en attendant l'art
by Designboom - about 45 minutes
formula 1 technology powers audi’s fastest road car yet
 
Audi introduces the Nuvolari, its first-ever supercar powered by a high-performance hybrid system and the most powerful production vehicle in the history of the four rings. Revealed in Antibes, France, the limited-edition model combines Formula 1-derived engineering with a lightweight carbon architecture, delivering 1,001 PS and a top speed exceeding 350 km/hr. Limited to 499 units worldwide, the Audi Nuvolari is scheduled to enter production in 2027.
 
Named after legendary Italian racing driver Tazio Nuvolari, the vehicle marks a new chapter for the German automaker as it prepares to enter Formula 1 as a factory team. The project also serves as...
by Aesthetic - about 1 hour
“Reimagining” is the theme of the 29th edition of PHotoESPAÑA, a photography festival which brings nearly 100 exhibitions to Madrid and other cities across Spain, including Barcelona, Santander, Seville and Zaragoza. In the face of today’s relentless image consumption, where five billion photos are made daily, the event focuses on “curiosity, imagination, liberation and rebellion,” celebrating the past century’s most game-changing approaches to the medium. The 2026 programme includes major solo shows from leading figures, including influential photographic projects of the 1900s. Fundación MAPFRE (6 June – 30 August), for example, pays homage to Richard Avedon’s landmark photobook In the...
by Aesthetic - about 2 hours
London’s cultural dominance has long rested on more than the strength of its institutions. It is a city whose creative identity is built through constant reinvention, where world-renowned museums sit alongside artist-run spaces, where commercial galleries coexist with experimental projects, and where culture remains one of the capital’s most valuable exports. In 2026, that position was formally recognised when Time Out named London the world’s best city for culture, placing it ahead of Paris, New York, Berlin and Cape Town. The ranking reflected the breadth of a cultural ecosystem that continues to evolve despite economic uncertainty, rising costs and global competition. At a time when many cities are...
by Designboom - about 3 hours
visteria foundation Creates conditions for craft to thrive
 
In a neobaroque villa in Warsaw, baskets woven from willow sit alongside contemporary design objects, archival works, and experimental craft practices. Here, at the Visteria Foundation’s temporary headquarters in the historic Gawroński Villa, conversations about craft extend beyond the objects on display. They turn instead to the systems that sustain them: the transfer of knowledge across generations, the visibility afforded to emerging makers, and the communities that continue to find meaning in making.
 
Established in 2025, the Visteria Foundation was created to celebrate and support Polish art, craft, and design. In little more than a year,...
by Juliet - about 7 hours
Ulrich Erben (Düsseldorf, 1940) da oltre mezzo secolo insiste sulla pittura come pratica di conoscenza con una coerenza che rivela la tenuta della sua convinzione profonda che la superficie dipinta possa essere il luogo in cui si manifestano gli aspetti fondamentali dell’esperienza visiva. Anzitutto, la natura relazionale della percezione, poiché nessun colore esiste da solo, ma ogni tono si definisce in rapporto a ciò che lo circonda. Per questo la struttura compositiva delle sue opere è ridotta all’essenziale: non ci sono distrazioni narrative o forme che inneschino associazioni automatiche. Rimane solo il colore che preme contro il colore, la linea che separa e al tempo stesso connette, la...
by Designboom - about 8 hours
René Magritte’s Pipe Becomes a Chair: Between Image and Function
 
This Is Not a Chair by Taekhan Yun examines the relationship between form, function, and perception through an object that takes the shape of a pipe while functioning as a chair. Referencing René Magritte’s The Treachery of Images (This Is Not a Pipe), the project explores how objects are identified and understood beyond their visual appearance.
