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Calder’s Circus Back in Paris, France
 
One hundred years ago, in 1926, American artist Alexander Calder arrived in Paris. On the occasion of Calder. Rêver en équilibre, at Fondation Louis Vuitton in Paris, his foundational project, Cirque Calder (Calder’s Circus), makes a grand return to the European city that defined his career. Teetering, tottering, and fashioned from wire, Calder built this pint-sized circus in the Roaring Twenties. Crouched around the set, about the size of a child’s playset, he would perform the circus for Paris’s avant-garde art scene. This first work set the stage for Calder’s iconic mobiles, pieces defined by movement, balance, and a playful disposition toward the world...

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Kenta Yoshizawa turns Japanese crafts into contemporary design
 
Kyoto-based designer Kenta Yoshizawa presents Red Craft (Akai Kogei), a collection that translates traditional Japanese craft techniques and materials into objects for contemporary everyday use. Centered on a vibrant red color palette, the project explores four craft traditions: bamboo fencing, kumihimo braided cord, washi paper, and urushi lacquer, through furniture, lighting, and storage objects.
 
The collection considers how traditional materials and production methods can be integrated into familiar domestic settings while retaining their craft characteristics. Each piece combines functional use with visible references to its material and...

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Sunset over Brooklyn at the end of a workday puts my mind at relative ease. A discarded still life of white roses in a golden frame resting against a pile of black trash bags outside someone's house ends up being the most memorable art installation of the week. A new storefront church opens near my house; I see it one night when I go to buy milk for the kids. It's got a lobby with fancy-looking brown leather sofas for the faithful to sit comfortably on. I pass by a bookstore and see a photobook by Hans Wilschut titled Beirut, Epi-Centre Ville. It traces the impact of the devastating blast of 2020 on the city's streets and soul. The book piques my interest, but I keep walking and see a Honda...

luca boscardin discusses how play shapes cities and learning
 
Luca Boscardin doesn’t believe play belongs only to childhood. Across toys, playgrounds, books, and public installations, his work explores play as a way of thinking that invites curiosity. Whether through Archiville, a cardboard city with no instructions, or Animal Factory, his growing family of abstract animal structures produced by Magis, Boscardin creates open-ended objects that leave room for interpretation.
 
After studying architecture in Venice before moving into graphic design, Boscardin gradually realized that what interested him was creating the conditions for imagination to flourish. Today, alongside his work as a designer,...

Gabled Timber Volume Opens Toward Pine Landscape
 
A&A House is set within a mature pine grove in a small town in Poland, where the existing trees and natural topography became the starting point for the design by Rasztawicki Bielinski Architects. Rather than clearing the site to accommodate the building, the house was positioned around the existing woodland, preserving its character and allowing the garden to merge naturally with the surrounding landscape. The architecture takes its cues from the familiar silhouette of a traditional barn, reinterpreted through a restrained contemporary approach. The simple gabled volume is clad in dark timber, helping the house settle quietly into its wooded setting....

Hedgehog-Inspired Network Restores Urban Eco-Connections
 
Urban Living Library – Reclaiming the Hedgehog Habitat by Fengyi Wu explores how landscape architecture can support biodiversity while creating meaningful spaces for people in the contemporary city. Developed as a design research project, it takes the hedgehog as a flagship species to investigate how fragmented urban habitats can be reconnected through landscape interventions. The project proposes an interconnected network of habitats, ecological corridors, gardens and outdoor learning spaces, transforming underused urban landscapes into environments that support both wildlife and everyday public life. Rather than separating ecological...

New York’s Tracey Amon filed a request on July 25 in the US District Court for the District of Southern New York to subpoena art advisor Sanford “Sandy” Heller. She wants him to turn over documents for use in her lawsuits in Switzerland over the disposition of the assets of her late husband, Maurice Alain Amon, who retained Heller as an advisor starting in 2013. Heller has been described as “possibly the biggest art advisor in the world,” and reputedly works with Roman Abramovich and Steve Cohen. The heir to the company SIPCA, which makes inks used in printing currency, Maurice died at 68 in 2019 while on holiday in Saint Tropez. The filing puts his value at some $600 million in assets and business...

