TAKK’s multispecies landscape takes over MAXXI
 
The first thing visitors encounter inside Zaha Hadid-designed MAXXI – National Museum of 21st Century Arts is a garden of signage and vegetation, glowing grow lights, circular sofas made for collective rest, and edible plants climbing upward through metallic structures. With con-vivere, the Barcelona- and New York-based studio TAKK transforms the Roman institution’s entrance hall into a landscape where architecture becomes an instrument for coexistence.
 
Presented as the second chapter of ENTRATE, the long-term program curated by Martina Muzi for MAXXI’s Architecture and Design Department, the installation acts like an environmental condition....

Ugoma Chinelo Ebilah is opening Mbari Kola, a public gallery and private members club that will host exhibitions, residencies and more

A DESIGN-LED REVOLUTION IN CELLULAR RECOVERY LED BY HPO.TECH
 
Hyperbaric Oxygen Therapy (HBOT) is a clinical process where individuals breathe pure oxygen in a pressurized environment to accelerate the body’s natural healing powers, treating everything from non-healing wounds to athletic exhaustion. Traditionally, this technology has been confined to the sterile, intimidating corridors of hospitals, housed within industrial steel tanks that often trigger anxiety and claustrophobia. 
  HPO.TECH is disrupting this narrative by reimagining the hyperbaric chamber not as a piece of medical machinery, but as a human-centered living capsule under a pressurized architectural environment. By merging...

Tito Gobbi's performance of Rigoletto's "Cortigiani, vil razza dannata" offers the most musically and dramatically complete portrait of Verdi's tortured court jester that I have ever heard.

You’ve heard of Chicken Little, but what about Chicken Linda? At her Upstate New York home, feminist performance artist Linda Mary Montano opened the door for writer Taliesin Thomas wearing a “devotional chicken costume” — words I never thought I’d see in that order. The rest of their conversation is just about as unexpected, zany, and charmingly bizarre as you’d expect. You simply must read it. A little ways south, Thomas J Price, Tavares Strachan, and a shortlist of other artists are in the running to design a Billie Holiday monument in Queens, and the Museum of the City of New York is getting a new center for activism. Never a predictable moment in the art world. —Lisa Yin Zhang, associate...

Club Amis’ layered hospitality interiors revive Beirut residence
 
Club Amis by Rabih Geha Architects is located in the Gemmayzeh district of Beirut within a restored traditional Lebanese residential building. Developed for Pernod Ricard Middle East, the project combines hospitality, education, and event programming through a sequence of immersive interior environments organized around the themes of conviviality and spatial versatility.
 
The venue operates across multiple functions throughout the day. During daytime hours, the space hosts professional trainings, tastings, and masterclasses for bartenders, mixologists, and hospitality professionals. In the evening, the project transforms into a social...

Melo-D AI guitar rethinks Music learning through AI guidance
 
Melo-D is a compact AI-powered instrument that combines generative music tools, guided learning systems, and a foldable guitar-like form factor into a single device. Developed by TemPolor, the project rethinks how users interact with musical instruments by replacing conventional music training methods with visual prompts, AI-assisted composition, and simplified chord systems. 
 
At first glance, Melo-D resembles a hybrid between a travel guitar, a gaming controller, and a touchscreen device. The instrument folds down to backpack size through a hinged body system, allowing it to collapse into a compact portable format without disassembly....

Now in its sixth year, the Listening Pitch – commissioned by Aesthetica Film Festival and Audible – continues to assert itself as a vital platform for ambitious, sound-led documentary work. What has become clear over time is that this is not simply a funding initiative, but a curatorial position: documentary understood through listening as method, where sound is not illustrative but generative, shaping how stories are formed, contested, and ultimately understood. In a contemporary nonfiction landscape defined by scale and saturation — where short documentary circulates widely across festivals, broadcasters, and platforms — the Listening Pitch offers a space where attention itself becomes the primary...

Tove Jansson’s Moominvalley takes root in the Bronx
 
The world of the Moomins expands into the gardens and pathways of the The New York Botanical Garden with Summer of Moomin, a seasonal activation that translates Tove Jansson’s literary universe into a landscape of outdoor installations. Running from May 23rd through September 13th, 2026, the project lands at the Everett Children’s Adventure Garden as part of NYBG’s wider Flower Power exhibition.
 