 
While Magritte’s painting highlights the distinction between an image and the object it represents, Yun’s work shifts the discussion toward the relationship between image and function. Designed as a chair, the object does not conform to the conventional visual characteristics typically...
by Hyperallergic - yesterday at 23:17
Makeda Best (photo Unique Nicole, courtesy MoMA)Art Movements, published every Thursday afternoon, is a roundup of must-know news, appointments, awards, and other happenings in today’s chaotic art world.Meet MoMA's New Photo ChiefMakeda Best is joining New York's Museum of Modern Art (MoMA) as chief curator of Photography starting in September. Currently serving as deputy director of curatorial affairs at the Oakland Museum of California, Best's roots can be traced back to the medium itself: She earned an MFA in studio photography at the California Institute of the Arts before getting her PhD at Harvard, where she focused her research on Civil War chronicler Alexander Gardner. Best then...
by ArtNews - yesterday at 23:12
The Trump administration has diverted at least $90 million in entry fees collected at national parks, including Yellowstone and Yosemite, to projects in Washington, D.C., according to National Park Service documents reviewed by the Washington Post. The funds have reportedly been earmarked for a range of projects tied to the 250th anniversary of America’s independence, including a $1.6 million fireworks display—over five times the event’s standard budget—and a $76 million renovation of the Lincoln Memorial Reflecting Pool and other fountains. Advocacy groups have criticized the redistribution of funds as a misuse of federal revenue, pointing to the national park system’s $24 billion backlog of...
by ArtNews - yesterday at 23:11
Six months after news broke that the New School was offering voluntary retirement and severance packages to large number of faculty and staff, the New York university has handed out layoff notices to 87 of its employees. The layoffs, first reported by the Chronicle of Higher Education on Tuesday, affect 19 full-time faculty members, 10 of whom were tenured, with dozens more taking the early retirement or buyout offers. Additionally, 68 staff members were also laid off. As part of the restructuring, the school will go from four colleges to two, has discontinued over a dozen academic programs, and paused most doctoral admissions. 30 faculty members were “re-homed” from discontinued programs to other...
by Designboom - yesterday at 22:45
MVRDV completes la vallée verte in bordeaux
 
Along the right bank of the Garonne in Bordeaux, La Vallée Verte gathers three pale, sharply angled buildings around a green internal hollow. Completed by MVRDV within the Bastide Niel district, the residential project sits between shaded streets and former railway tracks, where the area’s industrial past meets a new piece of city shaped by sloping roofs, tight passages, and planted courtyards.
 
The project brings seventy homes to the northwestern edge of Bastide Niel, with apartments ranging across sizes to support a mix of residents, from first-time buyers to families. From the street, the buildings follow the rules of MVRDV’s larger masterplan, with...
by Hyperallergic - yesterday at 22:42
Marjane Satrapi, the Iranian-French artist, director, and author of the graphic novel Persepolis, has died at 56. The office of French President Emmanuel Macron announced Satrapi’s passing on Thursday, June 4. No further information about the cause, place, or exact time of her death was provided. In a statement to France’s AFP newswire, an unnamed member of Satrapi’s close circle said that the artist “died of sadness” after her husband’s death just over a year ago. Mattias Ripa, a Swedish producer and screenwriter, died last April at 53. Shortly after her husband’s passing, Satrapi posted several images on her Instagram account that spelled out, “For I lost the love of my life.” Born in...
by Hyperallergic - yesterday at 22:18
Nobody paints portraits quite like Lynette Yiadom-Boakye. Writing for the New York Review of Books, Lovia Gyarkye considers her new, mournful works on view in Manhattan:Mourners are everywhere in the exhibition. Yiadom-Boakye’s tightly controlled brushstrokes, a departure from the expressive marks in her earlier paintings, convey the sobering clarity that grieving in community can provide. In The Unbending Amaranthine (2026), five men are dressed in traditional black ntoma, or cloth, a striking contrast against the red-orange sky behind them and the forest-green grass under their sandals. As in many non-Western countries, in Ghana—where Yiadom-Boakye’s parents were born and raised before immigrating to...