By Betty Ann Brown "The idea becomes a machine that makes the art."—Sol LeWitt Dean De Cocker creates richly conceived, exquisitely crafted, and visually delightful artworks that shuttle between abstraction and conceptual representation. He has long been drawn to machines, from bicycles to motorcycles, cars to airplanes, and formal echoes of these devices appear in his current body of work, exhibited at the Visual Arts Center in the small Central California town of Visalia. Welcome to the...

On July 28, a group of 10 people ransacked the headquarters of the Italian fuel distribution company, Lilli Petroli, in L’Aquila, located in Italy’s Abruzzo region, spending as long as eight hours on the premises before making off with over £4 million ($4.63 million) of art, first reported local outlet Il Centro. About 30 artworks belonging to Lilli Petroli owner Mauro Lilli were stolen in the unusual heist, including bas-reliefs attributed to Pablo Picasso, a bronze ballerina sculpture by Giacomo Manzù, paintings by Bruno d’Arcevia of the Italian Manner movement, and pieces by sculptor Mario Moretto. None were ensured, and the collection had been displayed throughout the company’s lobby and offices....

The Uffizi in Florence has announced a €50 million ($58 million) restoration plan that it expects to carry out over the course of two years. The renovations will encompass the Uffizi Gallery, Palazzo Pitti, and the Boboli Gardens. Work has already begun on various projects, which are being staggered to avoid closing the museum completely. […]

Three star directors have severed ties with White Cube’s New York gallery, Artnet News reports. The trio—Courtney Willis Blair, Sukanya Rajaratnam, and Jessie Washburne-Harris—offered varying reasons for their departures. The news comes as powerhouses like David Zwirner and Pace, alongside a cohort of small and midsize galleries, shutter locations and cut staff and artists to […]

Elizabeth Mulholland is set to take on the role of senior director at David Zwirner Gallery’s Los Angeles outpost, according to ARTnews. The move follows Mulholland’s two-decade tenure at Andrew Kreps Gallery in New York, where she served as a director and subsequently became a partner.  Speaking to ARTnews, Andrew Kreps conveyed his gratitude to […]

The subway trek to the Upper East Side is slightly easier than Odysseus's journey across the Mediterranean, provided the 6 train is running. For those who prevail, their reward will be plentiful: A 2,300-year-old papyrus fragment containing parts of Homer's Odyssey is now on view at the Metropolitan Museum of Art. The institution announced this week that the object would emerge from its long retirement on August 5. The fragment is now on public view at the museum in Gallery 162.In a video accompanying The Met's announcement, Séan Hemingway, curator in charge of Greek and Roman art, described the papyrus as “the earliest preserved fragment of Homer's Odyssey that we have today.”

As President Donald Trump and his appointees escalate their legislative attacks against historic sites and the artworks housed within them, Democrats and preservationist groups are pushing for protective countermeasures.On July 24, the heavily Trump-appointed Advisory Council on Historic Preservation (ACHP) advanced a proposal that could diminish legal protections of historic sites. The 16–5 vote approved revisions to Section 106 of the National Historic Preservation Act, a measure that mandates federal agencies to consider possible damages to historically significant sites before undertaking construction projects.

Thieves stole €4 million ($4.6 million) worth of art from Italian fuel distribution company Lilli Petroli in an overnight raid at the firm’s headquarters in Abruzzo. The Italian newspaper Il Messaggero reports that the thieves made off with roughly 30 artworks, all belonging to the company’s owner Mauro Lilli.  The art was on display in […]

Walking down Pearl Street in lower Manhattan, you probably don’t realize that the name marks the original 17th-century East River shoreline of New York City. In fact, the street was named for a Lenape shell midden that was located on its southern section, which is also believed to have been adjacent to a Lenape canoe landing. It was one of many prominent middens that marked the region, and as Mark Kurlansky explains in his bestselling book The Big Oyster: History on the Half Shell (2006), middens are “the most common marker of a pre-European settlement anywhere in the area of the mouth of the Hudson.” These piles of oyster shells, he notes, were sometimes as much as four feet deep, sometimes buried in...

A federal appeals court ruled Friday that President Donald Trump lacks the authority to build a $400 million ballroom at the White House without congressional approval. The US Court of Appeals for the District of Columbia Circuit sided with historic preservationists who sued to halt construction of the 90,000-square-foot ballroom on the site where the White House’s East Wing stood before its demolition last fall.   In response to the ruling, President Trump wrote in a Truth Social post that he “will be immediately appealing to the United States Supreme Court” and described the decision as “horrendous, politically motivated, and unlawful.” Friday’s ruling marks the second legal setback this week...

