“Paintings arrive at the studio in all states of disrepair,” shares art conservator Julian Baumgartner, who receives artworks in need of attention all the time. He adds, “It is, however, odd to have a painting arrive in a manner that can’t help but make one wonder just how bad it is.” An anonymous portrait was indeed folded inside a parcel that itself had been mangled enough in transit to make one think, Is this going to be salvageable? For the highly trained painting restorer, though, “Fortune favors the fold.” Baumgartner has seen his fair share of bad overpainting and, in this case, pretty substantial creases, tears, and worn-away paint. He runs Baumgartner Fine Art Restoration, a...

From curator Koyo Kouoh’s foregrounding of “all earthly elements” to Fondazione Sandretto Re Rebaudengo's new sustainable art island, references to the environment can be found throughout the Italian city

One of the six shortlisted designs, by artists including Tavares Strachan and Thomas J Price, will be chosen this summer and erected at the Jamaica Performing Arts Center in Queens

JCB’s hydrogen-powered Hydromax chases 350 mph
 
JCB is taking hydrogen power to the Bonneville Salt Flats with Hydromax, a long, low land speed car built to chase 350 mph across the Utah desert. Better known for its yellow excavators and construction machines, the British company is now putting its hydrogen combustion technology into a very different kind of vehicle: a record-seeking, racer with 1,600 horsepower, two engines, and fighter pilot Andy Green behind the wheel.
 
Andy Green is a familiar name at Bonneville. In 2006, he drove JCB’s Dieselmax to 350.092 mph, setting the diesel land speed record in a car that translated industrial engine technology into pure speed. Hydromax picks up that thread...

The Corning Museum of Glass (CMoG) opened its new exhibition Tough Stuff: Women in the American Glass Studio on May 16, 2026, as a major initiative of the Museum’s year-long celebration of its 75th anniversary. Tough Stuff is the first survey exhibition of work by women artists working in glass during the breakthrough decades of the American Studio Glass Movement, the 1960s and 1970s. Featured in the exhibition are more than 200 objects by artists such as Claire Falkenstein, Audrey Handler, Margie Jervis, Susie Krasnican, Kathleen Mulcahy, Ginny Ruffner, Ruth Tamura, Toots Zynsky, and many others.“Tough Stuff emerged out of a desire to open a new door into the multifaceted histories of glass in the United...

Actress and sometime performance artist Tilda Swinton will stage a performance at the Guggenheim Bilbao next month. Titled House of Gestures, the work is a collaboration between Swinton and fashion historian and curator Olivier Saillard. Commissioned by Dom Pérignon this year, the piece is being billed as “an original work conceived around gesture, presence, and transformation” with special attention to its setting in the museum’s atrium. The performance will be open to the public, who can register in advance on the museum’s website. Staged on June 5 and June 6, House of Gestures is part of Dom Pérignon’s “Creation is an eternal journey” series, which the champagne producer has described as a...

The American tenor, who made a triumphant mid-career comeback in 2022, has died.

The National Trust for Historic Preservation, a private nonprofit based in Washington, D.C., has released its annual list of “America’s 11 Most Endangered Historic Places,” which includes sites that have been targeted by the second Trump administration. Published each year since 1988, this year’s list was framed around the 250th anniversary of the founding of the United States and “our nation’s founding and the self-evident truth that all people are created equal,” according to a press release. Each selected site receives a one-time grant of $25,000 to “protect these historic places and enable their stories of equality to be shared for generations,” per a release. Among those selected are...

Ron Howard's documentary, which recently premiered at the Cannes Film Festival, is enjoyable even as it treads well-worn ground and repeats familiar anecdotes

To receive Morning Links in your inbox every weekday, sign up for our Breakfast with ARTnews newsletter. The Headlines AUCTION ACTION. Sotheby’s in New York sold $303.9 million-worth of modern art yesterday evening, while Phillips netted $115.2 million from their modern and contemporary sale held just beforehand. But as ARTnews’ Daniel Cassady reports, there is still a sense of caution from buyers who are showing demand for exceptional works, but are sensitive to price. At Sotheby’s, that meant solid results, led by a $48.4 million Matisse, but noticeable pauses between bids suggested a cautious market mood. “Competition is very tempered,” one New York advisor said. Earlier at...