The project encourages visitors to slow down and spend more time outdoors together, whether wandering through the garden, following clues, or simply pausing among the plants and pathways. In many ways, that feeling has always been central to Tove...

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The sale featured a trove of Gerhard Richter works that had belonged to the late dealer Marian Goodman, and canonic Minimalist sculptures from the estate of collector Henry S. McNeil Jr

In an age defined by the incessant circulation of images, photography has become less a discrete medium than an ambient condition. Pictures arrive and depart with such velocity that looking is often reduced to a kind of reflex – a flicker of attention rather than sustained encounter. The photograph, once anchored in the idea of duration, now behaves like a surface of perpetual present tense, endlessly refreshed and endlessly displaced. However, within this saturation, photography festivals have become increasingly important as counter-temporal spaces – environments in which images are slowed, recontextualised and recharged through proximity, scale and sequence. They function as temporary architectures of...

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Ospitata negli spazi della Collezione Maramotti, “Cannon Fodder” segna la prima personale di Giuditta Branconi (classe 1998) in un’istituzione d’arte. La mostra si configura come un’esplicita e lucida dissertazione sul presente, inteso come un quotidiano opprimente in cui le dinamiche emotive e politiche si intrecciano in modo inestricabile. È lo stesso titolo, traducibile letteralmente come “carne da cannone”, a esplicitare la dichiarazione d’intenti dell’artista: un riferimento diretto e urticante a quei corpi sacrificabili, a quella materia biologica e sociale destinata a essere sistematicamente consumata da un macrosistema alienante. Da questa premessa si sviluppa una pittura che non è...

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I visited Linda Mary Montano at her home in Saugerties, New York, on a snowy morning in late January. When I entered, I was transported into a living shrine, and the octogenarian artist gracefully hovered about as if she were the resident angel. After a warm welcome, she floated upstairs to put on her “Chicken Linda” outfit, which allowed me a moment to take in the scene. Montano views chickens as divine in disguise, and she gave herself the name “Chicken Linda” as a way to connect with the Holy Spirit. Filled with sacred altars, experimental sculptures, and religious iconography at every turn, Montano’s abode  — the same family home she grew up in — reflects her 60-year journey as a devoted...

On the heels of an uninspiring AI tribute to Leo Messi at Christie's last year, one of the greatest artworks about soccer — or football, as it should be called — ever created is coming to New York City this summer.Douglas Gordon and Philippe Parreno's “Zidane, a 21st century portrait,” a 2006 film celebrating French soccer legend Zinédine Zidane, will be screened from June 11 to July 19 at the Guggenheim Museum, timed with the first and last whistles of the FIFA World Cup.The two-channel video piece has a deceptively simple premise: a 90-minute match between Real Madrid and Villarreal shot entirely from the perspective of Zidane, the attacking midfielder known for his sophisticated passes,...

The Viginia Museum of Fine Arts has announced a donation of nearly 2000 photographs from the Joy of Giving Something Inc., a nonprofit dedicated to the photographic arts. The gift comprises works spanning the 19th century and the present day by more than 450 artists. The photographs come from the holdings of financier and former Dreyfus Corporation chief Howard Stein (1926–2011), who began collecting photography in the 1980s. A notable underwriter of photography exhibitions and books, Stein started the Joy of Giving Something Foundation (JGS) with his wife Janet in 1998 to advance art and educational programming in the field. In 2017, JGS began donating works from Steins’s collection to selected museums...

This fall, the Museum of the City of New York (MCNY) in East Harlem will open the Puffin Foundation Center for Social Activism, dedicated to civic engagement, social justice, and the city’s rich history as a hotbed of political organizing. The center will replace the museum’s Puffin Foundation Gallery for Social Activism, which opened in 2012 and is home to the permanent rotating exhibition Activist New York. The namesake Puffin Foundation, a nonprofit founded by Perry Rosenstein that awards grants to artists and art organizations to tell the stories of marginalized groups, is funding the renovation and expansion with an $8 million donation, the second-largest in the museum’s history. “We're...