Known for her lush assemblages of flameworked glass, Amber Cowan reimagines a ubiquitous yet fragile medium. Flowers, filigree, and colorful baubles cluster into dense compositions that invoke fairytale narratives and whimsical nature scenes. Cowan typically works with industrial scraps, antiques, and other offcasts, which allows her to draw on products and colorways that are no longer in production. Currently leaning into cloche and coupe sculptures alongside her wall-based works, the Philadelphia-based artist is preparing for several upcoming exhibitions, including at San Francisco’s Museum of Craft and Design in September and Design Miami in December. Her work is on view now in The Passion of Collecting...

A Pablo Picasso etching stolen from Milwuakee’s DeLind Art Appraisals in 2018 was handed over to the city’s plice department on Thursday, according to a press release. The etching and aquatint printed in ink on paper, titled Torero, is the ninth in an edition of 30. When it was stolen in 2018, Bill DeLind told news organizations that it was worth between $35,000 and $50,000. “It was like, ‘Oh my God,” DeLind told local news station 12 News on Thursday. “I never thought I’d see this again. And there it was.” In 2018, DeLind described the work as having “walked off the wall,” telling the Milwaukee Journal Sentinel that he did not see anyone in the business on the day the work disappeared, and...

“Why have there been no great women artists?” Maybe because too many of their masterpieces were dismissively shoved into storage for not having been painted by a more famous man. That, at least, seems to be what befell a still life by the 17th-century Flemish painter Clara Peeters. Still Life with Small Game and Grapes on a Gilded Tazza, ca. 1620, was at one point thought to be by Ambrosius Brueghel (son of Jan, grandson of Pieter). But, according to the Guardian, that attribution was rescinded in the early 20th century, leaving the still life in “anonymous” limbo ever since. Cynthia Osiecki, a curator at the National Museum of Norway in Oslo, came across Still Life with Small Game and Grapes on a...

A 1796 map of New York by Bernard Ratzer (image courtesy The Lionel Pincus and Princess Firyal Map Division)A hand-pump fire engine from 1830 and surviving dime museum attractions will be displayed alongside Jacob Riis's documentary photography and art by Keith Haring, Lynda Benglis, June Leaf, and others in the New Museum's forthcoming exhibition about the Bowery. The Bowery: Devil’s Mile will comprise archival materials, artifacts, and artworks representing four centuries of innovation and inspiration along the museum's home street. The show will open on September 24 alongside a previously announced Arthur Jafa survey in the Manhattan institution's newly expanded building.Originally a...

Over the weekend, a Russian drone strike destroyed a historic 18th century church in the Kherson region of Ukraine. The Holy Presentation Church, which was built in 1725 within a fort near Zaporizhzhia and transported to its current location at Beryslav in 1784, is said to be the last surviving example of wooden Cossack architecture […]

The statue gives new insight into the ancient Lydian civilisation, Turkey’s culture ministry says

The term “ark” invariably conjures images of the monumental boat onto which pairs of animals were stewarded prior to a cataclysmic, biblical flood. It’s a reference that feels apt amid the climate crisis and our planet’s rising sea levels, although in this case, the melting ice caps and creeping tides are down to us. The large-scale exhibition titled The Ark at Powerhouse Arts asks, will we care for the future of our planet the way we care for the animals we love? The presentation draws directly on the myth if The Deluge from Genesis, “an event of epic scale that becomes a metaphor for the present moment, where environmental and social upheaval converge,” says a statement. “Throughout the...

Recently rebranded artist membership organisation Artists Now has created a guide on how to make creative practices more eco-friendly

Xiao Hua Yang  
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
 
Xiao Hua Yang’s Website
Xiao Hua Yang on Instagram

Zémire et Azor, André-Ernest-Modest Grétry's riff on "Beauty and the Beast", gets a rare outing in the Berkshires.

Malin Byström is a radiant water nymph in the Bayerische Staatsoper's house-of-horrors-set Rusalka. 

The figure has been painted back onto the work at the Maurithuis after being removed at some stage in its history

Not really sure what was going on here.

