Alcuni progetti non si lasciano riassumere in un elenco di attività e prodotti perché la loro logica è fondamentalmente processuale: ART.it – Art in Transition, ideato da Cristina Francucci, ex direttrice dell’Accademia di Belle Arti di Bologna, e sviluppato sotto la responsabilità scientifica di Maria Rita Bentini nell’arco di oltre un anno con il coinvolgimento di cinque istituzioni – le Accademie di Bologna, Catania e Ravenna, l’Alma Mater Studiorum e l’Università di Macerata – appartiene alla categoria dei progetti in cui il metodo di lavoro è anche, e forse soprattutto, il risultato. Finanziato nell’ambito del PNRR attraverso il MUR per le istituzioni AFAM, il progetto formativo si...

Asher Remy-Toledo, a beloved New York cultural producer, died on February 22 in Medellín, Colombia, at age 62. Hyphen Hub, an international art organization he founded and directed, confirmed his death from Hodgkin’s lymphoma in an Instagram post on February 27. He is survived by his partner, Stephen McGroarty. Over the course of more than 30 years in New York and abroad, Remy-Toledo founded and directed a range of influential media art initiatives, including his eponymous gallery and Hyphen Hub, which became his cornerstone in 2013. Asher was one of my close friends and collaborators. He was kind, accepting, and loved the weirdest things about me (and everyone, for that matter). We had intense, emotional...

prewood: a compact timber insertion in tokyo
 
In Tokyo, VUILD completes prewood, a compact timber building that occupies a narrow urban gap with a precise, modular approach. Set within a dense streetscape, the project fits between neighboring structures with a quiet confidence, its vertical cedar facade introducing a distinct texture while maintaining the rhythm of the street.
 
The exterior reads as a stacked composition of wooden panels, articulated through subtle shifts in depth and angled cuts. Openings are placed with restraint, offering glimpses of activity inside while preserving privacy along the tight frontage. The material remains untreated, allowing the cedar to weather gradually, its surface...

Marica Vilcek, an art historian who, with her husband Jan, cofounded the grant-making Vilcek Foundation, died on Monday in New York. She was 89, according to the foundation, which said she died peacefully at her home. The Vilcek Foundation is an unusual one, since it funds endeavors in both art history and biomedical science, the respective fields of Marica and Jan. Just like the foundation’s creators, both of whom moved from Czechoslovakia to the US, many of the grantees were immigrants—a purposeful choice on the part of the organization, whose mission statement mentions that its activities are meant to raise “awareness of immigrant contributions in the United States.” Countless artists and art...

In communities throughout Switzerlands’s Appenzell Hinterland and Midland regions, a unique tradition with enigmatic origins unfolds around the New Year. Known as Silvesterchlausen, the custom entails a group of boys and men who don remarkable, handmade costumes with masks and headdresses that represent rural, wild, and natural scenes. “Silvesterchlausen,” a dreamy short film by writer and director Andrew Norman Wilson, highlights this regional seasonal event, which occurs on December 31 and January 13. The first date marks the turn of the new year on the Gregorian calendar, while January 13 denotes the same on the Julian calendar. The ornately dressed mummers, in groups of six, polyphonically yodel and...

In a surprise move, OpenAI will shut down its Sora AI video app, just months after it was first launched. “We’re saying goodbye to Sora. To everyone who created with Sora, shared it, and built community around it: thank you,” the company said in a statement. “What you made with Sora mattered, and we know this news is disappointing. We’ll share more soon, including timelines for the app and API and details on preserving your work.” A source familiar with the matter tells The Hollywood Reporter that Disney is also exiting the deal it signed with OpenAI last year, in which it pledged to invest $1 billion in the company and agreed to license some of its characters for use in Sora. OpenAI, led by...