A Paris judge has rejected a request to halt the removal of six 19th-century stained-glass windows by Eugène Viollet-le-Duc from Notre-Dame Cathedral, which are to be replaced by government-commissioned contemporary works, dealing a blow to the preservationist campaign opposing the project. According to the Paris Administrative Court, the administrative judge reasoned that because the new windows by artist Claire Tabouret and glassmakers Simon-Marq could conceivably be removed in the future, and the original Viollet-le-Duc windows will be carefully preserved, the project does not constitute an irreversible alteration to the Gothic landmark. Consequently, the judge continued, the matter does not meet the...

The May 19 evening sales at top auction houses Sotheby’s and Phillips pulled in a combined $419.1 million, seeming to signal that the hitherto softening contemporary and modern art market is beginning to firm up again. Led by the record-breaking sale of a $48.4 million Matisse, the Sotheby’s evening sale took in $303.9 million, about […]

New York-based arts nonprofit A Blade of Grass (ABoG) has revealed the three members of the 2026 In Fellowship cohort. Established in 2025, the In Fellowship initiative annually provides three individuals or groups with $25,000 apiece in support of their respective socially engaged practices, as well as a $25,000 honorarium. The aim of the program […]

If you want to participate in Pat Perry’s new photo project, you’ll have to get comfortable heading outside, grabbing a few friends, and preparing to hunt low and high for obscure spots in your neighborhood. The Detroit-based artist recently launched “Liminal Bingo,” a communal photo hunt designed specifically “for people ages 5 to 105 living in boring places or exciting places.” Open to anyone with an internet connection, the project has a simple premise: grab a camera (phones are okay, although Perry encourages film if possible), and snap photos of his illustrated prompts. When you’ve collected five in a row, you’ve got a bingo! The instructions, though, are less straightforward than the...

California Institute of the Arts (CalArts) President Ravi S. Rajan was met with loud boos from students at the school's graduation ceremony last Friday, May 15. As Rajan took the stage to deliver his commencement address, students held signs that read “Hold the Admin Accountable” and “Save Our Faculty & Staff” in front of the lectern, references to recent financial issues and staff layoffs at the esteemed Southern California art school.  “Graduates, today is about you, not me,” Rajan insisted as the chorus of boos swelled. After delivering the line, “Some of you have told me that the future feels like something that is happening to you, rather than something you are shaping,” Charmaine...

Harald Metzkes, the so-called “Cézannist of Prenzlauer Berg” who made classically indebted and symbolically rich paintings following Germany’s surrender in World War II, died last Thursday in Brandenburg at the age of 97. His death was confirmed to the German Press Agency by his son, the sculptor Robert Metzkes. “Metzkes became particularly well-known in East Germany because he had no interest in socialist realism,” wrote Monopol, which asserted that he created his own “world theater” in work that wriggled free of East German strictures. The magazine quoted Robert Metzkes saying, of his father, “He wasn’t concerned with implementing cultural policy demands.” Metzkes was born in 1929 in...

Last night, the Whitney Museum of American Art hosted its annual gala, honoring artist Julie Mehretu—who in 2024 donated $2.25 million to the museum to ensure that visitors aged 25 and younger can visit the museum for free—alongside Whitney Board Chair Fern Kaye Tessler, and former Whitney Museum director Adam D. Weinberg.Born in Addis Ababa, Ethiopia, in 1970, Mehretu’s painting, drawing, and printmaking practice examines the nature of contemporary existence through the relationships between geometric abstraction, figuration, and scale. She rose to acclaim in the late 1990s and early 2000s with spare paintings of fragmented shapes featuring architectural images of buildings or plans. But, as seen in her...

When Powerhouse Parramatta, the enormous new cultural center opening in the city of Parramatta west of Sydney, Australia, opens later this year, a new commission by the British-Indian sculptor Bharti Kher will welcome visitors as the entrance. Art Asia Pacific reported the news. The sculpture, titled Tree of Life, will be monumental in scale and will be made up of four stacked bronze and clay heads. Tree of Life is part of Kher’s ongoing “Intermediaries” series, which she began making in 2016. Many of these large-scale sculptures re-create or transform fragments of found ritual objects into hybrid creatures. The Powerhouse Parramatta commission is not Kher’s first foray into public art: from fall 2022...

