo by Franca Candrian, Kunsthaus Zürich Jeffrey Gibson was far more open about the act of dreaming and the beliefs that make-up spirituality than I expected. I started our conversation saying that I like to keep things loose, […]
The post Jeffrey Gibson: More Colors than The Eye Can See first appeared on Hi-Fructose Magazine.