by ArtForum - yesterday at 22:16
On Thursday, the Bass Museum of Art in Miami Beach announced that Philippe Vergne, the French curator and current director of the Serralves Museum of Contemporary Art in Porto, Portugal, will join the institution as its artistic director and chief curator in October of this year.  In this newly created position, the longtime arts executive […]
by ArtNews - yesterday at 22:05
The 230-foot-long Bayeux Tapestry will head to the UK in July to go on display at the British Museum. A new report, presented by the French Culture Ministry on Wednesday, expresses confidence that the fragile piece will not be threatened by the move, reports Le Monde. Dating to the 11th century, the artwork, which is designated in the UNESCO Memory of the World Register as a “unique work,” depicts the triumph of William the Conqueror at the Battle of Hastings in 1066. A 2021 assessment found that the artifact (technically an embroidery) bears 24,000 stains, 16,445 creases, nearly 10,000 areas of damage, and about 30 tears. Tiny cracks are everywhere. So it’s not surprising that La Tribune de l’Art...
by ArtForum - yesterday at 21:58
Iranian-French filmmaker and author Marjane Satrapi, whose graphic novel series and film Persepolis, introduced the Western world to the precarity of everyday life in the wake of the Islamic Revolution, died on June 3. She was fifty-six. Her death was announced by French president Emmanuel Macron. Satrapi’s family and close friends in a statement to […]
by ArtForum - yesterday at 21:46
On Thursday, the nonprofit organization Artists & Mothers named the 2026 recipients of its annual $25,000 childcare grants. Artists & Mothers, which was founded in 2024 in response to the increasingly difficult challenges faced by artists who are also new parents, offers grants providing nine months of child care aid to New York-based artists with […]
by ArtNews - yesterday at 21:13
Later this month, Pope Leo XIV will visit Barcelona’s famed Sagrada Familia to inaugurate and bless the Tower of Jesus Christ, the final tower of the long-gestating church. The tower was completed in February, wrapping up 144 years of construction on the notoriously complex and intricate design. The famed church was designed by architect Antoni Gaudi, a pioneer of Art Nouveau and modernisme, or Catalan Modernism. Construction on La Basílica de la Sagrada Familia, considered his masterpiece, started in 1882. When Gaudi died in 1926, at the age of 73, only one tower was completed. Work has continued on the monument in century since, with it becoming one of the most visited tourist attractions in Europe. A...
by Hyperallergic - yesterday at 21:08
LOS ANGELES — “I’m a victim, brother. I’m a victim of 400 years of conditioning. The man has programmed my condition. Even my conditioning has been conditioned.” These lines — from a scene in Chameleon Street, Wendell B. Harris Jr.’s 1989 Black comedy drama — looped in my head as I took in Photography and the Black Arts Movement, 1955–1985 at the Getty’s West Pavilion. The exhibition gave me the peculiar feeling of peeking behind a curtain in my own house and discovering new things about a topic I thought I knew well. The film scene, made famous by its use as the opening of “Brown Skin Lady” (1998) by the rap superduo Black Star, plays out as two men discuss how their restrictive...
by Thisiscolossal - yesterday at 20:39
How many people actually heed the warnings about not feeding ducks waddling around public parks? If you’ve taken a flippant approach to these guidelines in the past, we recommend you watch AJ Jeffries’ new animation, “DUCKS.” What opens as an innocuous jaunt around a pond quickly turns into a dark comedy full of strange contortions and feathered villains sure to pop into your head the next time you throw a chunk of bread. Jeffries is also behind this ridiculous story of a struggling horse, and you can find more of his work on Instagram, Vimeo, or Behance. Do stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $7 per...
by archaeology - yesterday at 20:29
PERTH, AUSTRALIA—According to a statement released by Curtin University, the central Altar Stone at Stonehenge was likely transported more than 430 miles from northeastern Scotland to the Salisbury Plain in carefully planned stages. It had been suggested that the more than 13,000 pounds of sandstone could have been moved by glacial activity. Anthony Clarke of Curtin University and his colleagues used mineral grain dating and ice-sheet modeling to see if glaciers alone could have completed the job. “Our modeling shows glaciers may have transported rocks part of the way during the last Ice Age—potentially as far as Dogger Bank in the North Sea—but not into southern England, meaning the stone would still...