Human remains in a grave at the Saint-Thomas d'Aizier Leprosarium, Normandy, France ROME, ITALY—Phys.org reports that Elena Fiorin of Sapienza University of Rome and her colleagues looked for mercury in samples of dental calculus taken from the remains of people buried at two medieval lepers’ hospitals, or leprosaria—Peterborough Abbey in England, which was founded in 1125, and Saint-Thomas-d’Aizier, built in the late eleventh century in Normandy, France. During the medieval period, the toxic metal was used to treat syphilis and leprosy in the form of ointments that were rubbed onto the skin. Samples of bones, teeth, and hair are usually used to test mercury levels in human remains. “Dental calculus...

The objects were recovered through investigations into trafficking networks, including those linked to convicted smuggler Subhash Kapoor and trafficker Nancy Wiener

On Wednesday, the National Trust for Historic Preservation released its annual list of the most endangered historic sites in the United States. While some locations on the shortlist were included due to threats of redevelopment and environmental decay, others–including several commemorating sites of civil rights struggles–face political challenges from the Trump Administration. Earlier this year, […]

Glass beads NORTH QUEENSLAND, AUSTRALIA—The disarticulated remains of multiple generations of people and imported glass beads have been discovered in a large jar at Site 75 on the Plain of Jars in northern Laos, Live Science reports. More than 2,000 stone jars ranging in size from about three to 10 feet tall have been found on the Plain of Jars. It has long been thought that these jars could have been used for burials. Nicholas Skopal of James Cook University said that the newly excavated jar measures nearly seven feet across, has thick walls, a broad base, and a bowl-like appearance. Skulls were placed along the edges of the jar, while arms and legs were placed together. Radiocarbon dating of teeth from the...

The Tel Aviv-based group Shurat Hadin is urging the museum in Winnipeg to pause its upcoming exhibition on the Nakba and its legacy to allow for a “legal and scholarly review”

"Soprano Vida Miknevičiūtė will make her company debut singing the role of Minnie in the new production of Puccini’s La Fanciulla del West, replacing Sondra Radvanovsky, who has withdrawn due to personal reasons."

ROME, ITALY—According to a Science in Poland report, a new study of changes to the layout of the Roman Forum over time suggests that it may have been harder for large sections of the crowd to hear political speeches and see the gestures that accompanied them during the Imperial period. Orators delivered their messages from raised platforms called rostra with a combination of speech, gestures, and physical performance. “Gestures could indicate people or places, illustrate the course of events, emphasize the structure of arguments, and express emotions such as anger, indignation, or compassion,” said Kamil Kopij of Jagiellonian University. “In some cases, they even served as a substitute for words,...

The Sainsbury Centre, a highly popular art museum in Norwich England, announced this week that it had received a donation of £91.2 million from the politician and philanthropist Lord David Sainsbury. The donation, which represents one of the largest ever made to a museum in the U.K., will go towards the extensive refurbishment of the […]

“Paintings arrive at the studio in all states of disrepair,” shares art conservator Julian Baumgartner, who receives artworks in need of attention all the time. He adds, “It is, however, odd to have a painting arrive in a manner that can’t help but make one wonder just how bad it is.” An anonymous portrait was indeed folded inside a parcel that itself had been mangled enough in transit to make one think, Is this going to be salvageable? For the highly trained painting restorer, though, “Fortune favors the fold.” Baumgartner has seen his fair share of bad overpainting and, in this case, pretty substantial creases, tears, and worn-away paint. He runs Baumgartner Fine Art Restoration, a...

From curator Koyo Kouoh’s foregrounding of “all earthly elements” to Fondazione Sandretto Re Rebaudengo's new sustainable art island, references to the environment can be found throughout the Italian city

The American tenor, who made a triumphant mid-career comeback in 2022, has died.

Oceans cover nearly three-quarters of our planet, containing a staggering 96.5 percent of its water. And despite our ever-advancing technologies and cartographic tools, we’ve still only mapped about a tenth of the earth’s oceans. There’s so much we have yet to see or understand, but our reliance on things like fossil fuels and single-use plastics continue to have an indelible impact on the health of marine wildlife and habitats. Arch Enemy Arts’ forthcoming exhibition, Common Waters, brings these concerns to the fore. From the ethereal weirdness of jellyfish to the delicate branches of corals, the works not only touch on the incredible biodiversity below the surface, but also remind us of the ocean’s...

