listening to soft signals from other lives
 
In a darkened gallery or a quiet park, sensors clamp onto leaves and roots, tiny electrodes or moisture meters, and suddenly the inaudible pulses of life become audible. A speaker crackles to life, mapping the subtle electrochemical flickers of the plant and translating to sound. A fern might hum with gentle sine-wave drones, a philodendron might trigger simple melodies or rhythmic pulses.
 
This is biosonification, the translation of biological data into sound, and it feels strangely intimate. Invisible fluctuations become ambient melodies, crackling pulses, harmonic textures, low atmospheric drones. Tiny changes in conductivity inside a leaf are transformed into...

A group of House Democrats will ntroduce legislation aimed at stopping President Donald Trump’s proposed triumphal arch near Arlington National Cemetery, opening a new front in the growing battle over the administration’s efforts to reshape some of the nation’s most visible public monuments. Representatives Don Beyer (D-Va.) and Dina Titus (D-Nev.) announced this week that they will introduce the Arlington National Cemetery Viewshed Protection Act, which would explicitly prohibit construction of the proposed arch and bar the use of federal funds for the project. The legislation follows a recent vote by Trump appointees on the U.S. Commission of Fine Arts approving designs for the monument.  The Trump...

The Pollock sucks up the oxygen. It is the lead story — important, yes, but also misleading. $181.2 million for a great Pollock, wisely held back until the market could carry it. More astonishing, in some ways, than the $451 million Leonardo, which had its own issues and was painted several centuries ago. This Pollock was made in my lifetime.Not just the Pollock, but a $107.6 million Brancusi. Much of Christie’s evening sale went smoothly, exuberant and beautifully orchestrated. But not so fast. For in this $1.1 billion evening sale, the number of artworks that hammered below low estimate or went unsold was substantial, roughly 30%, including big-ticket items like Agnes Gund’s Twombly. Plus, many had...

Nicola Florimbi, "Art Class" (2026), acrylic on canvas (all photos courtesy Corbett vs. Dempsey)CHICAGO — In our media-saturated world, in which everything has been seen and done, leaving us in a perpetual déjà vu state of witty citations, exhumed tropes, or dazzling fabrications, it’s rare to be surprised by an artist’s debut exhibition. There are many reasons why I was instantly taken by the acrylic paintings in Nicola Florimbi’s Rooms at Corbett vs. Dempsey. The first was the absence of irony in her subject matter — depictions of individuals interacting in settings that seem both out of time and of this moment. This is one of the many engaging paradoxes of Florimbi’s work. There are 10...

Pattie Gonia accused the Patagonia brand of attempting to “erase an activist” by suing her for attempting to trademark her name. (photo Mitchell Overton, all courtesy Pattie Gonia)Activists and LGBTQ+ advocates are voicing public outrage against the outerwear brand Patagonia after it sued the drag queen Pattie Gonia for trademark infringement. Pattie Gonia, the drag persona of Oregon-based LGBTQ+ and environmental activist Wyn Wiley, took to Instagram this week to accuse the company of attempting to “erase an activist” when it sued her in January for the meager sum of $1 plus attorneys' fees. Those fees would add up to around $1 million, according to Pattie Gonia. The drag queen claims to have...

The mad dash between subway lines in Brooklyn’s Borough Hall subway station has just gotten a little more colorful. In the corridor connecting the 2, 3, 4, and 5 subway lines, Ruby Onyinyechi Amanze’s mosaic “May Your Road Be Light and Fun” (2026) will now envelop passersby across a 110-foot leg of their journey.  MTA Arts & Design announced the new installation on May 28, as a joint project between Amanze and Miotto Mosaic Art Studios, a workshop based 50 miles north of New York City. In an array of glazed and matte ceramic pieces, Amanze’s drawings are brought from the paper to tiled underground walls. "May Your Road Be Light and Fun" (2026) (© ruby onyinyechi amanze, NYCT Borough Hall, MTA...

Toronto-based Kurdish artist Roda Medhat pushes the boundaries of fabric into the realm of sculpture, exploring the ways in which traditional West Asian textiles can be translated into various media. As digital fabrication and 3D scanning cross paths with memory and material, Medhat’s practice asks “how we carry our stories, and what happens when those stories are translated into new, synthetic languages?” The artist’s new solo exhibition, titled From the Loom, fills Toronto’s Abbozzo Gallery with large-scale sculptures in conversation with a new series of textile works. Known in part for his neon installations, the artist also presents several glowing light-based works encased within glass or...