by ArtForum - yesterday at 20:24
Across São Paulo’s galleries, artists turn to screens, Xeroxes, and neons, breathing life into Brazil’s modernist and queer histories.
by ArtNews - yesterday at 20:23
Marjane Satrapi, the French-Iranian graphic novelist, artist and film director whose landmark animated feature Persepolis earned a Cannes Jury Prize and an Oscar nomination and made her one of the most distinctive voices in world cinema, has died. She was 56. “Marjane Satrapi died of sadness a little over a year after the death of Mattias Ripa, her husband and the love of her life,” members of her family said in a statement sent to AFP. Ripa, a Swedish producer, actor and screenwriter, died April 8, 2025. A series of posts on Satrapi’s Instagram page in the weeks before her death spelled out the message: “For I Lost the love of my life.” Satrapi is best-known in the film world for Persepolis, the...
by archaeology - yesterday at 20:13
Microbiologist Mohamed Sarhan examines colonies of yeast taken from a sample of Ötzi’s stomach. MUNICH, GERMANY—According to a Science News report, four species of ancient yeast have been identified among the microbiome on the mummified remains of a man known as Ötzi the Iceman. Albert Zink of Ludwig Maximilian University said that the 5,300-year-old mummified person is kept in a special facility in Italy that mimics the glacial conditions where the body was discovered in the Alps on the border of Italy and Austria in 1991. To collect the microbiome samples, the researchers slightly thawed the remains, collected the runoff, and swabbed several places on the body. For comparison, they also analyzed soil...
by Hyperallergic - yesterday at 20:05
Just years after inaugurating its $100 million flagship building in Manhattan’s Chelsea neighborhood and positioning itself as a leader in the crypto art space, Pace Gallery has cut 50 artists from its roster and laid off 50 staff members in what CEO Marc Glimcher characterized as a “model correction.”  The gallery’s roster of artists will decline by 30%, while staff will be reduced by about 20%, from 250 to around 200 employees, as reported by the New York Times and confirmed by Hyperallergic.In a statement shared with Hyperallergic, Glimcher claimed that “the current gallery model isn’t only broken, it’s unfixable.”“Every gallery is currently making temporary fixes and compromises to prop...
by archaeology - yesterday at 19:59
OSLO, NORWAY—Science in Norway reports that a shipwreck carrying a cargo of eighteenth-century Chinese porcelain has been discovered nearly intact under nearly 2,000 feet of water off the coast of Norway. “We often find cargo and freight, but it’s usually broken or covered by marine growth,” said Sven Ahrens of the Norwegian Maritime Museum. “Here, whole plates were lying in stacks on the seabed,” he said. The ship had also been carrying glassware, chandeliers, and sealed crates, he added. A 3D model of the wreck and a map of the site have been constructed, and about 40 of the artifacts have been brought to the surface using a remotely operated underwater vehicle with a robotic arm fitted with...
by ArtForum - yesterday at 19:22
Bangkok-born architect and designer Kulapat Yantrasast has been appointed artistic director of the Second Bukhara Biennial, set to take place in the Uzbek city from September 3 to November 27, 2027. Yantrasast is the founder and creative director of the Los Angeles-based WHY Architecture, whose recent endeavors include the ILMI Science Discovery & Innovation Center […]
by Thisiscolossal - yesterday at 19:01
Softness and resilience. Presence and absence. Vitality and stillness. These are just a few of the dualities that permeate the atmospheric work of Jeanne Vicerial, whose textile-focused practice taps into history and femininity with precision and reverence. A city-wide exhibition of Vicerial’s pieces titled Incarnation: Carte blanche Jeanne Vicerial opens across several historic spaces in Aix-en-Provence this month: Musée du Pavillon de Vendôme, Musée des Tapisseries, Chapelle de la Visitation, and Musée Granet. Situated amid centuries-old architecture and existing museum collections, the artist’s works nod to time, tradition, and remembrance. The show surveys sculptures and installations created...