Few photographers have altered the trajectory of contemporary image-making as profoundly as Joel Meyerowitz. Born in New York in 1938, Meyerowitz emerged as one of the defining visual voices of post-war America, transforming colour photography from a medium associated with advertising and vernacular snapshots into a serious artistic language capable of emotional and philosophical depth. Across six decades, his work has reshaped the possibilities of street photography, landscape, portraiture, and visual narrative, always guided by an acute sensitivity to light, atmosphere, and human presence. Alongside contemporaries such as William Eggleston and Stephen Shore, Meyerowitz established colour photography as an...

Clémence de Grandval’s Mazeppa gets the superhero treatment in Dortmund.

Pat Perry
 
 
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Handel's Deidamia — and one of its current champions, soprano Sophie Junker — are the subject of this week's Grand Tier Grab Bag.

Intricate webs. Cloud cities. Hot air balloons. Tomás Saraceno (b. 1973) bridges art, architecture and science. The Argentinian-born, Berlin-based artist creates projects that connect across cultures and disciplines to deepen our attunement to other living beings. His research-based works respond to global questions posed by the Anthropocene, asking how we can live better – in particular, live better as a collective – in a world blighted by air pollution, increased carbon emissions and global warming. Saraceno brings his most ambitious show to date to Munich’s Haus der Kunst. Ancestral Futures, which opens in July, traces a unique journey through the artist’s practice, marking significant step forward...

Nato nel 1971 a Charleston, South Carolina, e attualmente di base a New York, Maxwell Stevens ha stabilito il disegno come pietra angolare della sua pratica, elevandolo a linguaggio visivo autonomo. In questa intervista, l’artista rivela la sua fascinazione per l’immediatezza e la materialità delle opere su carta, dove linea e superficie servono come veicoli dinamici per il pensiero e la riflessione emotiva. Esplorando la tensione tra figurazione e astrazione, Stevens ci invita a vedere il disegno come uno spazio intimo, “palinsestico” che, nella sua semplicità elementale, cattura la complessità frammentata della nostra esperienza contemporanea.
Maxwell Stevens, “Untitled Drawing (Crouching...

Nestled amid plants native to the U.K., a giant figure of Gaia, or Mother Nature, sleeps in a verdant garden. With willow-branch locks shaped by artist Tom Hare and a crown of leaves, the figure’s face and shoulders are made from a fallen mature tree carved by Tim Wood. A winding pathway leads beneath an arch that extends the character’s torso, created in the tradition of dry stone walls and meticulously assembled by the family-run outfit Noble Stonework. You’ll find Gaia in a garden titled “On the Edge” at this year’s RHS Chelsea Flower Show, which has taken the top prize of Garden of the Year. The project is a collaboration between designer Sarah Eberle and Campaign to Protect Rural England...

By Mary Singh Los Angeles has been in a prolonged conversation about monuments. Co-organized by The Museum of Contemporary Art and The Brick, and co-curated by Hamza Walker, Kara Walker, and Bennett Simpson, earlier this year, "MONUMENTS" brought ten decommissioned Confederate statues into the Geffen Contemporary's vast industrial space, placing them in direct dialogue with contemporary works by nineteen artists. Praised by the Los Angeles Times as "the most significant show in an American...

Blue-chip auction house Christie’s pulled in $1.1 billion in back-to-back sales held the evening of May 18, thanks to record-setting prices commanded by numerous works on offer. Chief among these was an eleven-foot-wide 1948 Jackson Pollock drip painting, Number 7A, which entered the sale with a $100 million guarantee and hammered for $181.2 million with […]

WARSAW, POLAND—Science in Poland reports that traces of fermented alcoholic beverages have been detected on 4,500-year-old vessels uncovered in northeastern Poland by a team of researchers led by Dariusz Manasterski of the University of Warsaw. The 13 vessels in the study were found at several different sites linked to the Bell Beaker culture. The residues in at least nine of the vessels contained metabolic products of bacteria and yeast, which indicate that fermentation had taken place, Manasterski said. Some of the vessels may have held more complex mixtures, such as Nordic grog, he added. The scientists also detected biomarkers for processing wheat and barley, fruit, and possible resins that may have been...