A painting by renowned British Mexican Surrealist Leonora Carrington that had been missing for decades is set to go on view at London’s Freud Museum this summer, marking the first time the work will be seen by the public. Villa Pilar, 1940, will appear in the exhibition “Leonora Carrington: The Symptomatic Surreal.” The show collects the […]

Two political appointees at the Treasury Department have been pushing for the manufacture of prototypes of a $250 bill with Trump’s face on it, The Washington Post reports. The artist who designed the mock-up of the bill, the British painter Iain Alexander, told the Post that he’d spoken to the president about the design, and […]

What are the bodily characteristics that make a city? That is what I was thinking about while walking through the Bronx Documentary Center's exhibition Martha Cooper: Streetwise. Martha Cooper is perhaps best known for documenting New York City’s graffiti and breaking culture in the early 1980s, though this exhibition offers a survey of her career from the late 1970s through 2010s in New York, Baltimore, Tokyo, and the South African Township of Soweto. Still, I found myself drawn to Cooper's images of the city, because they inspired me to think deeply on the physical experience of living here. One of the works that opens the exhibition is “Cops patrolling on the number # 1 line Harlem” (1981),...

Anthony Haden-Guest says nearly 100 of his cartoons have spent the past 15 years hanging in a Hamptons mansion owned by socialite and collector Libbie Mugrabi. Now he wants them back. In a lawsuit filed this week in New York State Supreme Court, first reported by the New York Post, the veteran critic, cartoonist, and fixture of New York society accused Mugrabi of refusing to return 97 original drawings that were allegedly entrusted to her for a planned exhibition that never took place. The complaint alleges that roughly 15 years ago Haden-Guest provided the drawings to Mugrabi for a show at her Southampton home. Under the arrangement, according to the filing, the works would be framed at Mugrabi’s expense,...

Every month, we share opportunities for artists and designers, including open calls, grants, fellowships, and residencies. Make sure you never miss out by joining our monthly Opportunities Newsletter. BOAPS–Summer 2026: Grants, Exhibition, Publication, Promotion, Sales, Career BoostFeaturedReady to showcase your art internationally and receive cash grants? BOAPS (Summer 2026 Edition) invites visual artists worldwide, working in any medium, to submit their strongest works with complete creative freedom. This seasonal open call offers $10,000 CAD in annual cash grants and exclusive awards, along with solo and group exhibitions, publication in catalogues and art magazines, global promotion, sales exposure...

translucent solar foils power off-grid lighting installation
 
Main Light by ttal is a self-sufficient lighting installation developed along the Main riverfront in Frankfurt, Germany, by Munich-based studio ttal in collaboration with Italian lighting manufacturer ewo. Presented as part of the World Design Capital 2026 initiative, the project explores how renewable energy infrastructure can become an integrated and visible component of public space through autonomous solar-powered lighting systems.
 
The installation introduces a new generation of off-grid streetlights that generate renewable energy directly at the point of use through translucent organic photovoltaic (OPV) solar foils. Developed in response...

Los Angeles’s Getty Center has announced specific plans for its upcoming renovation—most significantly, the museum will be replacing the futuristic tram that’s ferried visitors to the premises since 1997 and updating the system with new tram cars that will significantly reduce wait time and increase capacity. The international people mover manufacturer Doppelmayr will handle the […]

MIT List Visual Arts Center, Fall River Museum of Contemporary Art, and the Bell Gallery at Brown University

On July 1, London museumgoers will get a first look at a painting by Leonora Carrington not seen in over 80 years. The 1940 painting, titled Villa Pillar, will appear in “The Symptomatic Surreal” an exhibition at the Freud Museum tracing Carrington’s development from 1938 to 1941 through her sketchbook drawings and letters. The exhibition had previously opened in March and has been extended to run through August 10. A British-born Mexican Surrealist artist, Carrington has gained recognition thanks to a surge in attention towards women surrealists, a trend formalized with the 2022 Venice Biennale, curated by Cecilia Alemani with the title “The Milk of Dreams,” after a book by Carrington. Carrington...