by archaeology - yesterday at 19:00
Kohl bottle YORK, ENGLAND—Phys.org reports that a blue-green iridescent glass flask unearthed in York more than 40 years ago has been identified as an Egyptian kohl vessel by Hillary Cool of Barbican Research Associates. The small flask, found in what had been a Roman garbage dump, has been dated to the second century A.D. “In the late second century, the area across the river from the legionary fortress was starting to develop as a serious civilian center,” Cool said. “It seems likely this was a place where the rubbish from the legion was being dumped,” she added. She noted that the vessel’s walls are thicker than those of most Roman bottles. The shape of the interior of most Roman bottles...
by The Art Newspaper - yesterday at 18:46
Constant expansion and rising prices in the primary market necessary for a mega gallery are "unfixable", says chief executive Marc Glimcher
by Designboom - yesterday at 18:30
amo, solidnature, paf atelier, and la marzocco converse in milan
 
Design can be both permanent and temporary, yet it is during the fleeting pulse of a design festival that we truly witness the long-term benefits of the ephemeral. The temporary can become blueprints for a more evocative, speculative future. At Milan Design Week 2026, this spirit was in effect as designboom hosted an expansive conversation on how temporary environments serve as rehearsals for alternative realities. Within the immersive ROOM FOR DREAMS activation, designers — Samir Bantal, architect and director of AMO/OMA; David Mahyari, founder of SolidNature; Christopher Dessus, founder of Paf atelier; and Paul Kelly, Global Marketing...
by The Gaze - yesterday at 17:35
For an artist to return to painting after life‑altering injury is to witness the human spirit at its most unguarded. In such a moment, understanding the forces that carry you back to the page becomes all‑important, and in Joel Bradish Nichols’ case, the answers lie in the people and pursuits he had cherished. In a coma for months after a near‑fatal accident, his re‑emergence into artistic practice becomes inseparable from a narrative of devotion and determination — a surrounding spiritedness...
by The Art Newspaper - yesterday at 17:05
The artists claim the organisers did not respond to their request for removal from the Visitors' Lions prize vote, which the Biennale disputes
by Thisiscolossal - yesterday at 16:57
In Amy Casey’s meticulous acrylic paintings, houses and main street buildings whirl through the air amid debris, teeter in huge piles in the sea, or balance precariously on giant clusters of fungi. Our perception is tested: are the houses really tiny or are their surroundings exceedingly big? That slippage is at the heart of her practice, which confronts our current, often overwhelming information era and its politics, war, the climate crisis, population displacement, and more. “It is hard to process the world and the constant flow of information about it without feeling powerless and paralyzed,” the artist says. “Sometimes life just feels like a neverending shriek.” In her paintings, which are often...
by The Art Newspaper - yesterday at 16:00
Vergne, who is currently the director of the Serralves Museum of Contemporary Art, previously held leadership roles at the Dia Art Foundation and Moca Los Angeles
by Parterre - yesterday at 15:00
Christopher Corwin speaks to rising bass-baritone Le Bu about his journey from Yancheng, China to the Met (with a stop in Wichita) and what important roles await him.
by The Art Newspaper - yesterday at 13:39
With over 120 galleries across the UK capital participating in this year's London Gallery Weekend, our critics have chosen their top 20 shows to guide you through the weekend
by The Art Newspaper - yesterday at 13:26
The hub, housed in complex of industrial buildings in north London, will showcase illustration and graphics by the celebrated British artist and many others
by Parterre - yesterday at 12:00
The fact that Barbara Hannigan has never performed at The Metropolitan Opera is just plain dumb.
by Aesthetic - thursday at 9:00
There are exhibitions that revisit history, and there are exhibitions that reactivate it. Ten.8 afterimage belongs firmly to the latter category. More than a survey of photographs or an exercise in nostalgia, the exhibition excavates the spirit of Ten.8, the groundbreaking photography journal published between 1979 and 1992, and asks what it means to look again at a publication that fundamentally changed the way photography was discussed in the UK. In returning to the pages, politics and personalities that shaped Ten.8, the exhibition reveals how urgently relevant its questions remain today: who gets represented, who controls the image, and what responsibilities does photography carry in times of social...