Pat Steir, who rose to prominence in the 1980s for her iconic “Waterfall” paintings, which she made by pouring paint onto canvas from atop a ladder, died in Manhattan on March 25. She was eighty-seven. Her death was confirmed by her husband, Joost Elffers, and niece Lily Sukoneck-Cohen, who survive her. Steir was also a cofounder, […]

At the ripe old age of 88, David Hockney has sounded a warning to the art world: “There’s much too much abstract painting being done now.” He was recently speaking to the Times from his Kensington studio while recovering from an infection, and he was discussing his latest exhibition, “A Year in Normandie and Some Other Thoughts About Painting” at the Serpentine, which he was unable to attend in person. The show runs through August 23 and stretches nearly 300 feet, presenting a sweeping frieze of iPad drawings depicting the gardens of his Normandy home across all four seasons. Hockney’s work emphasizes observation and representation, a deliberate counterpoint to the abstraction dominating...

Last week, Greek authorities detained an Athens-based art dealer as part of an investigation into alleged the forgery, theft, and illegal trade of antiquities. According to the Greek Reporter, Giorgos Tsagarakis, 51, and one of his employees were arrested by the country’s Organized Crime Division. The move was was part of an operation targeting what officials said was a coordinated network dealing in counterfeit and unlawfully obtained artworks. Tsagarakis is known in Greece for appearing on TV as an art expert and appraiser on the auction-style show Cash or Trash. He also owns Galerie Tsagarakis in Athens. Searches carried out across several high-end districts of the capital led to the discovery of a wide...

Museums are “remarkably unwilling to acknowledge their own status as democratic institutions, the bedrock of civic society and our most important public spaces”

Brendan Latimer hitches a ride with members of the "site-responsive opera" movement who are taking their shows out of the opera house — and out of the box.

Lisette Oropesa, Piotr Buszewski, and Luca Salsi feature in a rote revival of Michael Mayer's cloying production of La traviata.

Tish Murtha (1956 – 2013) was a teenager when she found an old camera in a derelict house. By this point, she’d already left school and had taken on variety of jobs, from selling hot dog to working in a petrol station. The discovery was a turning point in Murtha’s life, prompting her to first take a photography course at Bath Lane, Newcastle, before going on to study at the famous School of Documentary Photography at the University of Wales. After graduating, Murtha returned to Newcastle, where she documented the region’s marginalised communities from the inside. Her photographs capture the social impact of industrial decline with honesty, empathy and urgency, offering a powerful account of...

The Smithsonian’s Modern and contemporary art museum in Washington, DC revealed eight recent acquisitions that will be displayed in the garden when it reopens this autumn

The government's favourable response comes three months after the publication of Margaret Hodge's landmark Arts Council England review

The Chinese-Canadian artist explains the thinking behind the body of work she is presenting at Art Basel Hong Kong

Array

jeyifous rehearses the future through speculative utopias
 
For Olalekan Jeyifous, the future is not a distant horizon but a parallel condition: one that exists beside the present, waiting to be visualized. Trained as an architect but working fluidly across installation, illustration, and public art, the Brooklyn-based artist and designer has built a practice grounded less in solving problems than in reframing them. His work does not propose masterplans or fixed outcomes. Instead, it operates in the fertile terrain of speculation, where design becomes a narrative device and utopia a method of inquiry.
 
‘I think of a lot of these speculative projects as existing in the now, but in an alternate reality,’...

The artist meanwhile has heavily criticised her country’s decision to leave its official pavilion empty

revistula net zero workplace redefines warsaw riverfront
 
ReVistula transforms an existing office building along Warsaw’s Vistula riverfront into a net-zero landmark workplace. Designed by MJZ with Łoskiewicz Studio for Syrena Real Estate, the project reimagines the structure through circular thinking, ecological strategies, and new construction technologies. Instead of demolition, the proposal embraces reuse as a forward looking model for sustainable urban development. Developed with a focus on long term environmental value, the project responds to international tenants seeking spaces aligned with ESG standards. Conceived as both a workplace and a prototype, it demonstrates how existing buildings can...

Can’t dismantle the master’s house with the master’s tools, to paraphrase Audre Lorde. For much of his career, Ed Woodham, founder of Art in Odd Places, has worked in performance art, public art, installation, and social practice — those forms created to engage communities outside the white cube. But what do we do when the systems socially engaged art set out to challenge co-opt its forms? Meet Social Malpractice — a workshop, “warning system,” “speculative think tank,” and more. Read Woodham’s opinion piece to learn more about his inspiring work. Also in this issue, Olivia McEwan takes on Tracey Emin’s cult of personality in a review of her retrospective at Tate Modern, Nathan Gelgud...