OVER THE PAST DECADE, Julio Torres has perfected the art of curatorial comedy, a term I’ve just coined. This is a highly sophisticated brand of object-oriented, narrativized humor whose deadpan subtlety makes it categorically distinct from the blunt physicality of straight-male-dominated prop comedy. Ultimately a mode of ekphrasis, Torres’s approach recalls a precocious child opening […]

The iconic aboveground space at the Lincoln Memorial is accompanied by lesser-known environs beneath—in the form of an “undercroft” being transformed into a 15,000-square-foot exhibition space scheduled to open next month with a show related to the memorial’s creation and the legacy of Abraham Lincoln himself. As reported by Artnet News, “A decade on from the National Park Service (NPS) announcing plans to transform the cavernous space beneath the Lincoln Memorial into a museum, tickets for the newest attraction on the National Mall have gone on sale ahead of its opening on June 25, in time for the 250th anniversary of the Declaration of Independence. Tickets for large tours of the undercroft...

You’ve heard of Johannes Vermeer’s ca. 1665 painting Girl with a Pearl Earring, long housed at the Mauritshuis in the Hague and soon to visit Japan this summer. Now, prepare for the latest art history–inspired sensation. Call it Miffy with a Pearl Earring. Unfortunately for him, Vermeer died in 1675, well before Miffy came into being, but the Dutch Old Master has lent his mark to these plush toys, with his Girl with a Pearl Earring now spawning one adorned with a glowing bauble, a turban, and a brown dress à la the outfit worn by the young woman in that famed painting. This week, the Vermeer-influenced rabbit toy went viral on X, where users can’t stop expressing their admiration for it. This Miffy...

Following an independent review, Let's Create has been replaced with an interim strategic framework

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Some of the most exciting designs emerging from the world of sustainable fashion are those utilizing uncommon materials. There are gowns sculpted with grass roots, sequins made from algae, and electrical wires woven into lace. Now, researchers and designers at Aalto University can add another unusual substance to that list: the remains of a 300-year-old wooden shipwreck. In 2019, a hotel in the Finnish city of Oulu undertook renovations that uncovered a 17th-century vessel buried beneath a parking lot. Called the Hahtiperä wreck, the finding was the oldest of its kind in this region, prompting conservators to raise the seven-by-20-meter ship for preservation. A few fragments remained, though, and researchers...

A Crafted Shelter emerges from japanese island for NOT A HOTEl
 
V Taller proposes A Crafted Shelter, a retreat embedded within the primordial landscape of Yakushima, Japan, for the 2026 NOT A HOTEL Design Competition. The team conceives this project as an extension of the dense forests, persistent rainfall, and exposed geological formations that characterize the island. Drawing from Yakushima’s monumental rock outcrops and layered terrain, the proposal rises from a stone plinth that appears to grow directly from the site.
 
The project is organized around a monolithic stone core that anchors the structure while defining its spatial sequence. Carved within this weight-bearing volume, a circular staircase...

A new production of Die schweigsame Frau at the Berlin Staatsoper has precious little to say.

Christopher Corwin picks the flowers of a baroque May in New York City with reviews of concerts starring Lauren Snouffer, Key'mon Murrah, and the Oratorio Society of New York.

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Alex Bruno’s Website
Alex Bruno on Instagram

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In this week's episode, Ben Luke discusses the disruptions to plans for a new Smithsonian women's museum in Washington DC, speaks with artist Oliver Beer and musician Rufus Wainwright on their recent collaboration, and learns about a painting by Jasper Johns on show at the Guggenheim Bilbao.

the painter at david zwirner, new york
 
At Lisa Yuskavage’s solo show at David Zwirner, New York, a stunning display of the artist’s painted and mixed-media work fill the space with pieces ranging from sprawling triptychs to bite-sized compositions. Looking at the collection all together, dotting the walls in shocks of pink and green, it looks as though Yuskavage has produced in each canvas, a zone of contemplation over the fundamental elements of the craft itself.
all exhibition images: installation view, Lisa Yuskavage, David Zwirner, New York, May 14 – June 26, 2026, courtesy David Zwirner
 
 
the joy of painting and the studio scene
 
Looking at the show’s leading image, The Joy of Painting...