by Juliet - thursday at 4:29
There Is A Truth: questo il titolo dell’ottava esposizione di Tracey Emin presso la Galleria Lorcan O’Neill di Roma (30 aprile -18 luglio 2026). Entrare nel piccolo spazio espositivo di Vicolo dei Catinari dà effettivamente l’impressione di essere accolti a contemplare una verità nascosta, il cui significato aleggia tra le tredici opere presenti, per la precisione dodici dipinti e opere su carta e una scultura monumentale in bronzo, realizzati dall’artista britannica durante gli ultimi due anni negli studi di Londra e Margate. La verità rivelata da Emin ha a che fare con il potere curativo dell’arte nelle nostre vite. Come lei stessa ha affermato, There Is A Truth è «una metafora perfetta della...
by Thisiscolossal - wednesday at 23:08
From the nearly abstracted patterns featuring dozens of Black faces in the meticulous work of Sharon Kerry-Harlan to portraits inspired by real events like Donna Chambers’ celebration of President Barack Obama’s inauguration, Masters of the Stitch: Threaded Stories at Claire Oliver Gallery spotlights remarkable narratives in fabric. The exhibition draws from the collection of Carolyn Mazloomi, founder of the Women of Color Quilters Network, whose strategy over the better part of the last four decades has been to highlight the craft as an artistic expression beyond what the gallery describes as “folk curiosity.” Works simultaneously function “as fine art, historical archive, and cultural testimony,...
by archaeology - wednesday at 20:00
Brass jaw harp MACKINAW CITY, MICHIGAN—USA Today reports that a brass jaw harp has been found in the central cellar at Colonial Michilimackinac, the site of an eighteenth-century fort and fur trading village in Mackinac State Historic Park. The instrument is the thirteenth to be found in the fort’s central cellar and the adjacent area. Jaw harps were brought to North America by European colonists as a common trade good. The central cellar is thought to have been used to store such items for trade. For more on the archaeology of colonial America, go to "Letter from Lake George: Exploring the Great Warpath."
The post Brass Instrument Unearthed at Michigan’s Colonial Michilimackinac appeared first on...
by Thisiscolossal - wednesday at 19:32
In Slow Burn, Shawn Huckins puts the cognitive dissonance that defines our current era in stark relief. The New Hampshire-based painter has long challenged American mythology and collective aggrandizing by reinterpreting canonical artworks and visual languages. His series have commented on the U.S.’s proclivity for erasing history and the ways our garments convey social status and class. In this new body of work, he directs us to the contradictory experience of witnessing destruction as both a spectacle and a distant occurrence. Slow Burn presents a suite of landscapes, each veiled by curtains. Floral drapery flanks a catastrophic explosion, a sliver of sunlight peeks through a decorative toile de jouy...
by Parterre - wednesday at 15:00
Parterre Box previews Kathryn Lewek's upcoming Salome with clips of her as another unhinged lady of antiquity.
by booooooom - wednesday at 15:00
Cindy Bernhard
PLATO is honored to present Broken Vessels, a solo exhibition by Chicago-based artist Cindy Bernhard, featuring a new body of paintings that explores spiritual rupture, transcendence and the relationship between the human body and the divine. The public opening is scheduled for Thursday, June 4, from 6 to 8 PM in the gallery’s ground floor space. The show will be on view through July 11. At the center of the exhibition is the metaphor of the vessel: the body as a container for spirit and belief. Drawing from archetypal associations between gold and divinity, Christian mysticism and contemporary existential anxiety, Bernhard’s monumental six-foot paintings depict fractured golden forms that...
by Parterre - wednesday at 15:00
Maria Kataeva makes a promising US debut in an otherwise uneven revival of Il Barbiere di Siviglia in San Francisco.