This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.

Array

Alternative futures within sónar+D 2026 festival lineup
 
The 2026 edition of Sónar+D returns with a festival lineup that reframes technology in the era of post-AI, the physicality in the digital culture, and the different alternative futures. Set in the historic Llotja de Mar, the event brings together artists, researchers, and thinkers whose work moves across music, design, performance, and digital culture across talks, workshops, installations, and live shows. This year, the program builds a shared theme: technology not as a consumption, but as a tool to question, shape, and actively engage with. Three themes come through: ‘AI & Music’ shows our move towards a post-AI life, ‘Beyond the Screen’...

fashion enters the realm of art at the V&A
 
Positioning fashion as a site of artistic production rather than adornment, Victoria and Albert Museum (V&A)’s  Schiaparelli: Fashion Becomes Art exhibition reframes Elsa Schiaparelli as a key figure who dissolved the boundary between couture and avant-garde practice, bringing her surrealist collaborations into direct dialogue with contemporary fashion under Daniel Roseberry’s creative direction.
 
On view until March 28th, 2026, the first exhibition in the UK devoted entirely to the house of Elsa Schiaparelli, staged at the Sainsbury Gallery, spans nearly a century of radical design, tracing the couturier’s trajectory from her experimental beginnings in...

We are really pleased to announce that DO YOU LIKE LOVE? is now available to order!
Do you like love? The question came from a conversation, recalled by a friend. Her elderly neighbour used to cry for ‘elp!’ and Jane’s husband Pip would rush to her aide. Sometimes she’d fallen, but rarely; although she was blind she had lived in that house for 60 years, she knew every inch of it. A house filled with memories of her husband, their life together, and her aloneness after his death. On this one day that she called out, she was found sitting with the television on, a black and white film playing out a romantic scene from the 1950s.
‘Do you like love, Pippy?’ she said, ‘I like love.’
Quiet...

Array

Array

Array

Līmĕn, sostantivo neutro terza declinazione latina: soglia, confine, limite estremo, frontiera. Ci soccorre la molteplicità di significati della parola latina per provare a illustrare il concetto chiave e i progetti fotografici dell’edizione 2026 della Biennale di Fotografia Femminile di Mantova, diretta da Alessia Locatelli e organizzata dall’Associazione La Papessa. “Liminal” è il titolo di questa quarta edizione che, non soltanto, propone lo sguardo femminile sulle dinamiche del mondo (e, in misura minoritaria, anche sulla fotografia artistica), ma soprattutto tenta di portare alla nostra attenzione, e con il fil rouge 2026 più che mai, storie provenienti da luoghi che, seppur marginali,...

LONDON — There’s an unsettling sensation of reading someone’s personal diary upon entering Tracey Emin’s retrospective A Second Life at Tate Modern, for that’s what her entire body of work is. The Young British Artists movement (YBAs) — of which she and Damien Hirst were perhaps the loudest figures in the 1990s — was once described as a mere footnote in art history, but today that’s no longer the case; Emin is now a Dame and was professor of drawing at the Royal Academy from 2011 to 2013. Nevertheless, her work has no art historical anchor: There is no socio-political commentary, no observations about British life or womanhood, nor any subject that lies outside of the immediate orbit — or...

Pat Steir, who made a name for herself via wall-size abstractions that she achieved by pouring paint from a ladder, died on Wednesday in Manhattan of natural causes. She was 87. Her death was confirmed by her husband Joost Elffers, her niece Lily Sukoneck-Cohen, and Marc Payot, president of Hauser & Wirth, which had represented Steir since 2022. “Working so closely with Pat Steir—spending so much time with her, immersed in her work together and enjoying such a close friendship—counts among the great privileges of my career,” Payot said in a statement. “She emerged out of minimalism and conceptualism, but Pat created a visual language wholly her own—a new kind of abstraction that encompasses...