The masterpiece, alongside 62 other works given by the Pearlman family, is coming on tour from Los Angeles

A new study based on aerial surveys suggests the pre-Columbian Aquiry civilisation had a much more developed and dispersed footprint than previously thought

110 years ago, Thomas Lupo’s grandfather opened the American Wood Column Corporation in Brooklyn’s Williamsburg neighborhood. Specializing in architectural woodwork including decorative moulding, columns, balusters, corbels, and more, the historic family-owned company is shutting down after more than a century. A new documentary directed and produced by filmmaker and photographer Joshua Charrow takes viewers on one final walk-through of the factory. A vast collection of about 6,000 handmade wooden molds—many of them reverse carved molds—cover the walls and correspond to numbered samples for reference. “My grandfather bought these molds used, and they were used,” Lupo explains. “So they’ve got...

From happenstance and humor to solemnity and tension, the images topping the 2026 Pure Street Photography Awards run the gamut of daily scenes. The annual contest is organized into two categories: black-and-white and open. Reflections of New York City meet dramatic views of urban spaces and pensive tableaux in rural communities, emphasizing timely and candid moments that center diverse human experiences. This year, eight winners were selected from nearly 1,600 entries submitted by photographers in 50 countries. An exhibition of 158 of the top images is slated to pop up at Jawahar Kala Kendra in Jaipur, India, from November 20 to 22. The open call is also now live for the 2027 edition, and you can see more and...

Amid the rugged, wave-churned shoreline of France’s Breton coast, a surprising tidbit of pop culture has kept beachcombers returning for more than 40 years. The short film “Silly Little Plastic Cat” transports us to this slice of Brittany, where local residents grew up collecting parts of a 1984 Garfield-themed plastic telephone on the beach—and still do. Photographer and director Zack Grant, founder the production studio 2020 Land, was intrigued by the story, which made news a few years back after the source of the dispersed merchandise was finally discovered. The part of Brittany where the phones wash up is situated along a busy shipping thoroughfare. At some point during their transit in the...

Dmitri Tcherniakov's production of Der Freischütz in Munich may fire a few blanks, but the musicians are all on target.

Alina Bobrova  
   
   
   
   
   
   
   
   
 
Alina Bobrova’s Website
Alina Bobrova on Instagram

Rising stars Chelsea Lehnea and Ricardo José Rivera are the protagonists of this week's Grand Tier Grab Bag.

Skeletons, tombstones, and serpents. These are just a few of the iconic images pre-v ailing throughout the works of Morgan Sorensen—all relating to the themes of struggle, sadness, pain, and death. While anyone might agree that these graphic designs would all make for killer band T’s, there’s quite a bit of depth surrounding the artist’s […]
The post Future Relics: The Art of Morgan Sorensen first appeared on Hi-Fructose Magazine.

The body is an obsession for Monica Piloni. Whether it’s a hollowed face in the Samieses series or the eerie dolls depicted in “Ilegais”, a majority of Monica Piloni’s sculptures confront the human form. And while consistently returning to the body may seem confining to some, it’s a pursuit marked by liberation for the Brazilian […]
The post The Disconcertingly Honest Self-Portrait Sculptures of Monica Piloni first appeared on Hi-Fructose Magazine.

This article originally appeared in Hi-Fructose issue 42, which is sold out. See Matthew Grabelsky’s new solo show at Thinkspace gallery here.  Matthew Grabelsky had studied tradition in Florence, lived in the cultural nuclei of Europe, but hadn’t yet found the idea that would set him apart as an artist living in the twenty-first century. […]
The post Human/Nature: Animals Go Underground In the Paintings of Matthew Grabelsky first appeared on Hi-Fructose Magazine.

A selection of recent work by artist Emma Steinkraus. Based in Lexington, Virginia, Steinkraus  
   
   
   
   
 
Emma Steinkraus’s Website
Emma Steinkraus on Instagram

By Victoria Thomas Photographer and ceramic artist Catherine (Cathy) Opie first shocked and rocked the fine art world with her self-portraits during the late 1990s. Today, her decades of work — often termed confessional — now serve as context for the far more enigmatic Holding Blue installation, on view at Regen Projects through July 3. The Los Angeles-based artist identifies as a leather dyke, lesbian cowboy, an elder, and as "Mama Cathy," with a mustachioed male alter-ego named Bo. Opie is...