Lent by British private collectors, the Van Goghs subsequently went abroad—except for a fake, which is now in a castle in Wales

The influential sculptor and teacher, who died last year, is remembered in a show of her portrait heads and drawings at ATINATI's Cultural Center

getty center unveils major modernization
 
The Getty reveals first details of a campus-wide modernization initiative that aims to transform the arrival experience at the Getty Center in Los Angeles. Unveiled as part of a broader investment in accessibility, sustainability, and visitor infrastructure, the project includes a redesigned lower tram station by Gehry Partners, a new tram system manufactured by Doppelmayr, and a renovated Welcome Hall by WHY Architecture. The upgrades are designed to accommodate contemporary visitor needs while remaining sensitive to Richard Meier and Partners’ original 1997 campus design.
 
Serving more than 1.4 million visitors annually, the Getty Center has evolved far beyond...

The mesmerizing run of Trovatore in October 2015 at the Met, a few months after we learned that Hvorostovsky was dying

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Artists in the UK are poorly protected when it comes to insolvencies

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Opening on 21 June, Directionless unfolds as a sweeping artist-led exhibition across Hauser & Wirth Menorca and the island landscape of Illa del Rei. Disorientation sits at the centre of the project, shaping both structure and tone. Contemporary practice is framed as a way of moving through instability rather than resolving it. The island becomes a field where architecture, coastline and light reconfigure perception. Meaning forms through proximity between works, site and viewer rather than through a fixed narrative. The exhibition is organised by Rashid Johnson, an American artist whose multidisciplinary practice spans painting, sculpture, film and installation, and who is widely recognised for his...

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La Gallery Weekend Beijing giunge quest’anno alla sua decima edizione, un traguardo che trasforma l’appuntamento annuale in un momento di bilancio. Nata nel 2017 con l’ambizione di costruire una piattaforma professionale e internazionalmente orientata per l’arte contemporanea cinese, la manifestazione si svolge dal 22 al 31 maggio nel distretto 798 di Pechino, con un programma che per la prima volta si estende anche oltre i suoi confini abituali, raggiungendo Caochangdi e il CBD Art District.
798 Art District, 2026, ph. courtesy Gallery Weekend Beijing
Il formato consolidato prevede un Main Sector con trenta gallerie e dieci istituzioni non-profit selezionate da un comitato accademico, affiancato da...

Layers of colored pencil and marble dust worked into an oil-like substance flood the linen planes on which Marin Majic works. The Brooklyn-based artist builds upon a foundational drawing, blending various media into a richly textured surface resembling fabric or plaster. Matte finishes radiate across the scenes, appearing like magical glimmers under a night sky. Steeped in mystery, Majic’s works gravitate toward questions of power, impermanence, and the slippery nature of reality. Figures are often alone, whether swimming solo or driving along a mountain pass with no other cars in sight. Insects and animals are similar, although in pieces like “Negative attention,” we’re witness to the demise of the...

Six years in the making, Christina Mrozik’s new project tackles “the feelings of all things.” Fifty cards comprise the richly illustrated oracle deck, which delves into a vast emotional terrain through the artist’s distinctive visual metaphors of flora and fauna. Monochromatic in palette and surreal in subject matter, the individual works portray a variety of curious pairings from twin turtles with eyes nested into their shells to a bird speared by a spindly tree to a lily pad bursting from an open alligator jaw. “Each drawing took between 20 to 40 hours of focused work,” Mrozik writes. “I built every image in layers—starting with rough sketches, researching forms, refining the composition, and...

Fast-rising Verdi baritone Ariunbaatar Ganbataar is the subject of this week's Grand Tier Grab Bag.

Lee Shulman (b. 1973) collects images that were never meant for public view. He collates abandoned slides, assembling what is now one of the largest private archives of analogue amateur photography in the world. The Anonymous Project began in 2017, when the artist bought a random box of vintage Kodachrome, and “completely fell in love with the people and stories he discovered in these unique windows into our past lives.” Shulman reanimates these personal documents, weaving them into narratives that explore memory, family, love and cultural shifts across generations. His motivation is a rescue mission: a conviction that these modest items hold something too valuable to be allowed to fade away. This summer,...