Lebanese artist Ali Sbeity has been killed in an Israeli airstrike in the southern town of Kafra, according to local media reports and the international artistic freedom organization Artists at Risk Connection (ARC). Sbeity painted vibrant portraits and landscapes of his rural hometown in Southern Lebanon, often sharing his works on his Facebook page. The Beirut-based news outlet Al-Akhbar reported that Sbeity was killed in an Israeli bombing on Kafra, located in the Southern part of the country, where Israel has intensified air strikes in recent weeks.ARC’s executive director, Julie Trébault, told Hyperallergic that the organization confirmed Sbeity’s death with a “local partner” in Lebanon. The...

Gabrielle Goliath, who was to have to have represented South Africa at the Sixty-First Venice Biennale before a government official abruptly canceled her exhibition, will instead show her work outside the event. The latest version of Goliath’s Elegy project will be on view at the Chiesa di Sant’Antonin in Venice’s Castello district, near the Biennale’s main exhibition, from May 5 to […]

From factories and barrel-roofed buildings to gabled churches and towers, Charles Young’s sprawling yet diminutive city of paper models continues to grow. Known for his miniature constructions and animations that often double as three-dimensional color studies, the sculptor and animator highlights a wide range of architectural styles with an emphasis on color pairings. Since 2020, Young has been making hundreds of miniature structures inspired by A Dictionary of Color Combinations by Japanese costume designer and painter Sanzo Wada (1883-1967). (There’s even a fun, interactive website based on the book.) So far, Young has completed 258 buildings from the first volume, which focuses on two-color...

KINGSTON, N.Y. – I have written extensively about East and South Asian artists who make art in the diaspora, such as Jiha Moon and Sangram Majumdar. In their work, one sees traces of their bifurcated life. But this marks the first time I am writing about a Scandinavian artist working in the diaspora because it is evident that the color, light, landscape, and stories of her childhood have made an impact on her work. Anki King, whose work is on view at the Lace Mill in Kingston (through March 29), was born on a farm in Norway, attended Oslo Drawing and Painting School, which did not grant a degree at the time, and emigrated to America in 1995, when she was 25. Since then, she has lived in New York, becoming...

The writer and artist discusses her visual work, on view at New York's American Academy of Arts and Letters

Henrik Aarrestad Uldalen captures people in oils with all the precision and clarity of a camera. He then places these incredibly lifelike images in impossible scenes. Uldalen’s models float in blank spaces. They precariously climb staircases that spiral upside down. They fall from buildings that tilt at odd angles. The Oslo-based artist’s work isn’t so […]
The post Weightless: The Paintings of Henrik Uldalen first appeared on Hi-Fructose Magazine.

Studio Loan wants to connect LA artists with the space they need — for free By Kristine Schomaker 60% of artists in Los Angeles don't have a studio outside their home. Or one at all. I think about that number a lot. Because space — or the lack of it — shapes everything. What you can make. How you can show it. Whether you can even invite someone in to see the work. Studio visits matter. Not in some abstract networking way, but in the real, tangible way where someone comes to your space, stands...

Baldernock is a small parish located in the hills just north of Scotland’s largest city. It’s only seven miles between the village and Glasgow city center, but its atmospheric moorland and rolling fields, dotted with sheep, feel a world away. For photographer Camille Lemoine, who currently lives in Glasgow and grew up in Bladernock, the familiar rhythms of small town life, agriculture, and the country’s legendarily mercurial weather lend themselves to a series called Down Tower Road. Intimate images capture steel gray clouds, gnarled trees, elegant grasses, and clusters of purple heather. Lemoine also emphasizes the presence of the female body, whether communing with the earth in a narrow track through a...

For the 13th edition of Design Shanghai, Hu Yuehua presented a bold bouquet intersecting organic forms and human craft traditions. “Weaving Nature” is a large-scale composition of indigo and ochre leaves, blooms, and growths stitched together from dyed cotton and linen. Tightly nested in a wall-like garden, the individual pieces form a dense field of color and texture. Loose threads, raw edges, and tight rows of pleats radiate across the upright piece, merging evidence of the artist’s hand with the natural forms she depicts. Design Shanghai concluded last week, but you can see more of the projects on display at the annual event on its website. Do stories and artists like this matter to you? Become a...

With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic's upcoming operatic engagements.

El último sueño de Frida y Diego at the Lyric Opera of Chicago is a visual and sonic wonder, but a weak libretto dampens its effect.