Oceans cover nearly three-quarters of our planet, containing a staggering 96.5 percent of its water. And despite our ever-advancing technologies and cartographic tools, we’ve still only mapped about a tenth of the earth’s oceans. There’s so much we have yet to see or understand, but our reliance on things like fossil fuels and single-use plastics continue to have an indelible impact on the health of marine wildlife and habitats. Arch Enemy Arts’ forthcoming exhibition, Common Waters, brings these concerns to the fore. From the ethereal weirdness of jellyfish to the delicate branches of corals, the works not only touch on the incredible biodiversity below the surface, but also remind us of the ocean’s...

Tens Atelier revives 1970s rural auditorium as Stone-oven Bakery
 
Cycle&Cycle Stone-oven Bakery Restaurant by Tens Atelier is located in Shangwang Village, Fusheng Town, Shaoxing, Zhejiang, China. The building was originally constructed in the 1970s as a rural auditorium, associated with Nixon’s visit to China and carrying a specific historical context. In 2022, Cycle&Cycle acquired the construction and usage rights, initiating renovation and structural reconstruction, which was completed by the end of 2023. In early 2025, the program was redefined as a rural stone-oven bakery, and Tens Atelier was commissioned to develop the interior spatial design.
 
The site is shaped by a natural topography that rises...

Few photographers have altered the trajectory of contemporary image-making as profoundly as Joel Meyerowitz. Born in New York in 1938, Meyerowitz emerged as one of the defining visual voices of post-war America, transforming colour photography from a medium associated with advertising and vernacular snapshots into a serious artistic language capable of emotional and philosophical depth. Across six decades, his work has reshaped the possibilities of street photography, landscape, portraiture, and visual narrative, always guided by an acute sensitivity to light, atmosphere, and human presence. Alongside contemporaries such as William Eggleston and Stephen Shore, Meyerowitz established colour photography as an...

Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.

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Handel's Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week's Grand Tier Grab Bag.

The latest edition of the National Trust for Historic Preservation’s annual list spotlights federal erasure and rollbacks to public land conservation

pneumatic environments and the politics of impermanence
 
Inflatable environments, atmospheric installations, suspended membranes, and pneumatic structures persistently resurface across museums, biennales, galleries, and public space, often reappearing in moments marked by instability, exhaustion, and shifting social conditions, yet almost always generating a peculiar sense of wonder and lightness. Forms drift above visitors’ heads, pulse with circulating air, or dissolve into fog, transforming atmosphere itself into something tactile.
 
From Tomás Saraceno’s airborne ecosystems and the lingering afterlife of Diller Scofidio + Renfro’s Blur Building to the radical experiments of Ant Farm,...

An exhibition in New York on "250 Years of Franco-American Luxury Stories" shines a light on current changes to the once European-dominated industry

In an age defined by the incessant circulation of images, photography has become less a discrete medium than an ambient condition. Pictures arrive and depart with such velocity that looking is often reduced to a kind of reflex – a flicker of attention rather than sustained encounter. The photograph, once anchored in the idea of duration, now behaves like a surface of perpetual present tense, endlessly refreshed and endlessly displaced. However, within this saturation, photography festivals have become increasingly important as counter-temporal spaces – environments in which images are slowed, recontextualised and recharged through proximity, scale and sequence. They function as temporary architectures of...

NEW PERSPECTIVE OF ARCHITECTURAL MATERIAL COMMUNICATION
 
Architect’26, under the theme ‘SATI: WISDOM: PROMPT’, marks its presence at Southeast Asia’s largest building technology exposition. It brings together architects, designers, and material manufacturers to create eight ‘Thematic Pavilions’ spanning circular construction, material experimentation, wellness-focused environments, and adaptive spatial design. Within this initiative, Architect Expo shapes a new perspective on how architecture can communicate material innovation beyond conventional formats, translating technical material properties into immersive spatial experiences that visitors could physically engage with through movement,...

Paintings on book covers are arguably more popular than ever, but not for the reasons you might think. Tara Anne Dalbow delves into several recent books that feature cropped, smeared, and distorted paintings on their jackets, asking designers and publishers about the appeal behind the trend.Don’t miss Daria Simone Harper’s review of a show on the Black American artists who sought refuge and creative freedom in Paris. Also, Nicole Kidman and Jackson Pollock both appear in the same story about a $1 billion sale at Christie’s earlier this week. Ah, the art market — ever curiouser and curiouser.—Lakshmi Rivera Amin, associate editorThe Painted Book Cover Is BackIn a market flooded with design templates...