Christo (1935–2020) never treated space as neutral. Across a practice developed in tandem with Jeanne-Claude, he recast it as something provisional – something that could be tightened, sealed, withheld or briefly made strange. Born in Bulgaria and later based in Paris, his early years under political constraint shaped a lifelong interest in restriction as material condition. What might appear, at first glance, as acts of concealment were in fact acts of disclosure: buildings wrapped, coastlines interrupted, monuments turned temporarily unreadable. In each case, the familiar was not erased but delayed, forcing attention back onto the act of looking itself. The work did not sit in space so much as...

Here in Chicago, I've had many a shot at listening to Riccardo Muti as a Verdi conductor.

Across the global cultural landscape, the contemporary museum has entered a phase of expansion that is as much ideological as it is architectural. Openings in recent years have increasingly foregrounded decentralisation, permeability, and the collapse of rigid distinctions between archive, studio and public space. The announcement of Powerhouse Parramatta, opening in Sydney in late 2026, sits firmly within this recalibration. It is positioned as the most significant cultural infrastructure project in Australia since the Sydney Opera House, yet its ambitions are unmistakably global in tone. Rather than reinforcing institutional centrality, it participates in a wider rethinking of how museums might operate...

Una scultura di luce con la forma di un sole illumina la navata laterale della Cattedrale di Santa Maria Assunta di Cremona: è l’opera di Marinella Senatore (Cava de’ Tirreni, 1977), nata dalla collaborazione con la comunità del carcere di Rebibbia riproposta. Un braccio meccanico di carta pesta che riproduce, con movimenti costanti ma irregolari, uno schiaffo è visibile costantemente nella vetrina di RobolottiSei a opera di Sara Ravelli (Crema, 1993). Le figure umane e organiche esplose su un tavolo di Roberto De Pinto (Terlizzi, 1996) e la grottesca performance di creature ibride inscenata dal duo Aubrit e Beillard (Francia, 1988; Francia, 1982) che espone per la prima volta in Italia. Sono, ad ogni...

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COPERTINA
Nanni Balestrini “Potere Operaio” 1975, collage su carta, 41,5 x 57 cm. Ph courtesy Frittelli arte contemporanea, Firenze
38 | Inchiesta sull’Intelligenza Artificiale – Potenzialità e limiti (X) / Luciano Marucci
44 | L’artista Romano Notari intimo – Testimonianze (II) / Luciano Marucci
50 | L’altra realtà di Goffredo Fofi – Alternativa e solidale (I) / Luciano Marucci
54 | Ulrich Erben – Oltre la linea / Emanuela Merullo
58 | Biennale Arte 2026 – Neospiritualismo e controstoria / Vito Ancona
60 | Zinelli&Perizzi – Cento e altri cento / Matteo Zacchigna
62 | Edoardo Crisafulli – “L’ombra della Sindone” / Rosetta Savelli
63 | Vladimir Novak...

By Tatou Dede T: How did you end up here, being an artist today? A: I think it depends on how you define the term artist. I was always in theatre since, maybe, kindergarten. When I was a child I used to produce and direct sort of nonsensical plays for my schools, wherever I was, in Oakland, San Francisco, and Berkeley. So every year I produced a very bizarre play that, for some reason, every school had me put on. And then I studied with the Berkeley Rep theater. After that I went to UCLA and...

We’re Just Here for the Bad Guys chronicles Brian Van Lau’s relationship with his estranged father. Lau’s father was absent during his childhood due to his incarceration. After his release, he rebuilt his life in Vietnam, remarried, and gradually disappeared from Lau’s life. Nearly a decade later, Lau traveled to Vietnam following his father’s sudden illness, and learned of his terminal cancer. During their final week together, they collaborated on a photographic project that documented his father’s unsuccessful path toward recovery. After his father’s passing, Lau returned to his hometown in Hawai‘i seeking closure, uncovering hidden correspondence that revealed previously unknown parts of his...

Since 1970, Rencontres d’Arles has been a major moment in the contemporary art calendar. The renowned photography festival takes place at more than 40 exhibitions, in venues right across the southern French city. Here, heritage sites and historic buildings meet pioneering lens-based practitioners who are working at the cutting-edge of the medium. The event spans the entire summer, celebrating established and emerging artists in equal measure, often placing them in direct dialogue. 2026 continues this rich trend, presenting prestigious figures from a new perspective, whilst offering a platform to those who are following in their footsteps. The 57th edition offers narratives rooted in various regions of the...