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Luke Rosing’s Website
Luke Rosing on Instagram

Alexis Jamet  
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
 
Alexis Jamet’s Website
Alexis Jamet on Instagram

“Danger” is a word often associated with the candy-colored work of Los Angeles artist Kristen Liu-Wong. Her feminine tableaus, often rendered in a bright blend of acrylics, paint pen, and marker, have particularly veered into more menacing territory in recent years. “The world is a dangerous place,” Liu-Wong says, in a June interview. “I don’t […]
The post Dont Tempt Me: the Art of Kristen Liu-Wong first appeared on Hi-Fructose Magazine.

On paper, Nathan Reidt’s creatures sometimes reveal themselves through a fog of graphite. He may begin with a “vague, circle-y shape” and shade areas. “Then I just stare at it for a long time and wait for something to pop out and refine that a little and stare at it.” The Philadelphia-based artist explains by […]
The post Personal Growth: the Art of Nathan Reidt first appeared on Hi-Fructose Magazine.

By Betty Ann Brown "Beauty comes from the balance between two and three dimensions, between abstraction and representation — I seek the equilibrium behind changing appearances."—Henri Matisse Jill sykes by Eric Minh Swenson Jill Sykes creates beautiful paintings of botanical phenomena. Like Matisse, she translates three-dimensional objects into two-dimensional images, occupying the territory between abstraction and representation to achieve balance and equilibrium. From a very early age,...

By Victoria Thomas There's something about a hanging. Whether legal or not, the visual experience seems mythic, supernatural, theatrical, and ritualistic, versus the efficiency of a swift kill. If local authorities greenlight the killing, it's called a hanging. If they don't, the hanging is extrajudicial, and it's called a lynching. Anyone with even the scantiest grasp of American history will know that our country has a sordid romance with lynching — a romance which persists. And unless...

By Betty Ann Brown Crocker Art Museum, Sacramento, February 22–June 28, 2026 Every moment is an organizing opportunity, every person a potential activist, every minute a chance to change the world.—Dolores Huerta The Royal Chicano Air Force (RCAF, originally the Rebel Chicano Art Front) was an art collective founded in Sacramento in the early 1970s. The visual art members, who focused on printmaking and murals, collaborated with writers, musicians, performers, and teachers. Together, they...

It is credited with ‘democratising photography’ on a global level – and now Shutter Hub is making its most democratic move yet. As of this month, the organisation will pass into the control of the community it was built for, in what founder Karen Harvey MBE describes as ‘a logical next step: to make things more equitable we need multiple perspectives.’ The announcement follows Karen’s decision to remove paid memberships last year, making Shutter Hub ‘fully open-access and available at no cost to all’. It’s a typically altruistic move from the social entrepreneur: also the founder of Toiletries Amnesty, the award-winning NGO. She was made an MBE in 2024 for services to people living in hygiene...

The week of Art Basel is for me the most compelling moment in the city, and this year it reaffirmed its position as the most closely watched annual event in the international art calendar.

The City Series by Shutter Hub is an ongoing publishing project exploring the people, places, cultures, and contradictions that shape cities around the world. Rather than documenting a location as a fixed subject, the series invites photographers to respond to a city as an idea: something experienced, observed, imagined, and interpreted through the photographic eye.
For its second edition, we turn our attention to London in partnership with Battersea Power Supplies, a new museum and gift shop celebrating Battersea Power Station. We invite photographers from across the globe to contribute to a major publication celebrating one of the world’s most photographed, complex, and ever-changing cities. We want to see...

For an artist to return to painting after life‑altering injury is to witness the human spirit at its most unguarded. In such a moment, understanding the forces that carry you back to the page becomes all‑important, and in Joel Bradish Nichols’ case, the answers lie in the people and pursuits he had cherished. In a coma for months after a near‑fatal accident, his re‑emergence into artistic practice becomes inseparable from a narrative of devotion and determination — a surrounding spiritedness...

By Tabea Martin ‘Me Myself’ brings together four artists — Anna‑Lena Ruff, Debora Schultheiss, Tabea Martin, and Eva Schick — whose works move across differing styles and energies yet find in this art space an unforced coherence. I sense a shared thread of observation and inner dialogue, and a contemplation of natural female presence. The exhibition is currently showing at the Anja Edith Brinckmann Galerie, Basel. From here, the individual narratives invite a closer reading. By Anna-Lena...