I've looked to Sherrill Milnes many a time for insight and guidance whenever I've added a new Verdi role to my repertoire.

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Witoca Lab combines agroecology and earth construction
 
Witoca Lab by Al Borde is located in the community of Huaticocha within the buffer zone of the Sumaco Biosphere Reserve in the Ecuadorian Amazon. Developed as a laboratory for the reproduction of biological pest-control agents, the project combines earth construction techniques with agroecological strategies associated with the Kichwa concept of the chakra, a model of land management based on biodiversity and ecosystem preservation.
 
The laboratory supports the local production of antagonistic microorganisms such as Beauveria bassiana and Trichoderma, strains developed by Ecuador’s National Institute of Agricultural Research (INIAP) for the...

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Intricate webs. Cloud cities. Hot air balloons. Tomás Saraceno (b. 1973) bridges art, architecture and science. The Argentinian-born, Berlin-based artist creates projects that connect across cultures and disciplines to deepen our attunement to other living beings. His research-based works respond to global questions posed by the Anthropocene, asking how we can live better – in particular, live better as a collective – in a world blighted by air pollution, increased carbon emissions and global warming. Saraceno brings his most ambitious show to date to Munich’s Haus der Kunst. Ancestral Futures, which opens in July, traces a unique journey through the artist’s practice, marking significant step forward...

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Nato nel 1971 a Charleston, South Carolina, e attualmente di base a New York, Maxwell Stevens ha stabilito il disegno come pietra angolare della sua pratica, elevandolo a linguaggio visivo autonomo. In questa intervista, l’artista rivela la sua fascinazione per l’immediatezza e la materialità delle opere su carta, dove linea e superficie servono come veicoli dinamici per il pensiero e la riflessione emotiva. Esplorando la tensione tra figurazione e astrazione, Stevens ci invita a vedere il disegno come uno spazio intimo, “palinsestico” che, nella sua semplicità elementale, cattura la complessità frammentata della nostra esperienza contemporanea.
Maxwell Stevens, “Untitled Drawing (Crouching...

In a rather peculiar blunt rotation, Jackson Pollock, Constantin Brancusi, and Hollywood star Nicole Kidman were all part of a record-setting $1 billion evening sale at Christie's on Monday, May 18. Pollock’s 10-foot-long drip painting “Number 7A, 1948,” shattered records for work by the late artist, selling for $181.2 million. The superlative sale nearly tripled the artist's previous auction record of $61.2 million for the sale of "Number 17, 1951" in 2021. In the same sale, Brancusi's cast-bronze bust “Danaïde” (c. 1913) went for $107.6 million, becoming the second most expensive sculpture ever sold after Alberto Giacometti's “L'Homme au Doigt” (1947) fetched $141.2...

With the spring art fairs behind us, we can relax for a moment and enjoy some restorative community time. That’s exactly the purpose of Bahar Behbahani’s Damask Rose project at Governors Island, where artists and cultural practitioners convened to share stories, play music, and make art. Diba Mohtasham was there to participate and report.Across the river in New Jersey, Aaron Short visits artist studios at Mana Contemporary while a monument for Gaza is installed in the city of Paterson. Also, who's the artist behind that wacky nude figure that was just installed in front of the New Museum?—Hakim Bishara, editor-in-chiefBahar Behbahani’s Damask Rose: A Gathering on Governors Island (photo Diba...

On the unseasonably warm afternoon of Saturday, May 16, three shallow fountains on Governors Island were transformed. Handwoven, antique carpets across regional weaving traditions lined the oval pools while pink, red, and purple crocheted canopies stretched overhead, setting the stage for artist Bahar Behbahani’s Damask Rose: A Gathering. As part of Governors Island Arts’s annual Interventions series, Behbahani worked with the organization’s associate curator and producer, Juan Pablo Siles, to convene over two dozen community practitioners and cultural groups — among them the Asia Contemporary Art Forum, Pardis for Children, and Eat Offbeat — for a four-hour event blending storytelling, communion,...