by Aesthetic - wednesday at 14:00
In 2022, Michelle Sank encountered a stranger on a Cape Town Promenade and spontaneously asked to take their photograph. It became the first in a powerful body of work, capturing the city’s drag queens. Drag Daughters follows six young men who grew up in townships, often facing rejection or having to hide their identities, who now strive to make a difference in their communities. Now on display at Het Zuid-Afrikahuis in Amsterdam, the series includes empowering portraits that move beyond the conventional depictions of drag in pageants or nightclubs, instead placing them in unassuming or domestic settings. In a country still navigating the legacies of Apartheid, alongside ongoing social challenges, the...
by Parterre - wednesday at 12:00
From one Mister Snow to another, I salute him.
by Aesthetic - wednesday at 11:00
Photography, at the threshold of its bicentenary, becomes here less a medium than a condition of perception itself. Remember Me at the Bourse de Commerce gathers image, archive, and gesture into a single unfolding field where memory is not stored but constantly reassembled. The exhibition operates through proximity rather than sequence, allowing works to collide, echo and refract one another in shifting constellations. Across centuries of practice, photography is treated not as a linear history but as a series of recurring questions about presence and disappearance. The result is an environment where looking becomes an act of reconstruction, and where the photograph is never fully settled into its own time....
by Juliet - wednesday at 7:08
Il manifesto programmatico della 61esima Biennale d’Arte di Venezia, stilato dalla curatrice svizzero camerunense Koyo Kouoh, scomparsa lo scorso maggio, è una vera e propria dichiarazione poetica che emoziona, incuriosisce, riempie di speranze e aspettative. Parla di pratiche artistiche che aprono portali, rinnovano e nutrono in un “invito all’incanto”, a dare importanza al riposo fisico ma soprattutto spirituale; il presupposto è che “la poetica libera” e che gli artisti, individuati come “interpreti essenziali della condizione sociale e psichica, catalizzatori di nuove relazioni e possibilità” possano insieme generare bellezza.
Otobong Nkanga, “And Still, Here We Are”, 2026,...
by artandcakela - tuesday at 18:21
By Tm Gratkowski With intent and the will to do it her own way, there is a gallery in the most unlikely of places, off the 210 freeway on Lincoln Avenue in Pasadena. Imagine walking into the parking lot of an old lumber yard, stumbling down a paved area past old materials, equipment, and a small cluster of shed-like buildings. Nothing new, no signs, just your average ubiquitous Southern California lot. As you wander in you notice a little welcoming front porch and tucked away in the corner is...
by Juliet - tuesday at 7:41
È da un semplice processo di recupero, archiviazione e metamorfosi che nasce “Come una diga”, ultima personale di Giovanni Longo, inaugurata presso l’Accademia d’Ungheria e aperta al pubblico fino 4 giugno 2026. Nel centro storico della Capitale, le strutture scheletriche di Longo, provenienti da cicli scultorei differenti ma strettamente interconnessi, sono le protagoniste di un’esposizione ragionata, che racconta l’andamento di una ricerca decennale, paradigmatico del percorso dell’artista calabrese. Un viaggio che pone al centro delle opere accolte negli spazi di Palazzo Falconieri il recupero di materiali lignei e la loro riformulazione.
Giovanni Longo, “Come una diga”, installation view...
by Juliet - tuesday at 7:00
L’intreccio non si lascia ridurre a tecnica nella ricerca di Yuhe Luo, ma si rivela come struttura del pensiero che precede il gesto e ne orienta la costruzione. Formata al Royal College of Art in Textile Design (Londra), l’artista sviluppa una pratica in cui il gesto del tessere supera la dimensione materiale per trasformarsi in una logica più profonda, capace di mettere in relazione ritmo, tempo e percezione. La tessitura, in questo senso, non appartiene a un singolo materiale ma è una modalità di organizzazione del tempo, una forma di articolazione del reale che si manifesta attraverso ripetizioni, variazioni minime, accumuli e discontinuità.
Yuhe Luo, “The Fluid City”, 2025, 3D printing, yarn,...
by booooooom - monday at 15:00
Grace Dodds
 
 
Grace Dodds’s Website
Grace Dodds on Instagram