Riding a bike. Singing. Going to a football match. These are everyday activities for most people, but not for Iranian women. Instead, they are part of a wealth of experiences that have been restricted for women and girls since the 1979 Revolution. In the decades before the Revolution, the women’s movement in Iran had made important strides. The right to vote and to take their rightful place in various contexts was improved, and more and more doors opened in society. But since, a series of laws once again limited women’s rights in the public arena and laid the foundations for a gender-segregated reality. Creative duo Atoosa Farahmand and Oscar Hagberg depict the lives of women and girls in Iran, marked by...

Kristina Tzekova  
   
   
   
   
   
   
   
   
   
   
   
   
 
Kristina Tzekova’s Website
Kristina Tzekova on Instagram

A Milano la quindicesima edizione della fiera italiana dedicata alla fotografia si è presentata come luogo di incontro e influenza delle più interessanti ricerche nell’ambito dell’immagine. Tramite uno sguardo mirato alla rappresentazione della complessità del contemporaneo, la direttrice Francesca Malgara, ha delineato il tema della Metamorfosi come ambito che interpreta al meglio i cambiamenti repentini tipici della realtà del nostro tempo, mettendolo in collegamento con i profondi cambiamenti avvenuti all’interno del linguaggio fotografico e aprendo il dialogo all’universo di riflessioni sulla realtà che questa tematica suscita.
MIA Photo Fair BNP Paribas 2026, ph. Zima Studio, courtesy MIA...

The Wagner Foundation today announced Tomashi Jackson, Lucy Kim, and Yu-Wen Wu as the winners of its 2026 Wagner Arts Fellowships. Inaugurated last year, the fellowships are awarded annually to mid-career or established artists in the Boston area who are engaged with social change. Each fellowship is accompanied by a $75,000 unrestricted grant. The winning artists are offered professional development opportunities […]

The auction of a newly-discovered Renaissance portrait, attributed to German master Hans Baldung Grien in January, has been paused following the work being declared a French National Treasure. The last-minute intervention by the French culture ministry means that the work, which was expected to be sold by the auction house Beaussant Lefèvre on March 23, will now […]

Like a miniature chapel with enough space for one person to stand comfortably, Judith Schaechter’s glowing installation, “Super/Natural,” invites viewers to reflect on nature. An exhibition of the same name just opened at Claire Oliver Gallery and pays homage to biophilia, a theory positing that humans seek connections with nature through an innate attraction. Schaechter celebrates this propensity with a cornucopia of florals, insects, birds, and other imaginative organic forms. “The vernacular of stained glass is one of worship and mythology,” Schaechter says. “Super/Natural turns this a bit on its head, creating a secular sanctuary for contemplating beauty, nature, and our relationship to it.”...

Experimentation, modernism and the shifting boundary between art and commerce define Lillian Bassman: Bazaar and Beyond, a compelling new exhibition at The Metropolitan Museum of Art. Drawing on a transformative gift from the artist’s estate, the presentation reframes fashion photography as a site of radical visual inquiry rather than mere commercial output. Across more than 60 works, the exhibition reveals a practice grounded in process, materiality and reinvention. Here, the magazine page becomes an arena for aesthetic risk, where gesture and atmosphere displace clarity and precision. The show foregrounds the tension between control and spontaneity, tracing how Bassman’s work resists fixity. As Max...

In Tales from Fractured Minds la memoria personale e identitaria di sette giovani artisti viene analizzata e dissezionata. In un tempo in cui il corpo è terreno politico e l’identità appare costantemente ridefinita e distorta dal ‘fuori’ il ricordo assume una propria dignità e autonomia, trasformandosi in un organismo vivo e puro sentimento umano.
AA.VV., “Tales from Fractured Minds”, 2026, installation view, works by Tatjana Danneberg and Hanna Antonsson, courtesy of the artists and The Address, ph. Alberto Favara
Ad accogliere il nostro sguardo all’entrata di The Address c’è Weekends and beginnings dell’austriaca Tatjana Danneberg, che costruisce, attraverso la raccolta di scatti e...

Mary Iverson paints bucolic, sweeping landscapes reminiscent of the late nine-teenth century that look as if were discovered in the dusty corners of an underrated thrift store. At first look, I assume the canvases are found objects, painted over and re-imagined as something quite different than the original painter intended. This is only partially true. […]
The post Worlds Collide: The Art of Mary Iverson first appeared on Hi-Fructose Magazine.