The cultural minister of Guatemala has begun the process to reclaim a 1,200-year-old stone lintel that was repatriated from the United States to Mexico in mid-April, according to a report in the Art Newspaper. The object was initially brought to the Mexican consulate in New York by an unidentified American businessman, who presumably realized that it had been illegally removed from its country of origin at some point before he or she acquired it. The lintel depicts ritual acts involving the sun god and Cheleew Chan K’inich, a late ruler of the ancient Mayan city Yaxchilán, and was made around 600-900 CE. It is signed by the carver known as Mayuy, one of the only artists in the ancient Americas to sign his...

The Canadian Museum for Human Rights in Winnipeg has been threatened with legal action by an Israeli organization over an exhibition about the Nakba, with the group arguing that the presentation “politicizes” history, according to local media reports.   Shurat HaDin – Israel Law Center announced this week that it had sent a formal legal demand to the museum’s board of trustees and senior leadership protesting “Palestine Uprooted: Nakba Past and Present,” an exhibition scheduled to open at the museum on June 27. A statement included with the filing from Shurat HaDin president Nitsana Darshan-Leitner, first reported by the Winnipeg Sun, warns the federally funded museum of “contributing to...

Nestled amid plants native to the U.K., a giant figure of Gaia, or Mother Nature, sleeps in a verdant garden. With willow-branch locks shaped by artist Tom Hare and a crown of leaves, the figure’s face and shoulders are made from a fallen mature tree carved by Tim Wood. A winding pathway leads beneath an arch that extends the character’s torso, created in the tradition of dry stone walls and meticulously assembled by the family-run outfit Noble Stonework. You’ll find Gaia in a garden titled “On the Edge” at this year’s RHS Chelsea Flower Show, which has taken the top prize of Garden of the Year. The project is a collaboration between designer Sarah Eberle and Campaign to Protect Rural England...

By Mary Singh Los Angeles has been in a prolonged conversation about monuments. Co-organized by The Museum of Contemporary Art and The Brick, and co-curated by Hamza Walker, Kara Walker, and Bennett Simpson, earlier this year, "MONUMENTS" brought ten decommissioned Confederate statues into the Geffen Contemporary's vast industrial space, placing them in direct dialogue with contemporary works by nineteen artists. Praised by the Los Angeles Times as "the most significant show in an American...

Blue-chip auction house Christie’s pulled in $1.1 billion in back-to-back sales held the evening of May 18, thanks to record-setting prices commanded by numerous works on offer. Chief among these was an eleven-foot-wide 1948 Jackson Pollock drip painting, Number 7A, which entered the sale with a $100 million guarantee and hammered for $181.2 million with […]

In the wake of accusations of antisemitism being leveled at British-Nigerian arts trustee Misan Harriman, more than 98,000 people have submitted complaints to the UK Independent Press Standards Organisation in Harriman’s defense, marking the highest-ever amount of complaints over a single issue ever made to the watchdog organization. Separately from the complaint, activist Greta Thunberg […]

WARSAW, POLAND—Science in Poland reports that traces of fermented alcoholic beverages have been detected on 4,500-year-old vessels uncovered in northeastern Poland by a team of researchers led by Dariusz Manasterski of the University of Warsaw. The 13 vessels in the study were found at several different sites linked to the Bell Beaker culture. The residues in at least nine of the vessels contained metabolic products of bacteria and yeast, which indicate that fermentation had taken place, Manasterski said. Some of the vessels may have held more complex mixtures, such as Nordic grog, he added. The scientists also detected biomarkers for processing wheat and barley, fruit, and possible resins that may have been...

Incorporating nearly two tons of porcelain fragments, a monumental pair of vessels spills out into a pool of lustrous green. Shards of broken cups and saucers, pots, and other voluptuous forms blanket the gallery of the Green-House at Green-Wood for a new installation by Jean Shin. Celadon Landscape is one of the latest projects in which the artist transforms a singular material into a sprawling sculpture. Found objects that bear traces of their former purposes and users are prized possessions in Shin’s New York studio, as these often-discarded items are nested into dynamic works that consider the relationship between consumption, environmental care, and community. Green-Wood presents the second iteration of...