Incorporating nearly two tons of porcelain fragments, a monumental pair of vessels spills out into a pool of lustrous green. Shards of broken cups and saucers, pots, and other voluptuous forms blanket the gallery of the Green-House at Green-Wood for a new installation by Jean Shin. Celadon Landscape is one of the latest projects in which the artist transforms a singular material into a sprawling sculpture. Found objects that bear traces of their former purposes and users are prized possessions in Shin’s New York studio, as these often-discarded items are nested into dynamic works that consider the relationship between consumption, environmental care, and community. Green-Wood presents the second iteration of...

Exposed foundation of the Brick Chapel at Historic St. Mary’s City, Maryland ST. MARY’S CITY, MARYLAND—According to a Live Science report, scientists including Éadaoin Harney of the 23andMe Research Institute, Douglas Owsley of the Smithsonian’s National Museum of Natural History, and David Reich of Harvard University examined DNA samples taken from skeletons uncovered in the cemetery at the site of the Brick Chapel in St. Mary’s City, the capital of the British colony of Maryland founded by religious dissenters in 1634. The samples were taken from the remains of 49 people who were buried at the site between 1634 and 1730. The researchers identified the remains of Thomas Greene, the second colonial...

Alla Fondazione Sandretto Re Rebaudengo, la prima personale istituzionale italiana di Lenz Geerk, Theatre of the Mind, si presenta come un dispositivo percettivo in cui la pittura regola le circostanze dell’apparizione. La mostra elabora un campo in cui sagoma, spazio e tempo non si danno simultaneamente, ma come scansioni differite, in cui la visione arriva sempre leggermente dopo il proprio accadere. Nei dipinti di Geerk non si dispiegano rappresentazioni semplici. Figure, oggetti e situazioni coesistono in configurazioni instabili e gli elementi non tendono a una sintesi, ma rimangono in uno stato di connessione irrisolta, in cui ciò che affiora non coincide mai davvero con ciò che si compie.
Lenz...

Between the rhythms of global capital and the architectures of digital life, meaning today is produced in spaces where the physical and the virtual are no longer distinct but mutually constitutive. Labour, identity, memory and desire circulate through systems of automation, simulation and networked communication that reshape how experience is felt and represented. Within this condition, contemporary art becomes a site for testing the limits of perception itself – a way of registering how subjectivity is formed under technological pressure. It is here that the work of Cao Fei finds its urgency, staging a world in which utopia and exhaustion, play and infrastructure, coexist in uneasy proximity. Her practice...

Olly Geary
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Si entra subito nel cuore del tema centrale osservando le immagini del fotografo colombiano Felipe Romero Beltrán: Bravo è il titolo del progetto che esplora il dramma dell’attraversamento del confine tra Messico e Stati Uniti, costituito dal fiume nel titolo, il Rio Bravo. Eppure, non vediamo figure umane nell’atto di passare il guado, ma soprattutto oggetti, sedie, materassi, pentolame, cortili senza persone, reliquie religiose, e luoghi che ci fanno capire che qualcuno da lì è passato. Come uno spettro. Fantasmi del quotidiano è il leitmotiv della XXI edizione del Festival della Fotografia Europea, realizzata con la curatela di Walter Guadagnini, Arianna Catania, Tim Clark e Luce Lebart.
Felipe...

By Tabea Martin ‘Me Myself’ brings together four artists — Anna‑Lena Ruff, Debora Schultheiss, Tabea Martin, and Eva Schick — whose works move across differing styles and energies yet find in this art space an unforced coherence. I sense a shared thread of observation and inner dialogue, and a contemplation of natural female presence. The exhibition is currently showing at the Anja Edith Brinckmann Galerie, Basel. From here, the individual narratives invite a closer reading. By Anna-Lena...

C’è qualcosa di controcorrente, nel senso migliore del termine, in una manifestazione che occupa un intero weekend per parlare di terracotta. Eppure, Buongiorno Ceramica!, giunta alla sua dodicesima edizione il 23 e 24 maggio 2026, è una delle poche occasioni in cui il termine “diffuso” – spesso abusato dal lessico delle arti contemporanee – riacquista una misura concreta e verificabile. Sessanta comuni italiani, più di cinquecento eventi, due giorni: la ceramica esce dalle vetrine, scavalca i recinti delle fiere specializzate e torna a occupare la strada, i cortili, le botteghe aperte come fossero stanze di una casa provvisoriamente condivisa.
Bottega ceramica a Montelupo Fiorentino (Toscana),...

Candace Caston  
   
   
   
   
   
   
   
 
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