Sami Farra is this artist we selected for this year’s Capture Photography Festival! Sami is an architect and photographer based in Lausanne, Switzerland. Combining image and object, his work questions the photographic medium in its representation of reality, offering a unique vision of our shared environment. Sami’s interest in images developed during his architecture studies which led him to explore the links between photography and architecture in greater depth at CEPV (Centre d’enseignement professionnel de Vevey).
As the winner of our open call Sami’s work will be installed at the Olympic Village Canada Line Station in Vancouver. The images on display are part of a project involving accidental...

Movement, memory and the infrastructures that quietly shape daily life underpin Phoebe Boswell’s latest commission for London’s Underground, where escalators become both conduit and canvas. Water threads through the work as a conceptual and historical force, linking subterranean rivers with human passage above them. The project situates transit as a site of reflection, where repetition and routine open onto questions of belonging and visibility. Beneath the surface of the city, layered geographies and suppressed ecologies echo the lived experiences of those who move through its spaces. Boswell’s intervention reframes the Underground as a place where histories converge, diverge and resurface in unexpected...

La premessa da cui muove la pratica dell’artista olandese Anneke Eussen (Kerkrade, 1978, vive a Vaals), di cui è in corso la prima mostra personale in Italia alla Galleria Studio G7 di Bologna, è l’intuizione della consistenza materica del tempo. La prima conseguenza è l’idea che i materiali (quelli da lei più frequentati sono il vetro, il marmo e il metallo) siano depositari di durate, stratificazioni e momenti vissuti che persistono nella materia anche quando la funzione originaria è venuta meno. In base a questi presupposti, ogni successiva scelta tecnica e compositiva si configura come un gesto di ascolto verso ciò il tempo ha depositato sulla superficie dei materiali infiltrandosi in...

Exploration and absence form the twin axes of Sophie Calle’s (b. 1953) compelling body of work. From the delicate interplay of text and image to her investigations into the seen and unseen, her art occupies a space between intimacy and universality, curiosity and revelation. Themes of love, memory, longing, beauty, and mortality pulse throughout her practice, inviting viewers to reconsider the boundaries of perception. In her latest exhibition, Something Missing?, opening 26 March at the Louisiana Museum of Modern Art in Denmark, Calle presents seven major series alongside additional works spanning nearly four decades. Totalling more than 300 individual pieces of photographs, texts and videos, the exhibition...

Cezar Berje  
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
   
 
Cezar Berje’s Website
Cezar Berje on Instagram

 
Who doesn’t love a good photo book? To flick through the pages, be enlightened, educated, distracted and absorbed into another world through another’s eyes? Totally fantastic!
We’re here to share our Photobook Favourites – a selection of our favourite photography books recommended by the Shutter Hub community, an archive of titles we’ve enjoyed, and a reference point for you to explore. Las Pelilargas, Irina Werning, GOST
For 18 years photographer Irina Werning travelled across Latin America to seek out those with long hair to uncover and understand its cultural significance. Her book Las Pelilargas (the long-haired ones) brings together this body of work in an exploration and celebration of...

ABOVE: Gaza Cinderella, Northern Gaza Strip, 2012“Although her drawing is filled with soldiers, helicopters, and tanks, “Amara” only spoke about her intense fear of missile strikes. When a building or other structure is targeted in Gaza, it is often hit with a barrage of several missiles to ensure its complete destruction. The sound of successive […]
The post WAR TOYS: Photographer Brian McCarty Travels to War Zones & Refugee Camps To Communicate Children’s Stories When Words Fail first appeared on Hi-Fructose Magazine.

Embroidery as an art form is often overlooked as a craft, but that is part of its appeal to Burbank, California-based artist Michelle Kingdom, who uses embroidery to express her innermost thoughts and escape to her imaginary world. Michelle Kingdom’s unexpected approach to embroidery is like a painter’s, and some have dubbed her work as […]
The post The Embodieries of Michelle Kingdom Capture the murky tangle of our interior world first appeared on Hi-Fructose Magazine.