On Monday morning, the French government announced that an international team of architects combining the efforts of New York’s Selldorf Architects and Studios Architecture Paris, will be responsible for executing the biggest overhaul of the Louvre Museum in thirty five years, thus winning a high-stakes competition that also included the Japanese studio Sou Fujimoto Architects […]

ST. MARY’S CITY, MARYLAND—According to a Live Science report, scientists including Éadaoin Harney of the 23andMe Research Institute, Douglas Owsley of the Smithsonian’s National Museum of Natural History, and David Reich of Harvard University examined DNA samples taken from skeletons uncovered in the cemetery at the site of the Brick Chapel in St. Mary’s City, the capital of the British colony of Maryland founded by religious dissenters in 1634. The samples were taken from the remains of 49 people who were buried at the site between 1634 and 1730. The researchers identified the remains of Thomas Greene, the second colonial governor of Maryland, and Philip Calvert, the fifth governor of the colony,...

ANTALYA, TURKEY—The first-century A.D. stadium in the ancient city of Perge was converted into an amphitheater and used for executions involving wild animals during the third century, Hürriyet Daily News reports. Located in southwestern Turkey, Perge was founded by the Lycians in the twelfth century B.C., and was later inhabited by the Greeks. Aytaç Dönmez of Istanbul University said that the city’s stadium originally measured about 800 feet long. Then, to make the structure suitable for Roman-style entertainment, the northern section was enclosed to form an arena. “We realized that some of the pedestal remains uncovered during the excavations were bases for platforms and crosses used in executions...

The Dia Art Foundation and the Sam Gilliam Foundation have announced Guatemala-based artist and poet Edgar Calel as the winner of the 2026 Sam Gilliam Award. Calel will receive $75,000 and will be featured in a public program at one of Dia’s locations this fall. Born in Chi Xot (San Juan Comalapa), Guatemala, in 1987, […]

When Valerie Lueth of Tugboat Printshop sets out to make a woodblock print, it’s rare that she only uses a single block. Instead, sometimes up to five distinctly carved pieces are incorporated, each containing different details that, when combined, create a total image. To make the prints, which are usually limited to editions of 100 or so, Lueth rolls the meticulously hand-carved blocks with colorful ink, layering them precisely in order. Black outlines define flora and fauna, for instance, which are first laid down as colorful shapes. Tugboat Printshop is celebrating its 20th anniversary this year, and for a limited time, there’s a discount on original woodcut prints in the shop. Keep an eye out on the...

Soprano Amanda Forsythe as Ilia and tenor David Portillo in the titular role were highlights of Washington Concert Opera’s robust Idomeneo.

Alla Fondazione Sandretto Re Rebaudengo, la prima personale istituzionale italiana di Lenz Geerk, Theatre of the Mind, si presenta come un dispositivo percettivo in cui la pittura regola le circostanze dell’apparizione. La mostra elabora un campo in cui sagoma, spazio e tempo non si danno simultaneamente, ma come scansioni differite, in cui la visione arriva sempre leggermente dopo il proprio accadere. Nei dipinti di Geerk non si dispiegano rappresentazioni semplici. Figure, oggetti e situazioni coesistono in configurazioni instabili e gli elementi non tendono a una sintesi, ma rimangono in uno stato di connessione irrisolta, in cui ciò che affiora non coincide mai davvero con ciò che si compie.
Lenz...

Between the rhythms of global capital and the architectures of digital life, meaning today is produced in spaces where the physical and the virtual are no longer distinct but mutually constitutive. Labour, identity, memory and desire circulate through systems of automation, simulation and networked communication that reshape how experience is felt and represented. Within this condition, contemporary art becomes a site for testing the limits of perception itself – a way of registering how subjectivity is formed under technological pressure. It is here that the work of Cao Fei finds its urgency, staging a world in which utopia and exhaustion, play and infrastructure, coexist in uneasy proximity. Her practice...

The National Portrait Gallery in Washington, DC, has reinstated mention of Donald Trump’s two impeachments in a new wall text accompanying his portrait in the institution’s gallery of American presidents. The museum had earlier sparked an uproar by scrubbing all reference to the events as the Smithsonian, its parent institution, came under intense scrutiny from […]

LUXOR, EGYPT—Authorities from Egypt’s Luxor Museum revealed a never-before-seen plaster wall from King Tutankhamun’s tomb, The Independent reports. The wall was originally constructed just before the burial chamber was sealed to protect the young pharaoh’s grave from intruders. It still bears stamps associated with the funerary rituals and seals belonging to Tutankhamun as well as those of the necropolis guards charged with keeping the tombs safe and protecting them from theft. Similar blocking walls are almost never found intact by archaeologists because so many royal Egyptian tombs were looted in antiquity and they were dismantled by robbers. However, when Howard Carter’s team discovered the grave...