La mostra La pelle del paesaggio (The Skin of the Landscape) di Alessandro Roma (1977, Milano) alla galleria Yamamoto Keiko Rochaix Gallery, Londra, conferma l’interesse da parte dell’artista di portare avanti una personale e suggestiva visione del paesaggio tra continuità e metamorfosi. Forte di un sodalizio con la galleria già dal 2017, questo appuntamento riflette un continuum coerente di ricerche, culminando in nuove sperimentazioni tecniche ed estetiche volte a ripensare la percezione della natura e del paesaggio.
Alessandro Roma, “La pelle del paesaggio”, installation view, ph A. Christie, courtesy of Keiko Yamamoto and the Artist
Due distinte sezioni della mostra, tra loro continue, trattano...

In una mattina grigia e piovosa, di quelle che prolungano il risveglio fino alla vista del primo raggio di sole, promesso dai buchi nel tappeto di nubi da cui filtrano chiazze di luce, il corpo a testa in giù di Florentina Holzinger all’interno di una campana sospesa nel vuoto scandisce i rintocchi del dong, gettando la laguna nel silenzio. Due battelli accolgono una folla in trepidante attesa di essere traghettata verso la location della prima edizione veneziana della performance “Etudes”, ovvero una piattaforma galleggiante nel mezzo della laguna che serve da platea dove l’acqua e l’isola sullo sfondo si trasformano in un teatro con un palco fluttuante, una nave cargo verde scuro equipaggiata di...

By Melanie Chapman Timed in conjunction with the Taschen publication "My Education," the first book-form retrospective of photographer Bruce Weber's multi-decade career, the new exhibition now on view at Fahey Klein Gallery, Bruce Weber: Try a Little Tenderness, is worth more than one visit. Likely due to Weber's genre-defining success as a fashion photographer for Calvin Klein, GQ, Vogue, etc., particularly at its height in the 1980s and '90s, the line for the recent gallery opening...

Angelo Dolojan
it’s all very interesting what is happening by Angelo Dolojan is a zine featuring drawings created over the course of a year. The work weaves together observation, memory, dreams, documentation, and manifestation into a continuous visual exploration.
 
 
Angelo Dolojan’s Website
Angelo Dolojan on Instagram

By Barbara Patterson Zarina Van Ranzow's debut solo exhibition featuring work from her ongoing series Let it Bleed and Music for Lovers opened on May 8 at STONE/AGE Studios in East Los Angeles. Drawing from archival photographs of the artist's family and portraits of a variety of musicians, the series adapts photographic content into oil and airbrush paintings that pick up where the camera leaves off. Diffusing the harsh, resolute forms that photography's understanding of the subject...

In Perfectly Normal—the exhibition from Dustin Myers that ran at Los Angeles gallery Thinkspace Projects in November 2023—the Southern California artist presented a collection of young characters painted in oils. Posed in the awkward-yet-endearing postures associated with school photographs, the characters’ exaggerated facial features reveal a bevy of emotions. Some are ready for their close-up. […]
The post Dustin Myers is Perfectly Normal first appeared on Hi-Fructose Magazine.

“I have a passion for product design; most of the motifs I draw are related to consumer products,” says Shohei Ochiai. The Tokyo-based artist studied at Tama Art University, where he graduated about a decade ago, and is an admirer of the designs of consumer product company Braun, Memphis Group founder Ettore Sottsass, and famed […]
The post SHOHEI Ochiai Flattens consumer products into Surrealistic Childlike paintings first appeared on Hi-Fructose Magazine.

ABOVE: Photo of Martha Rich by Andrea Cipriani Mecchi Any artist will tell you one of the greatest gifts they ever earned was the moment they found their style—their singular take on subject, creation, and process. But much harder earned is the gift of confidence, that ability to continue in one’s style, despite all the […]
The post Martha Rich Holds It Together With Nuts & Screws first appeared on Hi-Fructose Magazine.

Chet Zar is best known for painting monsters, but over the past few years, flowers have been creeping to the center of his canvases. Zar’s blooms—hibiscus, stargazers, and sunflowers amongst them—are so vibrant that you can instantly imagine their fragrance. Their vivid colors and pert petals might stand in contrast to the unsettling, sometimes terrifying, […]
The post Life & Death: The Skull Flower Paintings of Dark Artist Chet Zar first appeared on Hi-Fructose Magazine.