SIBERIA, RUSSIA—According to a CNN report, Neanderthal dentists may have used sophisticated tools to treat toothaches 60,000 years ago. A lone Neanderthal lower molar recently stood out among dozens of hominin teeth, fossils, and other artifacts that archaeologists recovered from the Chagyrskaya Cave in Siberia’s Altai Mountains. The tooth’s crown featured an unusual deep hole that extended into the pulp cavity. After researchers conducted a detailed analysis of the prehistoric tooth and experiments on modern teeth, they concluded that the hole was most likely created when someone used a small stone point to drill into an infected tooth and alleviate pain caused by a cavity. The find represents the...

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Uluru stands at the heart of Australia’s “Red Centre.” The sandstone monolith, rising 348 metres above the desert, has stood for 550 million years. The natural wonder is a symbol of Aboriginal land rights and a source of spiritual connection with the continent. Artist Bruce Munro (b. 1959) visited the site in the 1980s. The trip, which began as part of a journey around Australia, marked a turning point in both his life and artist trajectory. The location inspired Field of Light, an installation of 50,000 solar powered stems, which illuminates an area the size of seven football fields. The piece, first opened in 2016, was intended to be a one-year exhibition, but has since received 750,000 visitors...

Si entra subito nel cuore del tema centrale osservando le immagini del fotografo colombiano Felipe Romero Beltrán: Bravo è il titolo del progetto che esplora il dramma dell’attraversamento del confine tra Messico e Stati Uniti, costituito dal fiume nel titolo, il Rio Bravo. Eppure, non vediamo figure umane nell’atto di passare il guado, ma soprattutto oggetti, sedie, materassi, pentolame, cortili senza persone, reliquie religiose, e luoghi che ci fanno capire che qualcuno da lì è passato. Come uno spettro. Fantasmi del quotidiano è il leitmotiv della XXI edizione del Festival della Fotografia Europea, realizzata con la curatela di Walter Guadagnini, Arianna Catania, Tim Clark e Luce Lebart.
Felipe...

By Tabea Martin ‘Me Myself’ brings together four artists — Anna‑Lena Ruff, Debora Schultheiss, Tabea Martin, and Eva Schick — whose works move across differing styles and energies yet find in this art space an unforced coherence. I sense a shared thread of observation and inner dialogue, and a contemplation of natural female presence. The exhibition is currently showing at the Anja Edith Brinckmann Galerie, Basel. From here, the individual narratives invite a closer reading. By Anna-Lena...

C’è qualcosa di controcorrente, nel senso migliore del termine, in una manifestazione che occupa un intero weekend per parlare di terracotta. Eppure, Buongiorno Ceramica!, giunta alla sua dodicesima edizione il 23 e 24 maggio 2026, è una delle poche occasioni in cui il termine “diffuso” – spesso abusato dal lessico delle arti contemporanee – riacquista una misura concreta e verificabile. Sessanta comuni italiani, più di cinquecento eventi, due giorni: la ceramica esce dalle vetrine, scavalca i recinti delle fiere specializzate e torna a occupare la strada, i cortili, le botteghe aperte come fossero stanze di una casa provvisoriamente condivisa.
Bottega ceramica a Montelupo Fiorentino (Toscana),...

All’interno del programma di 480 Site Specific, nello spazio di EDICOLA480 con la direzione artistica di Massimiliano Bastardo, il dipinto I secondi soldati di Gabriele La Torre – pittore palermitano, nato nel 2003 – si impone come un’immagine in apparenza semplice che, a uno sguardo più attento, rivela una costruzione percettiva instabile e stratificata. L’olio su tela lavora su un immaginario immediatamente riconoscibile, quello dei soldatini di plastica, ma ne sovverte la funzione narrativa, trasformandolo in un campo di tensione sospeso tra memoria, ripetizione e dislocazione.
Gabriele La Torre, “I secondi soldati”, olio su tela, 100×85 cm, 2026, ph: Danilo Donzelli Photography, courtesy...

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